The first person to meet Anna at home was her son. He dashed down the stairs to her, in spite of the governess’s call, and with desperate joy shrieked: "Mother! mother!" Running up to her, he hung on her neck. "I told you it was mother!" he shouted to the governess. "I knew!" And her son, like her husband, aroused in Anna a feeling akin to disappointment. She had imagined him better than he was in reality. She had to let herself drop down to the reality to enjoy him as he really was. But even as he was, he was charming, with his fair curls, his blue eyes, and his plump, graceful little legs in tightly pulled-up stockings. Anna experienced almost physical pleasure in the sensation of his nearness, and his caresses, and moral soothing, when she met his simple, confiding, and loving glance, and heard his naïve questions. Anna took out the presents Dolly’s children had sent him, and told her son what sort of little girl was Tanya at Mosco...
The ResurrectionThe indictment read as follows: "On the 17th of January, 18—, suddenly died in the Hotel Mauritania, merchant of the second guild, Therapont Emelianovich Smelkoff. "The local police physician certified that the cause of death of said Smelkoff was rupture of the heart, caused by excessive use of liquor. "The body of Smelkoff was interred. "On the 21st day of January, a townsman and comrade of Smelkoff, on returning from St. Petersburg, and hearing of the circumstances of his death, declared his suspicion that Smelkoff was poisoned with a view of robbing him of the money he carried about his person. "This suspicion was confirmed at the preliminary inquest, by which it was established: 1. That Smelkoff had drawn from the bank, some time before his death, three thousand eight hundred rubles; that, after a due and careful inventory of the money of the deceased, only three hundred and twelve rubles and sixteen kopecks were foun...
Boyhood, by Leo Tolstoy
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
THE SNAKE'S HEAD AND TAIL The Snake's Tail had a quarrel with the Snake's Head about who was to walk in front. The Head said: "You cannot walk in front, because you have no eyes and no ears." The Tail said: "Yes, but I have strength, I move you; if I want to, I can wind myself around a tree, and you cannot get off the spot." The Head said: "Let us separate!" And the Tail tore himself loose from the Head, and crept on; but the moment he got away from the Head, he fell into a hole and was lost. FINE THREAD A Man ordered some fine thread from a Spinner. The Spinner spun it for him, but the Man said that the thread was not good, and that he wanted the finest thread he could get. The Spinner said: "If this is not fine enough, take this!" and she pointed to an empty space. He said that he did not see any. The Spinner said: "You do not see it, because it is so fine. I do not see it mys...
“Is this the second battalion of the M—— regiment?” asked Praskukhin, hastening up to the spot, and running against the soldiers who were carrying earth in sacks. “Exactly so.” “Where is the commander?” Mikhaïloff, supposing that the inquiry was for the commander of the corps, crawled out of his pit, and, taking Praskukhin for the colonel, he stepped up to him with his hand at his visor. “The general has given orders ... that you ... are to be so good as to go ... as quickly as possible ... and, in particular, as quietly as possible, to the rear ... not to the rear exactly, but to the reserve,” said Praskukhin, glancing askance at the enemy's fires. On recognizing Praskukhin and discovering the state of things, Mikhaïloff dropped his hand, gave his orders, and the battalion started into motion, gathered up their guns, put on their cloaks, and set out. No one who ha...
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
Its Nature, Object, and Destiny
The Revolution of February raised two leading questions: one economic, the question of labor and property; the other political, the question of government or the State. On the first of these questions the socialistic democracy is substantially in accord. They admit that it is not a question of the seizure and division of property, or even of its repurchase. Neither is it a question of dishonorably levying additional taxes on the wealthy and property-holding classes, which, while violating the principle of property recognized in the constitution, would serve only to overturn the general economy and aggravate the situation of the proletariat. The economic reform consists, on the one hand, in opening usurious credit to competition and thereby ... (From : proudhonlibrary.org.)
A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...
Then Simon said to Michael: “Well, we have taken the work, but we must see we don’t get into trouble over it. The leather is dear, and the gentleman hot-tempered. We must make no mistakes. Come, your eye is truer and your hands have become nimbler than mine, so you take this measure and cut out the boots. I will finish off the sewing of the vamps.” Michael did as he was told. He took the leather, spread it out on the table, folded it in two, took a knife and began to cut out. Matryona came and watched him cutting, and was surprised to see how he was doing it. Matryona was accustomed to seeing boots made, and she looked and saw that Michael was not cutting the leather for boots, but was cutting it round. She wished to say something, but she thought to herself: “Perhaps I do not understand how gentleman’s boots should be made. I suppose Michael knows more about it—and I won’t interfere.” When Michael had...