Or - Humanism And Realism
The False Principle of Our Education Or - Humanism And Realism By Max Stirner Because our time is struggling toward the word with which it may express its spirit, many names come to the fore and all make claim to being the right name. On all sides our present time reveals the most chaotic partisan tumult and the eagles of the moment gather around the decaying legacy of the past. There is everywhere a great abundance of political, social, ecclesiastical, scientific, artistic, moral and other corpses, and until they are all consumed, the air will not be clean and the breath of living beings will be oppressed. Without our assistance, time will not bring the right word to light; we must all work together on it. If, however, so much depends upon... (From : Anarchy Archives.)
FREEDOM IS IT A CRIME? The Strange Case of the Tree Anarchists Jailed at the Old Bailey, April 1945 Two Speeches by HERBERT READ FORWARD by E. SILVERMAN FREEDOM PRESS DEFENSE COMMITTEE 2d. First Published by The Freedom Press Defense Committee, 17, St. George Street, London, W.1. June, 1945 And printed by Express Printers, London. The Publishers have asked me to write a foreword to this pamphlet. As an individual who cares about freedom of speech and freedom of the press I accept with pleasure the opportunity to say a word to the public. Three decent, useful and respectable citizens, who Mr. Justice Birkett said were of the highest character and who he was quite prepared to believe were actuated by the highest motives, are in prison. Their ... (From : Anarchy Archives.)
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
THE HERALD OF LITERATURE. [PRICE TWO SHILLINGS.] THE HERALD OF LITERATURE; OR, A REVIEW OF THE MOST CONSIDERABLE PUBLICATIONS THAT WILL BE MADE IN THE COURSE OF THE ENSUING WINTER: WITH EXTRACTS. LONDON: PRINTED FOR J. MURRAY, NO. 32, FLEET-STREET. M DCC LXXXIV. TO THE... (From : Gutenberg.org.)
"O-okh! alas for my wretchedness!" exclaimed Arína, sighing deeply. She paused, and looked angrily at her son. Davidka immediately turned around, and, clumsily lifting his stout leg incased in a huge dirty boot over the threshold, took refuge in the opposite door. "What shall I do with him, father?" continued Arína, turning to the prince. "You yourself see what he is. He is not a bad man; doesn't get drunk, and is peaceable; wouldn't hurt a little child. It's a sin to say hard things of him. There's nothing bad about him, and God knows what has taken place in him to make him so bad to himself. You see he himself does not like it. Would you believe it, father, my heart bleeds when I look at him, and see what suffering he undergoes. You see, whatever he is, he is my son. I pity him. Oh, how I pity him!... You see, it isn't as though he had done any thing against me or his father or the authorities. But, no: he's a bas...
Hundreds of bodies, freshly smeared with blood, of men who two hours previous had been filled with diverse lofty or petty hopes and desires, now lay, with stiffened limbs, in the dewy, flowery valley which separated the bastion from the trench, and on the level floor of the chapel for the dead in Sevastopol; hundreds of men crawled, twisted, and groaned, with curses and prayers on their parched lips, some amid the corpses in the flower-strewn vale, others on stretchers, on cots, and on the blood-stained floor of the hospital. And still, as on the days preceding, the dawn glowed, over Sapun Mountain, the twinkling stars paled, the white mist spread abroad from the dark sounding sea, the red glow illuminated the east, long crimson cloudlets darted across the blue horizon; and still, as on days preceding, the powerful, all-beautiful sun rose up, giving promise of joy, love, and happiness to all who dwell in the world. (Source: "Sevastopol," by Leo Tolstoy, translated...
Night in a prison cell! A chair, a bed, a small washstand, four blank walls, ghastly in the dim light from the corridor without, a narrow window, barred and sunken in the stone, a grated door! Beyond its hideous iron latticework, within the ghastly walls, -a man! An old man, gray-haired and wrinkled, lame and suffering. There he sits, in his great loneliness, shut in front all the earth. There he walks, to and fro, within his measured space, apart from all he loves! 'There, for every night in five long years to come, he will walk alone, while the white age-flakes drop upon his head, while the last years of the winter of life gather and pass, and his body draws near the ashes. Every night, for five long years to come, he will sit alone, this... (From : Anarchy Archives.)
THE FRENCH DRAMA MAETERLINCK To those who are conversant with the works of Maeterlinck it may seem rather far-fetched to discuss him from the point of view of revolutionary and social significance. Above all, MaEterlinck is the portrayer of the remote, the poet of symbols; therefore it may seem out of place to bring him down to earth, to simplify him, or to interpret his revolutionary spirit. To some extent these objections have considerable weight; but on the other hand, if one keeps in mind that only those who go to the remote are capable of understanding the obvious, one will readily see how very significant Maeterlinck is as a revolutionizing factor. Besides, we have Maeterlinck's own conception of the significance of the revolutionary spirit In a very masterly article called "The Social Revolution," he discusses the objection on the part of the conservative section of society to the introduction of revolutionary methods. He says that they would l...
Pierre had of late rarely seen his wife alone. Both in Petersburg and in Moscow their house was always full of visitors. The night after the duel he did not go to his bedroom but, as he often did, remained in his father’s room, that huge room in which Count Bezúkhov had died. He lay down on the sofa meaning to fall asleep and forget all that had happened to him, but could not do so. Such a storm of feelings, thoughts, and memories suddenly arose within him that he could not fall asleep, nor even remain in one place, but had to jump up and pace the room with rapid steps. Now he seemed to see her in the early days of their marriage, with bare shoulders and a languid, passionate look on her face, and then immediately he saw beside her Dólokhov’s handsome, insolent, hard, and mocking face as he had seen it at the banquet, and then that same face pale, quivering, and suffering, as it had been when he reeled and sank on the snow.