When Alexey Alexandrovitch reached the race-course, Anna was already sitting in the pavilion beside Betsy, in that pavilion where all the highest society had gathered. She caught sight of her husband in the distance. Two men, her husband and her lover, were the two centers of her existence, and unaided by her external senses she was aware of their nearness. She was aware of her husband approaching a long way off, and she could not help following him in the surging crowd in the midst of which he was moving. She watched his progress towards the pavilion, saw him now responding condescendingly to an ingratiating bow, now exchanging friendly, nonchalant greetings with his equals, now assiduously trying to catch the eye of some great one of this world, and taking off his big round hat that squeezed the tips of his ears. All these ways of his she knew, and all were hateful to her. "Nothing but ambition, nothing but the desire to get on, that’s all there is in his so...
The ResurrectionReturning from the church, Nekhludoff broke his fast with the aunts, and to repair his strength, drank some brandy and wine—a habit he acquired in the army—and going to his room immediately fell asleep with his clothes on. He was awakened by a rap at the door. By the rap he knew that it was she, so he rose, rubbing his eyes and stretching himself. "Is it you, Katiousha? Come in," he said, rising. She opened the door. "You are wanted to breakfast," she said. She was in the same white dress, but without the bow in her hair. As she looked in his eyes she brightened up, as if she had announced something unusually pleasant. "I shall come immediately," he answered, taking a comb to rearrange his hair. She lingered for a moment. He noticed it, and putting down the comb, he moved toward her. But at the same moment she quickly turned and walked off with her customary light and agile step along the narrow mat of the co...
Boyhood, by Leo Tolstoy
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
Once I went with Milton to the chase. Near the forest he began to search. He straightened out his tail, pricked his ears, and began to sniff. I fixed the gun and followed him. I thought that he was looking for a partridge, hare, or pheasant. But Milton did not make for the forest, but for the field. I followed him and looked ahead of me. Suddenly I saw what he was searching for. In front of him was running a small turtle, of the size of a cap. Its bare, dark gray head on a long neck was stretched out like a pestle; the turtle in walking stretched its bare legs far out, and its back was all covered with bark. When it saw the dog, it hid its legs and head and let itself down on the grass so that only its shell could be seen. Milton grabbed it and began to bite at it, but could not bite through it, because the turtle has just such a shell on its belly as it has on its back, and has only openings in front, at the back, and at the sides, where it puts forth its head, its legs,...
SEVASTOPOL IN DECEMBER, 1854. The flush of morning has but just begun to tinge the sky above Sapun Mountain; the dark blue surface of the sea has already cast aside the shades of night and awaits the first ray to begin a play of merry gleams; cold and mist are wafted from the bay; there is no snow—all is black, but the morning frost pinches the face and crackles underfoot, and the far-off, unceasing roar of the sea, broken now and then by the thunder of the firing in Sevastopol, alone disturbs the calm of the morning. It is dark on board the ships; it has just struck eight bells. Toward the north the activity of the day begins gradually to replace the nocturnal quiet; here the relief guard has passed clanking their arms, there the doctor is already hastening to the hospital, further on the soldier has crept out of his earth hut and is washing his sunburnt face in ice-encrusted water, and, turning towards the crimsoning east, crosses himself quickly...
THE SCANDINAVIAN DRAMA: HENRIK IBSEN GHOSTS The social and revolutionary significance of Henrik Ibsen is brought out with even greater force in "Ghosts" than in his preceding works. Not only does this pioneer of modern dramatic art undermine in "Ghosts" the Social Lie and the paralyzing effect of Duty, but the uselessness and evil of Sacrifice, the dreary Lack of Joy and of Purpose in Work are brought to light as most pernicious and destructive elements in life. Mrs. Alving, having made what her family called a most admirable match, discovers shortly after her marriage that her husband is a drunkard and a roué. In her despair she flees to her young friend, the divinity student Manders. But he, preparing to save souls, even though they be encased in rotten bodies, sends Mrs. Alving back to her husband and her duties toward her home. Helen Alving is young and immature. Besides, she l...
Its Nature, Object, and Destiny
The Revolution of February raised two leading questions: one economic, the question of labor and property; the other political, the question of government or the State. On the first of these questions the socialistic democracy is substantially in accord. They admit that it is not a question of the seizure and division of property, or even of its repurchase. Neither is it a question of dishonorably levying additional taxes on the wealthy and property-holding classes, which, while violating the principle of property recognized in the constitution, would serve only to overturn the general economy and aggravate the situation of the proletariat. The economic reform consists, on the one hand, in opening usurious credit to competition and thereby ... (From : proudhonlibrary.org.)
A Critical Essay on ShakespeareSuch is this celebrated drama. However absurd it may appear in my rendering (which I have endeavored to make as impartial as possible), I may confidently say that in the original it is yet more absurd. For any man of our time—if he were not under the hypnotic suggestion that this drama is the height of perfection—it would be enough to read it to its end (were he to have sufficient patience for this) to be convinced that far from being the height of perfection, it is a very bad, carelessly composed production, which, if it could have been of interest to a certain public at a certain time, can not evoke among us anything but aversion and weariness. Every reader of our time, who is free from the influence of suggestion, will also receive exactly the same impression from all the other extolled dramas of Shakespeare, not to mention the senseless, dramatized tales, "Pericles," "Twelfth Night," "The Tempest," "Cymbeline," "Troilus and Cressida." But such free-minded i...
“I’m quite warm,” said he, “though I have no sheep-skin coat. I’ve had a drop, and it runs through all my veins. I need no sheep-skins. I go along and don’t worry about anything. That’s the sort of man I am! What do I care? I can live without sheep-skins. I don’t need them. My wife will fret, to be sure. And, true enough, it is a shame; one works all day long, and then does not get paid. Stop a bit! If you don’t bring that money along, sure enough I’ll skin you, blessed if I don’t. How’s that? He pays twenty kopecks at a time! What can I do with twenty kopecks? Drink it-that’s all one can do! Hard up, he says he is! So he may be—but what about me? You have a house, and cattle, and everything; I’ve only what I stand up in! You have corn of your own growing; I have to buy every grain. Do what I will, I must spend three rubles every week for bread alone. I come home and find the bread all used u...