St. Tropez, [France,] July 12th, 1936 It is only two weeks since our beloved comrade Alexander Berkman passed away. Yet it seems an eternity to me. The blow his untimely death has struck me has left me completely shattered. I find it difficult to collect my thoughts. But I feel sure you will want to know all about Sasha's end. For have you not loved him all through the years? Sasha left a note which we found after we returned from his last resting place. It reads: "I don't want to live a sick man. Dependent. Forgive me Emmie darling. And you too Emma. Love to All. Help Emmie." signed, Sasha. I have two letters from comrade Berkman dated June 24th and 26th. He wrote while he did not feel strong enough to come to St. Tropez the 27th, my sixty... (From : Anarchy Archives.)
Jefferson City, MO, 29 June 1919, Darling, mine. There is so much, so much I want to write you. I scarcely know where to begin & where to let off. I will have to content myselfs with the most essential & leave the other when we meet - just three months from to day. My birth-day - like last year I spent it in bed. Not quite so ill, but in pain & discomfiture. The same thing I had 2 weeks ago & which I will probably have to endure during most of the Summer. As a result of my laying off a very funny thing happened. Funny only because I have so short a time in here. Other wise it would have been the beginning of a serious & bitter struggle. I have repeatedly written you how very decent Dr Mc Nearney has always been to me. As... (From : University of Berkeley.)
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...