Stephan Arkadyevitch had gone to Petersburg to perform the most natural and essential official duty—so familiar to everyone in the government service, though incomprehensible to outsiders—that duty, but for which one could hardly be in government service, of reminding the ministry of his existence—and having, for the due performance of this rite, taken all the available cash from home, was gaily and agreeably spending his days at the races and in the summer villas. Meanwhile Dolly and the children had moved into the country, to cut down expenses as much as possible. She had gone to Ergushovo, the estate that had been her dowry, and the one where in spring the forest had been sold. It was nearly forty miles from Levin’s Pokrovskoe. The big, old house at Ergushovo had been pulled down long ago, and the old prince had had the lodge done up and built on to. Twenty years before, when Dolly was a child, the lodge had been roomy and comfortable, tho...
The ResurrectionHaving breakfasted, Nekhludoff went to the cabinet to see for what hour he was summoned to appear at court, and to answer the Princess' note. In the work-room stood an easel with a half-finished painting turned face downward, and on the wall hung studies in drawing. On seeing that painting, on which he had worked two years, and those drawings, he called to mind the feeling of impotence, which he experienced of late with greatest force, to make further advance in the art. He explained this feeling by the development of a fine esthetic taste, and yet this consciousness caused him unpleasant sensations. Seven years before he had retired from active service he decided that his true vocation in life was painting, and from the height of his artistic activity he looked down upon all other occupations. And now it appeared that he had no right to do so, and every recollection of it was disagreeable to him. He looked on all the luxurious appointments of the work-room...
Boyhood, by Leo Tolstoy
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
A peasant once went to the gardener's, to steal cucumbers. He crept up to the cucumbers, and thought: "I will carry off a bag of cucumbers, which I will sell; with the money I will buy a hen. The hen will lay eggs, hatch them, and raise a lot of chicks. I will feed the chicks and sell them; then I will buy me a young sow, and she will bear a lot of pigs. I will sell the pigs, and buy me a mare; the mare will foal me some colts. I will raise the colts, and sell them. I will buy me a house, and start a garden. In the garden I will sow cucumbers, and will not let them be stolen, but will keep a sharp watch on them. I will hire watchmen, and put them in the cucumber patch, while I myself will come on them, unawares, and shout: 'Oh, there, keep a sharp lookout!'" And this he shouted as loud as he could. The watchmen heard it, and they rushed out and beat the peasant.
SEVASTOPOL IN DECEMBER, 1854. The flush of morning has but just begun to tinge the sky above Sapun Mountain; the dark blue surface of the sea has already cast aside the shades of night and awaits the first ray to begin a play of merry gleams; cold and mist are wafted from the bay; there is no snow—all is black, but the morning frost pinches the face and crackles underfoot, and the far-off, unceasing roar of the sea, broken now and then by the thunder of the firing in Sevastopol, alone disturbs the calm of the morning. It is dark on board the ships; it has just struck eight bells. Toward the north the activity of the day begins gradually to replace the nocturnal quiet; here the relief guard has passed clanking their arms, there the doctor is already hastening to the hospital, further on the soldier has crept out of his earth hut and is washing his sunburnt face in ice-encrusted water, and, turning towards the crimsoning east, crosses himself quickly...
THE SCANDINAVIAN DRAMA: HENRIK IBSEN GHOSTS The social and revolutionary significance of Henrik Ibsen is brought out with even greater force in "Ghosts" than in his preceding works. Not only does this pioneer of modern dramatic art undermine in "Ghosts" the Social Lie and the paralyzing effect of Duty, but the uselessness and evil of Sacrifice, the dreary Lack of Joy and of Purpose in Work are brought to light as most pernicious and destructive elements in life. Mrs. Alving, having made what her family called a most admirable match, discovers shortly after her marriage that her husband is a drunkard and a roué. In her despair she flees to her young friend, the divinity student Manders. But he, preparing to save souls, even though they be encased in rotten bodies, sends Mrs. Alving back to her husband and her duties toward her home. Helen Alving is young and immature. Besides, she l...
Its Nature, Object, and Destiny
The Revolution of February raised two leading questions: one economic, the question of labor and property; the other political, the question of government or the State. On the first of these questions the socialistic democracy is substantially in accord. They admit that it is not a question of the seizure and division of property, or even of its repurchase. Neither is it a question of dishonorably levying additional taxes on the wealthy and property-holding classes, which, while violating the principle of property recognized in the constitution, would serve only to overturn the general economy and aggravate the situation of the proletariat. The economic reform consists, on the one hand, in opening usurious credit to competition and thereby ... (From : proudhonlibrary.org.)
A Critical Essay on ShakespeareThe drama of "Lear" begins with a scene giving the conversation between two courtiers, Kent and Gloucester. Kent, pointing to a young man present, asks Gloucester whether that is not his son. Gloucester says that he has often blushed to acknowledge the young man as his son, but has now ceased doing so. Kent says he "can not conceive him." Then Gloucester in the presence of this son of his says: "The fellow's mother could, and grew round-wombed, and had a son for her cradle ere she had a husband for her bed." "I have another, a legitimate son," continues Gloucester, "but although this one came into the world before he was sent for, his mother was fair and there was good sport at his making, and therefore I acknowledge this one also." Such is the introduction. Not to mention the coarseness of these words of Gloucester, they are, farther, out of place in the mouth of a person intended to represent a noble character. One can not agree with the opinion of some critics that thes...
We know that we have passed out of death into life, because we love the brethren. He that loveth not abideth in death. —1 Epistle St. John iii. 14. Whoso hath the world’s goods, and beholdeth his brother in need, and shutteth up his compassion from him, how doth the love of God abide in him? My little children, let us not love in word, neither with the tongue; but in deed and truth. —iii. 17-18. Love is of God; and every one that loveth is begotten of God, and knoweth God. He that loveth not knoweth not God; for God is love. —iv. 7-8. No man hath beheld God at any time; if we love one another, God abideth in us. —iv. 12. God is love; and he that abideth in love abideth in God, and God abideth in him. —iv. 16. If a man say, I love God, and hateth his brother, he is a liar; for he that loveth not his brother whom he hath seen, how can he love God whom he hath not seen? —iv. 20.