Princess Betsy drove home from the theater, without waiting for the end of the last act. She had only just time to go into her dressing room, sprinkle her long, pale face with powder, rub it, set her dress to rights, and order tea in the big drawing room, when one after another carriages drove up to her huge house in Bolshaia Morskaia. Her guests stepped out at the wide entrance, and the stout porter, who used to read the newspapers in the mornings behind the glass door, to the edification of the passersby, noiselessly opened the immense door, letting the visitors pass by him into the house. Almost at the same instant the hostess, with freshly arranged coiffure and freshened face, walked in at one door and her guests at the other door of the drawing room, a large room with dark walls, downy rugs, and a brightly lighted table, gleaming with the light of candles, white cloth, silver samovar, and transparent china tea things. The hostess sat down at the...
The ResurrectionNekhludoff called at his aunts because their manor lay on the road through which his regiment had preceded him, and also because they requested him to do so, but principally in order that he might see Katiousha. It may be that in the depth of his soul there was already a mischievous intention toward Katiousha, prompted by his now unbridled animal ego, but he was not aware of it, he merely desired to visit those places in which he lived so happily, and see his somewhat queer, but amiable and good-natured, aunts, who always surrounded the atmosphere around him with love and admiration, and also to see the lovely Katiousha, of whom he had such pleasant recollections. He arrived toward the end of March, on Good Friday, in the season of bad roads, when the rain was falling in torrents, and was wet all through, and chilled to the marrow of his bones, but courageous and excited, as he always felt at that time of the year. "I wonder if she is still there?" h...
Boyhood, by Leo Tolstoy
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
A Tale of 1852All is quiet in Moscow. The squeak of wheels is seldom heard in the snow-covered street. There are no lights left in the windows and the street lamps have been extinguished. Only the sound of bells, borne over the city from the church towers, suggests the approach of morning. The streets are deserted. At rare intervals a night-cabman's sledge kneads up the snow and sand in the street as the driver makes his way to another corner where he falls asleep while waiting for a fare. An old woman passes by on her way to church, where a few wax candles burn with a red light reflected on the gilt mountings of the icons. Workmen are already getting up after the long winter night and going to their work—but for the gentlefolk it is still evening. From a window in Chevalier's Restaurant a light—illegal at that hour—is still to be seen through a chink in the shutter. At the entrance a carriage, a sledge, and a cabman's sledge, stand close together with their backs to t...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER XI I HAD for about three months frequented the lessons of my instructors, when one morning the elder of Vaublanc's sons came to my bed-side at about six o'clock, and bade me rise immediately, for his father wanted to speak to me. I obeyed. " ' My little lad,' said Vaublanc, 'you are not to go to school to-day.' No, sir? What, is it red-letter day ?' Your uncle has written to me to put you into a different berth.' " ' Ah, I am very sorry ! Ours is a sweet school, and I like the masters and every body that belongs to it." "' William Mouchard,' said my host, ' I know very little of you or your uncle either; but that is nothing to me. While he requires of me nothing that it is contrary to my notions, or out of my way to do, I intend to be his fair and punctual correspondent. All that he said to me, wh...
A Comedy in Four ActsLEONÍD FYÓDORITCH ZVEZDÍNTSEF. A retired Lieutenant of the Horse Guards. Owner of more than 60,000 acres of land in various provinces. A fresh-looking, bland, agreeable gentleman of 60. Believes in Spiritualism, and likes to astonish people with his wonderful stories. ANNA PÁVLOVNA ZVEZDÍNTSEVA. Wife of Leoníd. Stout; pretends to be young; quite taken up with the conventionalities of life; despises her husband, and blindly believes in her doctor. Very irritable. BETSY. Their daughter. A young woman of 20, fast, tries to be mannish, wears a pince-nez, flirts and giggles. Speaks very quickly and distinctly. VASÍLY LEONÍDITCH ZVEZDÍNTSEF. Their son, aged 25; has studied law, but has no definite occupation. Member of the Cycling Club, Jockey Club, and of the Society for Promoting the Breeding of Hounds. Enjoys perfect health, and has imperturbable self-assurance. Speaks loud...
“Well, I am going then to tell you my life, and my whole frightful history,—yes, frightful. And the story itself is more frightful than the outcome.” He became silent for a moment, passed his hands over his eyes, and began:— “To be understood clearly, the whole must be told from the beginning. It must be told how and why I married, and what I was before my marriage. First, I will tell you who I am. The son of a rich gentleman of the steppes, an old marshal of the nobility, I was a University pupil, a graduate of the law school. I married in my thirtieth year. But before talking to you of my marriage, I must tell you how I lived formerly, and what ideas I had of conjugal life. I led the life of so many other so-called respectable people,—that is, in debauchery. And like the majority, while leading the life of a debauche, I was convinced that I was a man of irreproachable morality. “The idea that I had of my morality...
A Powerful Disseminator Of Radical Thought
So long as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations. But when the dumb unrest grows into conscious expression and becomes almost universal, it necessarily affects all phases of human thought and action, and seeks its individual and social expression in the gradual transvaluation of existing values. An adequate appreciation of the tremendous spread of the modern, conscious social unrest cannot be gained from merely propagandistic literature. Rather must we become conversant with the larger phases of human expression manifest in art, literature, and, above all, the modern drama--the strongest and most far-reaching interprete... (From : Anarchy Archives.)
Godwin, William. Of Population. London: Longman, Hurst, Rees, Orme and Brown, Paternoster Row, 1820. INQUIRY CONCERNING POPULATION BOOK I. OF THE POPULATION OF EUROPE, ASIA, AFRICA, AND SOUTH AMERICA, IN ANCIENT AND MODERN TIMES. CHAPTER I. INTRODUCTION. Mr. Malthus has published what he calls an Essay on the Principle of Population, by which he undertakes to annul every thing that had previously been received, respecting the views that it is incumbent upon those who preside over political society to cherish, and the measures that may conduce to the happiness of mankind. His theory is evidently founded upon nothing. He says, that "population, when unchecked, goes on doubling itself every twenty-five years, or increases in a geometrical ratio.a" If we ask why we are to believe this, he answers that, "in the northern states of America, the population has bee...
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
(A lecture presenting the negative side of the question, whose positive was argued under the heading "They who marry do well," by Dr. Henrietta P. Westbrook; both lectures delivered before the Radical Liberal League, Philadelphia, April 28, 1907.) LET ME make myself understood on two points, now, so that when discussion arises later, words may not be wasted in considering things not in question: First -How shall we measure doing well or doing ill; Second -What I mean by marriage. So much as I have been able to put together the pieces of the universe in my small head, there is no absolute right or wrong; there is only a relativity, depending on the consciously though very slowly altering condition of a social race in respect to the rest of t... (From : Anarchy Archives.)
I begin with an admission: Regardless of all political and economic theories, treating of the fundamental differences between various groups within the human race, regardless of class and race distinctions, regardless of all artificial boundary lines between woman's rights and man's rights, I hold that there is a point where these differentiations may meet and grow into one perfect whole. With this I do not mean to propose a peace treaty. The general social antagonism which has taken hold of our entire public life today, brought about through the force of opposing and contradictory interests, will crumble to pieces when the reorganization of our social life, based upon the principles of economic justice, shall have become a reality. Peace o... (From : Anarchy Archives.)