Vronsky and Kitty waltzed several times round the room. After the first waltz Kitty went to her mother, and she had hardly time to say a few words to Countess Nordston when Vronsky came up again for the first quadrille. During the quadrille nothing of any significance was said: there was disjointed talk between them of the Korsunskys, husband and wife, whom he described very amusingly, as delightful children at forty, and of the future town theater; and only once the conversation touched her to the quick, when he asked her about Levin, whether he was here, and added that he liked him so much. But Kitty did not expect much from the quadrille. She looked forward with a thrill at her heart to the mazurka. She fancied that in the mazurka everything must be decided. The fact that he did not during the quadrille ask her for the mazurka did not trouble her. She felt sure she would dance the mazurka with him as she had done at former balls, and refused five young men, sayin...
The ResurrectionA moment afterwards Maslova came out through a side door. With gentle step she came up to Nekhludoff; stopped and glanced at him from under her lowered eyebrows. Her black hair stood out on her forehead in curly ringlets; her unhealthy, bloated, white face was pretty and very calm, only her shining-black, squinting eyes sparkled from under their swollen lashes. "You may talk here," said the inspector and went aside. Nekhludoff moved toward a bench standing beside the wall. Maslova glanced inquiringly at the inspector, and shrugging her shoulders, as if in wonder, followed Nekhludoff to the bench, and straightening her skirt, sat down beside him. "I know that it is hard for you to forgive me," began Nekhludoff, but feeling the tears flooding his eyes, again stopped, "but if the past cannot be mended, I will do now everything in my power. Tell me——" "How did you find me?" she asked without answering his question, her...
Boyhood, by Leo Tolstoy
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
A Tale of 1852All is quiet in Moscow. The squeak of wheels is seldom heard in the snow-covered street. There are no lights left in the windows and the street lamps have been extinguished. Only the sound of bells, borne over the city from the church towers, suggests the approach of morning. The streets are deserted. At rare intervals a night-cabman's sledge kneads up the snow and sand in the street as the driver makes his way to another corner where he falls asleep while waiting for a fare. An old woman passes by on her way to church, where a few wax candles burn with a red light reflected on the gilt mountings of the icons. Workmen are already getting up after the long winter night and going to their work—but for the gentlefolk it is still evening. From a window in Chevalier's Restaurant a light—illegal at that hour—is still to be seen through a chink in the shutter. At the entrance a carriage, a sledge, and a cabman's sledge, stand close together with their backs to t...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER VII I was in Paris, and I did as people of fashion in Paris were accustomed to do. I consoled myself for the infidelity of one mistress, by devoting my attentions to another. The qualities of the countess de B. were exceedingly unlike those of the marchioness; perhaps, led by a sentiment to which I was unconscious, I selected her for that very reason. The marchioness I have compared to the sleek and glossy-coated eel: forever restless, never contented with the thing, or the circumstances under which she was, you could never hold her to one certain mode of proceeding. the only way in which for her lover to become satisfied with her, was to persuade himself that her external demeanor was merely a guise put on, which belied her heart, and that, when she seemed mos...
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
“In order that you may understand me, I must tell you how this happened. We were living along, and all seemed well. Suddenly we began to talk of the children’s education. I do not remember what words either of us uttered, but a discussion began, reproaches, leaps from one subject to another. ‘Yes, I know it. It has been so for a long time.’ . . . ‘You said that.’ . . . ‘No, I did not say that.’ . . . ‘Then I lie?’ etc. “And I felt that the frightful crisis was approaching when I should desire to kill her or else myself. I knew that it was approaching; I was afraid of it as of fire; I wanted to restrain myself. But rage took possession of my whole being. My wife found herself in the same condition, perhaps worse. She knew that she intentionally distorted each of my words, and each of her words was saturated with venom. All that was dear to me she disparaged and profaned. The farther the quarrel went, the more...
A Powerful Disseminator Of Radical Thought
So long as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations. But when the dumb unrest grows into conscious expression and becomes almost universal, it necessarily affects all phases of human thought and action, and seeks its individual and social expression in the gradual transvaluation of existing values. An adequate appreciation of the tremendous spread of the modern, conscious social unrest cannot be gained from merely propagandistic literature. Rather must we become conversant with the larger phases of human expression manifest in art, literature, and, above all, the modern drama--the strongest and most far-reaching interprete... (From : Anarchy Archives.)
Godwin, William. Of Population. London: Longman, Hurst, Rees, Orme and Brown, Paternoster Row, 1820. CHAPTER XI. General View of the Arguments against the Increase of Mankind Mr. Malthus's theory is certainly of a peculiar structure, and it is somewhat difficult to account for the success it has met with. The subject is population. It has been agreed among the best philosophers in Europe, especially from the time of Lord Bacon to the present day, that the proper basis of all our knowledge respecting man and nature, respecting what has been in times that are past, and what may be expected in time to come, is experiment. This standard is peculiarly applicable to the subject of population. Mr. Malthus seems in one respect fully to concur in this way of viewing the subject. There are two methods of approaching the question, the first, by deriving our ideas respecting it from the volumes of sacred writ, an...
THE SCANDINAVIAN DRAMA In a letter to George Brandes, shortly after the Paris Commune, Henrik Ibsen wrote concerning the State and political liberty: "The State is the curse of the individual. How has the national strength of Prussia been purchased? By the sinking of the individual in a political and geographical formula. . . . The State must go! That will be a revolution which will find me on its side. Undermine the idea of the State, set up in its place spontaneous action, and the idea that spiritual relationship is the only thing that makes for unity, and you will start the elements of a liberty which will be something worth possessing." The State was not the only bête noire of Henrik Ibsen. Every other institution which, like the State, rests upon a lie, was an iniquity to him. Uncompromising demolisher of all false idols and dynamiter of all social shams and hypocrisy, Ibsen consistently strove to uproot every stone of our so...
(A lecture presenting the negative side of the question, whose positive was argued under the heading "They who marry do well," by Dr. Henrietta P. Westbrook; both lectures delivered before the Radical Liberal League, Philadelphia, April 28, 1907.) LET ME make myself understood on two points, now, so that when discussion arises later, words may not be wasted in considering things not in question: First -How shall we measure doing well or doing ill; Second -What I mean by marriage. So much as I have been able to put together the pieces of the universe in my small head, there is no absolute right or wrong; there is only a relativity, depending on the consciously though very slowly altering condition of a social race in respect to the rest of t... (From : Anarchy Archives.)
I begin with an admission: Regardless of all political and economic theories, treating of the fundamental differences between various groups within the human race, regardless of class and race distinctions, regardless of all artificial boundary lines between woman's rights and man's rights, I hold that there is a point where these differentiations may meet and grow into one perfect whole. With this I do not mean to propose a peace treaty. The general social antagonism which has taken hold of our entire public life today, brought about through the force of opposing and contradictory interests, will crumble to pieces when the reorganization of our social life, based upon the principles of economic justice, shall have become a reality. Peace o... (From : Anarchy Archives.)