Browsing By Tag "melancholy"
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
FLEETWOOD; or, THE NEW MAN OF FEELING. VOLUME THE SECOND CHAPTER II " No sooner did the thought occur to me, than I resolved to lose no time to realize it. I arrived at Versailles about the middle of a very hot day, broiling with the sun, and covered with dust. I immediately entered the park ; and, having gained a favorable situation for viewing the palace, protected by the shadow of overhanging trees, I threw myself upon the grass. The first idea that struck me was, Versailles is infinitely grander and more magnificent than Fontainebleau. With my eye I measured the piles, surveyed the architecture, and remarked the movable and immoveable objects around me. " Shortly, however, I forgot myself, and fell asleep. Yes; arrived at my haven, and with every thing for which I had panted apparently within my ken, I f...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...