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Princess Betsy drove home from the theater, without waiting for the end of the last act. She had only just time to go into her dressing room, sprinkle her long, pale face with powder, rub it, set her dress to rights, and order tea in the big drawing room, when one after another carriages drove up to her huge house in Bolshaia Morskaia. Her guests stepped out at the wide entrance, and the stout porter, who used to read the newspapers in the mornings behind the glass door, to the edification of the passersby, noiselessly opened the immense door, letting the visitors pass by him into the house. Almost at the same instant the hostess, with freshly arranged coiffure and freshened face, walked in at one door and her guests at the other door of the drawing room, a large room with dark walls, downy rugs, and a brightly lighted table, gleaming with the light of candles, white cloth, silver samovar, and transparent china tea things. The hostess sat down at the...


Translated from the French by Robert Helms "Avant L'Enterrement" first appeared in the Paris newspaper Gil Blas on April 19, 1887 Mr. Poivret got down from his wagon in front of the shop owned by his son-in-law Pierre Gasselin, tied the horse to a thick iron ring and, after three times checking the tightness of the tether's knot, he entered the butcher shop cracking his horse-whip. "Anyone there?" he yelled. A dog, sleeping with its body stretched across a sunny patch of floor, got up with a low groan and then laid itself out a little farther out of the way. The store was deserted, and since it was Thursday, the meat rack was pretty close to empty. A quarter of nearly black beef lay on the block, covered with flies, and a lamb's heart, spli... (From : Mid-Atlantic Infoshop.)

A Tale of 1852That whole part of the Terek line (about fifty miles) along which lie the villages of the Grebensk Cossacks is uniform in character both as to country and inhabitants. The Terek, which separates the Cossacks from the mountaineers, still flows turbid and rapid though already broad and smooth, always depositing grayish sand on its low reedy right bank and washing away the steep, though not high, left bank, with its roots of century-old oaks, its rotting plane trees, and young brushwood. On the right bank lie the villages of pro-Russian, though still somewhat restless, Tartars. Along the left bank, back half a mile from the river and standing five or six miles apart from one another, are Cossack villages. In olden times most of these villages were situated on the banks of the river; but the Terek, shifting northward from the mountains year by year, washed away those banks, and now there remain only the ruins of the old villages and of the gardens of pear and plum trees and poplars, a...

A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)

In our village there was an old, old man, Pímen Timoféich. He was ninety years old. He was living at the house of his grandson, doing no work. His back was bent: he walked with a cane and moved his feet slowly. He had no teeth at all, and his face was wrinkled. His nether lip trembled; when he walked and when he talked, his lips smacked, and one could not understand what he was saying. We were four brothers, and we were fond of riding. But we had no gentle riding-horses. We were allowed to ride only on one horse,—the name of that horse was Raven. One day mama allowed us to ride, and all of us went with the valet to the stable. The coachman saddled Raven for us, and my eldest brother was the first to take a ride. He rode for a long time; he rode to the threshing-floor and around the garden, and when he came back, we shouted: "Now gallop past us!" My elder brother began to strike Raven with his feet and with the whip, and R...

In Petersburg in the eighteen-forties a surprising event occurred. An officer of the Cuirassier Life Guards, a handsome prince who everyone predicted would become aide-de-camp to the Emperor Nicholas I. and have a brilliant career, left the service, broke off his engagement to a beautiful maid of honor, a favorite of the Empress’s, gave his small estate to his sister, and retired to a monastery to become a monk. This event appeared extraordinary and inexplicable to those who did not know his inner motives, but for Prince Stepan Kasatsky himself it all occurred so naturally that he could not imagine how he could have acted otherwise. His father, a retired colonel of the Guards, had died when Stepan was twelve, and sorry as his mother was to part from her son, she entered him at the Military College as her deceased husband had intended. The widow herself, with her daughter, Varvara, moved to Petersburg to be near her son and have him with her for the ho...

Ivan Mironov's murderers were brought to trial, Stepan Pelageushkine among them. He had a heavier charge to answer than the others, all the witnesses having stated that it was he who had smashed Ivan Mironov’s head with a stone. Stepan concealed nothing when in court. He contented himself with explaining that, having been robbed of his two last horses, he had informed the police. Now it was comparatively easy at that time to trace the horses with the help of professional thieves among the gypsies. But the police officer would not even permit him, and no search had been ordered. “Nothing else could be done with such a man. He has ruined us all.” “But why did not the others attack him. It was you alone who broke his head open.” “That is false. We all fell upon him. The village agreed to kill him. I only gave the final stroke. What is the use of inflicting unnecessary sufferings on a man?” The judges were aston...

A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...

From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. BOOK THE FIRST CHARACTER OF THE SHEPHERDESS AND HER LOVER. -FEAST OF RUTHYN.-SONGS OF THE BARDS. LISTEN, O man! to the voice of wisdom. The world thou inhabitest was not intended for a theater of fruition, nor destined for a scene of repose. False and treacherous is that happiness, which has been preceded by no trial, and is connected with no desert. It is like the gilded poison that undermines the human frame. It is like the hoarse murmur of the winds that announces the brewing tempest. Virtue, for such is the decree of the Most High, is evermore obliged to pass through the ordeal of temptation, and the thorny paths of adversity. If, in this day of her trial, no foul blot obscure her luster, no irresolution and instability tarnish the clearness of her spirit, then may she rejoice in the view of her approaching reward, and receive with an open heart the...


Selected Letters of Nicola Sacco from the Charlestown State Prison July 19, 1927 MY DEAR INES: I would like that you should understand what I am going to say to you, and I wish I could write you so plain, for I long so much to have you hear all the heart-beat, eagemess of your father, for I love you so much as you are the dearest little beloved one. It is quite hard indeed to make you understand in your young age, but I am going to try from the bottom of my heart to make you understand how dear you are to your father's soul. If I cannot succeed in doing that, I know that you will save this letter and read it over in future years to come and you will see and feel the same heart-beat affection as your father feels in writing it to you. I will... (From : umkc.edu.)

A Powerful Disseminator Of Radical Thought
So long as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations. But when the dumb unrest grows into conscious expression and becomes almost universal, it necessarily affects all phases of human thought and action, and seeks its individual and social expression in the gradual transvaluation of existing values. An adequate appreciation of the tremendous spread of the modern, conscious social unrest cannot be gained from merely propagandistic literature. Rather must we become conversant with the larger phases of human expression manifest in art, literature, and, above all, the modern drama--the strongest and most far-reaching interprete... (From : Anarchy Archives.)

THE SCANDINAVIAN DRAMA: AUGUST STRINDBERG COMRADES Although comrades was written in 1888, it is in a measure the most up-to-date play of Strindberg,-so thoroughly modern that one at all conversant with the milieu that inspired " Comrades " could easily point out the type of character portrayed in the play. It is a four-act comedy of marriage - the kind of marriage that lacks social and legal security in the form of a ceremony, but retains all the petty. conventions of the marriage institution. The results of such an anomaly are indeed ludicrous when viewed from a distance, but very tragic for those who play a part in it. Axel Alberg and his wife Bertha are Swedish artists residing in Paris. They are both painters. Of course they share the same living quarters, and although each has a separate room, the arrangement does not hinder them from trying to regulate each other's movements. Thus when Bertha does n...

PREFACE The following narrative is intended to answer a purpose, more general and important than immediately appears upon the face of it. The question now afloat in the world respecting THINGS AS THEY ARE, is the most interesting that can be presented to the human mind. While one party pleads for reformation and change, the other extols, m the warmest terms, the existing constitution of society. It seemed as if something would be gained for the decision of this question, if that constitution were faithfully developed in its practical effects. What is now presented to the public, is no refined and abstract speculation; it is a study and delineation of things passing in the moral world. It is but of late that the inestimable importance of political principles has been adequately apprehended. It is now known to philosophers, that the spirit and character of the government intrudes itself into every rank of society. But this is a truth, highly worthy to be c...

A Critical Essay on ShakespeareThe drama of "Lear" begins with a scene giving the conversation between two courtiers, Kent and Gloucester. Kent, pointing to a young man present, asks Gloucester whether that is not his son. Gloucester says that he has often blushed to acknowledge the young man as his son, but has now ceased doing so. Kent says he "can not conceive him." Then Gloucester in the presence of this son of his says: "The fellow's mother could, and grew round-wombed, and had a son for her cradle ere she had a husband for her bed." "I have another, a legitimate son," continues Gloucester, "but although this one came into the world before he was sent for, his mother was fair and there was good sport at his making, and therefore I acknowledge this one also." Such is the introduction. Not to mention the coarseness of these words of Gloucester, they are, farther, out of place in the mouth of a person intended to represent a noble character. One can not agree with the opinion of some critics that thes...


Published Essays and Pamphlets An Unexpected Dash Through Spain by Emma Goldman [Published in The Road to Freedom (New York)] [Part I, Vol. 5, no. 8, April, 1929] SITTING tucked away in quiet St. Tropez, at work on my autobiography, I was as far from the thought of a trip to Spain as if I had been living in Tokio, Shanghai or Kamchatka. I did plan a rest away from my book during the Christmas holidays. One needs a break, even in the most ideal love life, and the process of reliving and writing one's past is anything but ideal. Au contraire, as we say in France! It is very painful, with much of the bitter and nothing of the sweet that love represents. Writing strenuously for five months entitled me to a rest; even my enemies couldn't grudge ... (From : University of Berkeley.)

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