Vronsky had not even tried to sleep all that night. He sat in his armchair, looking straight before him or scanning the people who got in and out. If he had indeed on previous occasions struck and impressed people who did not know him by his air of unhesitating composure, he seemed now more haughty and self-possessed than ever. He looked at people as if they were things. A nervous young man, a clerk in a law court, sitting opposite him, hated him for that look. The young man asked him for a light, and entered into conversation with him, and even pushed against him, to make him feel that he was not a thing, but a person. But Vronsky gazed at him exactly as he did at the lamp, and the young man made a wry face, feeling that he was losing his self-possession under the oppression of this refusal to recognize him as a person. Vronsky saw nothing and no one. He felt himself a king, not because he believed that he had made an impression on Anna—he did not yet...
The ResurrectionThere was great commotion in the corridors of the court when Nekhludoff entered. The attendants flitted to and fro breathlessly, delivering orders and documents. Police captains, lawyers and clerks passed now one way, now the other; complainants and defendants under bail leaned sadly against the walls, or were sitting and waiting. "Where is the Circuit Court?" asked Nekhludoff of one of the attendants. "Which one? There is a civil division and a criminal one." "I am a juror." "Criminal division. You should have said so. This way, to the right, then turn to your left. The second door." Nekhludoff went as directed. At the door two men stood waiting. One was a tall, stout merchant, a good-natured man, who had evidently partaken of some liquor and was in very high spirits; the other was a clerk of Jewish extraction. They were talking about the price of wool when Nekhludoff approached them and asked if that was the j...
Boyhood, by Leo Tolstoy
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
During harvest-time the men and women went out to work. In the village were left only the old and the very young. In one hut there remained a grandmother with her three grandchildren. The grandmother made a fire in the oven, and lay down to rest herself. Flies kept alighting on her and biting her. She covered her head with a towel and fell asleep. One of the grandchildren, Másha (she was three years old), opened the oven, scraped some coals into a potsherd, and went into the vestibule. In the vestibule lay sheaves: the women were getting them bound. Másha brought the coals, put them under the sheaves, and began to blow. When the straw caught fire, she was glad; she went into the hut and took her brother Kiryúsha by the arm (he was a year and a half old, and had just learned to walk), and brought him out, and said to him: "See, Kiryúsha, what a fire I have kindled." The sheaves were already burning and crackling. When the...
When later the staff-captain crossed the threshold of his quarters, entirely different thoughts entered his mind. He looked around his little chamber, with its uneven earth floor, and saw the windows all awry, pasted over with paper, his old bed, with a rug nailed over it, upon which was depicted a lady on horseback, and over which hung two Tula pistols, the dirty couch of a cadet who lived with him, and which was covered with a chintz coverlet; he saw his Nikita, who, with untidy, tallowed hair, rose from the floor, scratching his head; he saw his ancient cloak, his extra pair of boots, and a little bundle, from which peeped a bit of cheese and the neck of a porter bottle filled with vodka, which had been prepared for his use on the bastion, and all at once he remembered that he was obliged to go with his company that night to the fortifications. “It is certainly foreordained that I am to be killed to-night,” thought the captain.... “I feel it. And the p...
THE GERMAN DRAMA: GERHART HAUPTMANN LONELY LIVES Gerhart Hauptmann is the dramatist of whom it may be justly said that he revolutionized the spirit of dramatic art in Germany: the last Mohican of a group of four-Ibsen, Strindberg, Tolstoy, and Hauptmann-who illumined the horizon of the nineteenth century. Of these Hauptmann, undoubtedly the most human, is also the most universal. It is unnecessary to make comparisons between great artists: life is sufficiently complex to give each his place in the great scheme of things. If, then, I consider Hauptmann more human, it is because of his deep kinship with every stratum of life. While Ibsen deals exclusively with one attitude, Hauptmann embraces all, understands all, and portrays all, because nothing human is alien to him. Whether it be the struggle of the transition stage in " Lonely Lives," or the conflict between the Ideal and the Real in " The Sunken Bell," or the brutal background of poverty in...
Its Nature, Object, and Destiny
The Revolution of February raised two leading questions: one economic, the question of labor and property; the other political, the question of government or the State. On the first of these questions the socialistic democracy is substantially in accord. They admit that it is not a question of the seizure and division of property, or even of its repurchase. Neither is it a question of dishonorably levying additional taxes on the wealthy and property-holding classes, which, while violating the principle of property recognized in the constitution, would serve only to overturn the general economy and aggravate the situation of the proletariat. The economic reform consists, on the one hand, in opening usurious credit to competition and thereby ... (From : proudhonlibrary.org.)
A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...
The woman went away with the girls. Michael rose from the bench, put down his work, and took off his apron. Then, bowing low to Simon and his wife, he said: “Farewell, masters. God has forgiven me. I ask your forgiveness, too, for anything done amiss.” And they saw that a light shone from Michael. And Simon rose, bowed down to Michael, and said: “I see, Michael, that you are no common man, and I can neither keep you nor question you. Only tell me this: how is it that when I found you and brought you home, you were gloomy, and when my wife gave you food you smiled at her and became brighter? Then when the gentleman came to order the boots, you smiled again and became brighter still? And now, when this woman brought the little girls, you smiled a third time, and have become as bright as day? Tell me, Michael, why does your face shine so, and why did you smile those three times?” And Michael answered: “Light shines from me because I have...