The Lesson of the 11th Nov. 1887. We have assembled here today to honor the memory But not merely to honor their memory. They are dead and the loving one cannot be recalled to life; but the living may profit by the experience of the past. And this is the great curse of humanity that we seldom, very seldom profit by the experience of the years behind. And yet, the lesson of the past is very simple; if it teaches us anything it is the persistence of the idea. Persecution -- the prison and scaffold, and tortures and fire and the cross were used to strangle the idea -- in vain; even persecution but goes to nourishing the blood of the martyrs is the seed of the church. It gathers strength and becomes more powerful than the combined powers of dar... (From : Anarchy Archives.)
Selected Letters of Vanzetti from the Dedham Jail, April - June 1927 April 14, 1927. Dedham Jail DEAR COMRADE MARY [DONOVAN]: Today I have written, written and written all the time. Now it is late and I am tired. Yet I cannot help to write to you. . . . What I want to say to you is, again and ever, to be calm and self restrained. Yes, just that and what I do not know to say. I knew that you lost your job. Another of their nice things. Now you are working days and nights to save Nick and I. Remember that you must rest, and rest at least for the necessity of it. Good-bye, and all my regards to you, also Nick. [COMRADE MARY was Mary Donovan, a recording secretary of the Sacco and Vanzetti Defense Committee who had been dismissed from her job a... (From : umkc.edu.)
One year has passed since the death of Francisco Ferrer. His martyrdom has called forth almost universal indignation against the cabal of priest and ruler that doomed a noble man to death. The thinking, progressive elements throughout the world have voiced their protest in no ambiguous manner. Everywhere sympathy has been manifested for Ferrer, the modern victim of the Spanish Inquisition, and deep appreciation expressed for his work and aims. In short, the death of Ferrer has succeeded - as probably no other martyrdom of recent history - in rousing the social conscience of man. It has clarified the eternally unchanging attitude of the church as the enemy of progress; it has convincingly exposed the State as the crafty foe of popular advanc... (From : Kate Sharpley Library, http://www.katesharpleylibr....)
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...