The first person to meet Anna at home was her son. He dashed down the stairs to her, in spite of the governess’s call, and with desperate joy shrieked: "Mother! mother!" Running up to her, he hung on her neck. "I told you it was mother!" he shouted to the governess. "I knew!" And her son, like her husband, aroused in Anna a feeling akin to disappointment. She had imagined him better than he was in reality. She had to let herself drop down to the reality to enjoy him as he really was. But even as he was, he was charming, with his fair curls, his blue eyes, and his plump, graceful little legs in tightly pulled-up stockings. Anna experienced almost physical pleasure in the sensation of his nearness, and his caresses, and moral soothing, when she met his simple, confiding, and loving glance, and heard his naïve questions. Anna took out the presents Dolly’s children had sent him, and told her son what sort of little girl was Tanya at Mosco...
The ResurrectionTheir conversation was interrupted by the inspector, who announced that it was time to depart. Nekhludoff rose, took leave of Vera Efremovna, and strode to the door, where he stopped to observe what was taking place before him. "Ladies and gentlemen, the time is up," said the inspector as he was going out. But neither visitors nor prisoners stirred. The inspector's demand only called forth greater animation, but no one thought of departing. Some got up and talked standing; some continued to talk sitting; others began to cry and take leave. The young man continued to crumple the bit of paper, and he made such a good effort to remain calm that his face seemed to bear an angry expression. His mother, hearing that the visit was over, fell on his shoulder and began to sob. The girl with the sheep eyes—Nekhludoff involuntarily followed her movements—stood before the sobbing mother, pouring words of consolation into her ear. The old man with th...
Boyhood, by Leo Tolstoy
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
Búlka and Milton died at the same time. The old Cossack did not know how to get along with Milton. Instead of taking him out only for birds, he went with him to hunt wild boars. And that same fall a tusky boar ripped him open. Nobody knew how to sew him up, and so he died. Búlka, too, did not live long after the prisoners had caught him. Soon after his salvation from the prisoners he began to feel unhappy, and started to lick everything that he saw. He licked my hands, but not as formerly when he fawned. He licked for a long time, and pressed his tongue against me, and then began to snap. Evidently he felt like biting my hand, but did not want to do so. I did not give him my hand. Then he licked my boot and the foot of a table, and then he began to snap at these things. That lasted about two days, and on the third he disappeared, and no one saw him or heard of him. He could not have been stolen or run away from me. This happened six weeks after the wo...
SEVASTOPOL IN DECEMBER, 1854. The flush of morning has but just begun to tinge the sky above Sapun Mountain; the dark blue surface of the sea has already cast aside the shades of night and awaits the first ray to begin a play of merry gleams; cold and mist are wafted from the bay; there is no snow—all is black, but the morning frost pinches the face and crackles underfoot, and the far-off, unceasing roar of the sea, broken now and then by the thunder of the firing in Sevastopol, alone disturbs the calm of the morning. It is dark on board the ships; it has just struck eight bells. Toward the north the activity of the day begins gradually to replace the nocturnal quiet; here the relief guard has passed clanking their arms, there the doctor is already hastening to the hospital, further on the soldier has crept out of his earth hut and is washing his sunburnt face in ice-encrusted water, and, turning towards the crimsoning east, crosses himself quickly...
THE SCANDINAVIAN DRAMA: HENRIK IBSEN THE PILLARS OF SOCIETY The disintegrating effect of the Social Lie, of Duty, as an imposition and outrage, and of the spirit of Provincialism, as a stifling factor, are brought out with dynamic force in "The Pillars of Society." Consul Bernick, driven by the conception of his duty toward the House of Bernick, begins his career with a terrible lie. He sells his love for Lona Hessel in return for the large dowry of her step-sister Betty, whom he does not love. To forget his treachery, he enters into a clandestine relationship with an actress of the town. When surprised in her room by the drunken husband, young Bernick jumps out of the window, and then graciously accepts the offer of his bosom friend, Johan, to let him take the blame. Johan, together with his faithful sister Lona, leaves for America. In return for his devotion, young Bernick...
Its Nature, Object, and Destiny
The Revolution of February raised two leading questions: one economic, the question of labor and property; the other political, the question of government or the State. On the first of these questions the socialistic democracy is substantially in accord. They admit that it is not a question of the seizure and division of property, or even of its repurchase. Neither is it a question of dishonorably levying additional taxes on the wealthy and property-holding classes, which, while violating the principle of property recognized in the constitution, would serve only to overturn the general economy and aggravate the situation of the proletariat. The economic reform consists, on the one hand, in opening usurious credit to competition and thereby ... (From : proudhonlibrary.org.)
A Critical Essay on ShakespeareSuch is this celebrated drama. However absurd it may appear in my rendering (which I have endeavored to make as impartial as possible), I may confidently say that in the original it is yet more absurd. For any man of our time—if he were not under the hypnotic suggestion that this drama is the height of perfection—it would be enough to read it to its end (were he to have sufficient patience for this) to be convinced that far from being the height of perfection, it is a very bad, carelessly composed production, which, if it could have been of interest to a certain public at a certain time, can not evoke among us anything but aversion and weariness. Every reader of our time, who is free from the influence of suggestion, will also receive exactly the same impression from all the other extolled dramas of Shakespeare, not to mention the senseless, dramatized tales, "Pericles," "Twelfth Night," "The Tempest," "Cymbeline," "Troilus and Cressida." But such free-minded i...
We know that we have passed out of death into life, because we love the brethren. He that loveth not abideth in death. —1 Epistle St. John iii. 14. Whoso hath the world’s goods, and beholdeth his brother in need, and shutteth up his compassion from him, how doth the love of God abide in him? My little children, let us not love in word, neither with the tongue; but in deed and truth. —iii. 17-18. Love is of God; and every one that loveth is begotten of God, and knoweth God. He that loveth not knoweth not God; for God is love. —iv. 7-8. No man hath beheld God at any time; if we love one another, God abideth in us. —iv. 12. God is love; and he that abideth in love abideth in God, and God abideth in him. —iv. 16. If a man say, I love God, and hateth his brother, he is a liar; for he that loveth not his brother whom he hath seen, how can he love God whom he hath not seen? —iv. 20.