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When Vronsky looked at his watch on the Karenins’ balcony, he was so greatly agitated and lost in his thoughts that he saw the figures on the watch’s face, but could not take in what time it was. He came out on to the high road and walked, picking his way carefully through the mud, to his carriage. He was so completely absorbed in his feeling for Anna, that he did not even think what o’clock it was, and whether he had time to go to Bryansky’s. He had left him, as often happens, only the external faculty of memory, that points out each step one has to take, one after the other. He went up to his coachman, who was dozing on the box in the shadow, already lengthening, of a thick limetree; he admired the shifting clouds of midges circling over the hot horses, and, waking the coachman, he jumped into the carriage, and told him to drive to Bryansky’s. It was only after driving nearly five miles that he had sufficiently recovered himself to loo...

The ResurrectionHaving breakfasted, Nekhludoff went to the cabinet to see for what hour he was summoned to appear at court, and to answer the Princess' note. In the work-room stood an easel with a half-finished painting turned face downward, and on the wall hung studies in drawing. On seeing that painting, on which he had worked two years, and those drawings, he called to mind the feeling of impotence, which he experienced of late with greatest force, to make further advance in the art. He explained this feeling by the development of a fine esthetic taste, and yet this consciousness caused him unpleasant sensations. Seven years before he had retired from active service he decided that his true vocation in life was painting, and from the height of his artistic activity he looked down upon all other occupations. And now it appeared that he had no right to do so, and every recollection of it was disagreeable to him. He looked on all the luxurious appointments of the work-room...


Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)

A Tale of 1852'I'm fond of them, very fond! … First-rate fellows! … Fine!' he kept repeating, and felt ready to cry. But why he wanted to cry, who were the first-rate fellows he was so fond of—was more than he quite knew. Now and then he looked round at some house and wondered why it was so curiously built; sometimes he began wondering why the post-boy and Vanyusha, who were so different from himself, sat so near, and together with him were being jerked about and swayed by the tugs the side-horses gave at the frozen traces, and again he repeated: 'First rate … very fond!' and once he even said: 'And how it seizes one … excellent!' and wondered what made him say it. 'Dear me, am I drunk?' he asked himself. He had had a couple of bottles of wine, but it was not the wine alone that was having this effect on Olenin. He remembered all the words of friendship heartily, bashfully, spontaneously (as he believed) addressed to him on his departure. He remembered the clas...

A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)

FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. IN TWO VOLUMES. Vol. I New York: PRINTED FOR I. RILEY & Co. BOOK-SELLERS, NO. I, CITY HOTEL. 1805. CHAPTER I. I WAS the only son of my father. I was very young at the period of the death of my mother, and have retained scarcely any recollection of her. My father was so much affected by the loss of the amiable and affectionate partner of his days, that he resolved to withdraw forever from those scenes, where every object he saw was ssociated with the ideas of her kindness, her accomplishments, and her virtues: and, being habitually a lover of the sublime and romantic features of nature, he fixed upon a spot in Merionethshire, near the foot of Cader Idr...

A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...

“The children came rapidly, one after another, and there happened what happens in our society with children and doctors. Yes, children, maternal love, it is a painful thing. Children, to a woman of our society, are not a joy, a pride, nor a fulfillment of her vocation, but a cause of fear, anxiety, and interminable suffering, torture. Women say it, they think it, and they feel it too. Children to them are really a torture, not because they do not wish to give birth to them, nurse them, and care for them (women with a strong maternal instinct—and such was my wife—are ready to do that), but because the children may fall sick and die. They do not wish to give birth to them, and then not love them; and when they love, they do not wish to feel fear for the child’s health and life. That is why they do not wish to nurse them. ‘If I nurse it,’ they say, ‘I shall become too fond of it.’ One would think that they preferred india-rubber childre...

A Powerful Disseminator Of Radical Thought
So long as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations. But when the dumb unrest grows into conscious expression and becomes almost universal, it necessarily affects all phases of human thought and action, and seeks its individual and social expression in the gradual transvaluation of existing values. An adequate appreciation of the tremendous spread of the modern, conscious social unrest cannot be gained from merely propagandistic literature. Rather must we become conversant with the larger phases of human expression manifest in art, literature, and, above all, the modern drama--the strongest and most far-reaching interprete... (From : Anarchy Archives.)

Godwin, William. Of Population. London: Longman, Hurst, Rees, Orme and Brown, Paternoster Row, 1820. CHAPTER III. GENERAL VIEWS AS TO THE ALLEGED INCREASE OF MANKIND. To take a just view of any subject, one rule that is extremely worthy of our attention is, that we should get to a proper distance from it. The stranger to whom we would convey an adequate image of the city of London, we immediately lead to the top of St. Paul's Church. And, if I may introduce an allusion to the records of the Christian religion, the devil took our Savior "up into an exceeding high mountain," when he would "shew him all the kingdoms of the world, and the glory of them." Mr. Malthus has taken his stand upon the reports of Dr. Franklin, and Dr. Ezra Styles. He repairs with them to the northern parts of the United States of America, and there he sees, or thinks he sees, "the population doubling itself, for above a century and a half successive...

THE ENGLISH DRAMA: JOHN GALSWORTHY JUSTICE No subject of equal social import has received such thoughtful consideration in recent years as the question of Crime and Punishment. A number of books by able writers, both in Europe and this country--preeminently among them "Prison Memoirs of an Anarchist," by Alexander Berkman--discuss this topic from the historic, psychologic, and social standpoint, the consensus of opinion being that present penal institutions and our methods of coping with crime have in every respect proved inadequate as well as wasteful. This new attitude toward one of the gravest social wrongs has now also found dramatic interpretation in Galsworthy's "Justice." The play opens in the office of James How & Sons, solicitors. The senior clerk, Robert Cokeson, discovers that a check he had issued for nine pounds has been forged to ninety. By elimination, suspicion falls upon William Falder, the junior office clerk. The latter is in love...


(A lecture presenting the negative side of the question, whose positive was argued under the heading "They who marry do well," by Dr. Henrietta P. Westbrook; both lectures delivered before the Radical Liberal League, Philadelphia, April 28, 1907.) LET ME make myself understood on two points, now, so that when discussion arises later, words may not be wasted in considering things not in question: First -How shall we measure doing well or doing ill; Second -What I mean by marriage. So much as I have been able to put together the pieces of the universe in my small head, there is no absolute right or wrong; there is only a relativity, depending on the consciously though very slowly altering condition of a social race in respect to the rest of t... (From : Anarchy Archives.)


I begin with an admission: Regardless of all political and economic theories, treating of the fundamental differences between various groups within the human race, regardless of class and race distinctions, regardless of all artificial boundary lines between woman's rights and man's rights, I hold that there is a point where these differentiations may meet and grow into one perfect whole. With this I do not mean to propose a peace treaty. The general social antagonism which has taken hold of our entire public life today, brought about through the force of opposing and contradictory interests, will crumble to pieces when the reorganization of our social life, based upon the principles of economic justice, shall have become a reality. Peace o... (From : Anarchy Archives.)

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