Vronsky followed the guard to the carriage, and at the door of the compartment he stopped short to make room for a lady who was getting out. With the insight of a man of the world, from one glance at this lady’s appearance Vronsky classified her as belonging to the best society. He begged pardon, and was getting into the carriage, but felt he must glance at her once more; not that she was very beautiful, not on account of the elegance and modest grace which were apparent in her whole figure, but because in the expression of her charming face, as she passed close by him, there was something peculiarly caressing and soft. As he looked round, she too turned her head. Her shining gray eyes, that looked dark from the thick lashes, rested with friendly attention on his face, as though she were recognizing him, and then promptly turned away to the passing crowd, as though seeking someone. In that brief look Vronsky had time to notice the suppressed eagerness...
The ResurrectionAt the usual hour the jailers' whistles were heard in the corridors of the prison; with a rattling of irons the doors of the corridors and cells opened, and the patter of bare feet and the clatter of prison shoes resounded through the corridors; the men and women prisoners washed and dressed, and after going through the morning inspection, proceeded to brew their tea. During the tea-drinking animated conversations were going on among the prisoners in the cells and corridors. Two prisoners were to be flogged that day. One of these was a fairly intelligent young clerk who, in a fit of jealousy, had killed his mistress. He was loved by his fellow-prisoners for his cheerfulness, liberality and firmness in dealing with the authorities. He knew the laws and demanded compliance with them. Three weeks ago the warden struck one of the chambermen for spilling some soup on his new uniform. The clerk, Vasilieff, took the chamberman's part, saying that there was no law...
Boyhood, by Leo Tolstoy
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
Búlka and Milton died at the same time. The old Cossack did not know how to get along with Milton. Instead of taking him out only for birds, he went with him to hunt wild boars. And that same fall a tusky boar ripped him open. Nobody knew how to sew him up, and so he died. Búlka, too, did not live long after the prisoners had caught him. Soon after his salvation from the prisoners he began to feel unhappy, and started to lick everything that he saw. He licked my hands, but not as formerly when he fawned. He licked for a long time, and pressed his tongue against me, and then began to snap. Evidently he felt like biting my hand, but did not want to do so. I did not give him my hand. Then he licked my boot and the foot of a table, and then he began to snap at these things. That lasted about two days, and on the third he disappeared, and no one saw him or heard of him. He could not have been stolen or run away from me. This happened six weeks after the wo...
Prince Galtsin met more and more wounded men, in stretchers and on foot, supporting each other, and talking loudly. “When they rushed up, brothers,” said one tall soldier, who had two guns on his shoulder, in a bass voice, “when they rushed up and shouted, ‘Allah, Allah!’[G] they pressed each other on. You kill one, and another takes his place—you can do nothing. You never saw such numbers as there were of them....” But at this point in his story Galtsin interrupted him. “You come from the bastion?” “Just so, Your Honor!” “Well, what has been going on there? Tell me.” “Why, what has been going on? They attacked in force, Your Honor; they climbed over the wall, and that's the end of it. They conquered completely, Your Honor.” “How conquered? You repulsed them, surely?” “How could we repulse...
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
Its Nature, Object, and Destiny
The Revolution of February raised two leading questions: one economic, the question of labor and property; the other political, the question of government or the State. On the first of these questions the socialistic democracy is substantially in accord. They admit that it is not a question of the seizure and division of property, or even of its repurchase. Neither is it a question of dishonorably levying additional taxes on the wealthy and property-holding classes, which, while violating the principle of property recognized in the constitution, would serve only to overturn the general economy and aggravate the situation of the proletariat. The economic reform consists, on the one hand, in opening usurious credit to competition and thereby ... (From : proudhonlibrary.org.)
A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...
Then Simon said to Michael: “Well, we have taken the work, but we must see we don’t get into trouble over it. The leather is dear, and the gentleman hot-tempered. We must make no mistakes. Come, your eye is truer and your hands have become nimbler than mine, so you take this measure and cut out the boots. I will finish off the sewing of the vamps.” Michael did as he was told. He took the leather, spread it out on the table, folded it in two, took a knife and began to cut out. Matryona came and watched him cutting, and was surprised to see how he was doing it. Matryona was accustomed to seeing boots made, and she looked and saw that Michael was not cutting the leather for boots, but was cutting it round. She wished to say something, but she thought to herself: “Perhaps I do not understand how gentleman’s boots should be made. I suppose Michael knows more about it—and I won’t interfere.” When Michael had...