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But at that very moment the princess came in. There was a look of horror on her face when she saw them alone, and their disturbed faces. Levin bowed to her, and said nothing. Kitty did not speak nor lift her eyes. "Thank God, she has refused him," thought the mother, and her face lighted up with the habitual smile with which she greeted her guests on Thursdays. She sat down and began questioning Levin about his life in the country. He sat down again, waiting for other visitors to arrive, in order to retreat unnoticed. Five minutes later there came in a friend of Kitty’s, married the preceding winter, Countess Nordston. She was a thin, sallow, sickly, and nervous woman, with brilliant black eyes. She was fond of Kitty, and her affection for her showed itself, as the affection of married women for girls always does, in the desire to make a match for Kitty after her own ideal of married happiness; she wanted her to marry Vronsky. Levin she had ofte...

The ResurrectionThe justiciary finally finished his speech and handed the list of questions to the foreman. The jury rose from their seats, glad of an opportunity to leave the court-room, and, not knowing what to do with their hands, as if ashamed of something, they filed into the consultation-room. As soon as the door closed behind them a gendarme, with drawn sword resting on his shoulder, placed himself in front of it. The judges rose and went out. The prisoners also were led away. On entering the consultation-room the jury immediately produced cigarettes and began to smoke. The sense of their unnatural and false position, of which they were to a greater or less degree cognizant, while sitting in the court-room, passed away as soon as they entered their room and lighted their cigarettes, and, with a feeling of relief, they seated themselves and immediately started an animated conversation. "The girl is not guilty, she was confused," said the kindhearted merchant.


Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)

A Tale of 1852It was growing light. The Chechen's body which was gently rocking in the shallow water was now clearly visible. Suddenly the reeds rustled not far from Luke and he heard steps and saw the feathery tops of the reeds moving. He set his gun at full cock and muttered: 'In the name of the Father and of the Son,' but when the cock clicked the sound of steps ceased. 'Halloo, Cossacks! Don't kill your Daddy!' said a deep bass voice calmly; and moving the reeds apart Daddy Eroshka came up close to Luke. 'I very nearly killed you, by God I did!' said Lukashka. 'What have you shot?' asked the old man. His sonorous voice resounded through the wood and downward along the river, suddenly dispelling the mysterious quiet of night around the Cossack. It was as if everything had suddenly become lighter and more distinct. 'There now. Uncle, you have not seen anything, but I've killed a beast,' said Lukashka, uncocking his gun and getting up with unnatural calm...

A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)

FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER II The proper topic of the narrative I am writing is the record of my errors, To write it, is the act of my pentinence and humiliation. I can expect however few persons to interest themselves respecting my errors, unless they are first informed what manner of man I am, what were my spontaneous and native dispositions, and whether I am such a one as that my errors are worthy of commiseration and pity. This must be my apology for the topic I am here to introduce, a topic on which all ingenous minds are disposed to be silent, and which shall in this place be passed over as flightly as possible, my beneficence and charities. I was fond of penetrating into the cottages of the poor. I should be greatly unjust to myself, if I suffered the reader to suppose that the wild elevati...

A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...

I resumed mine, also. The lawyer and the lady whispered together. I was sitting beside Posdnicheff, and I maintained silence. I desired to talk to him, but I did not know how to begin, and thus an hour passed until we reached the next station. There the lawyer and the lady went out, as well as the clerk. We were left alone, Posdnicheff and I. “They say it, and they lie, or they do not understand,” said Posdnicheff. “Of what are you talking?” “Why, still the same thing.” He leaned his elbows upon his knees, and pressed his hands against his temples. “Love, marriage, family,—all lies, lies, lies.” He rose, lowered the lamp-shade, lay down with his elbows on the cushion, and closed his eyes. He remained thus for a minute. “Is it disagreeable to you to remain with me, now that you know who I am?” “Oh, no.” “You have no desi...

A Powerful Disseminator Of Radical Thought
So long as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations. But when the dumb unrest grows into conscious expression and becomes almost universal, it necessarily affects all phases of human thought and action, and seeks its individual and social expression in the gradual transvaluation of existing values. An adequate appreciation of the tremendous spread of the modern, conscious social unrest cannot be gained from merely propagandistic literature. Rather must we become conversant with the larger phases of human expression manifest in art, literature, and, above all, the modern drama--the strongest and most far-reaching interprete... (From : Anarchy Archives.)

Godwin, William. Of Population. London: Longman, Hurst, Rees, Orme and Brown, Paternoster Row, 1820. INQUIRY CONCERNING POPULATION BOOK I. OF THE POPULATION OF EUROPE, ASIA, AFRICA, AND SOUTH AMERICA, IN ANCIENT AND MODERN TIMES. CHAPTER I. INTRODUCTION. Mr. Malthus has published what he calls an Essay on the Principle of Population, by which he undertakes to annul every thing that had previously been received, respecting the views that it is incumbent upon those who preside over political society to cherish, and the measures that may conduce to the happiness of mankind. His theory is evidently founded upon nothing. He says, that "population, when unchecked, goes on doubling itself every twenty-five years, or increases in a geometrical ratio.a" If we ask why we are to believe this, he answers that, "in the northern states of America, the population has bee...

THE SCANDINAVIAN DRAMA In a letter to George Brandes, shortly after the Paris Commune, Henrik Ibsen wrote concerning the State and political liberty: "The State is the curse of the individual. How has the national strength of Prussia been purchased? By the sinking of the individual in a political and geographical formula. . . . The State must go! That will be a revolution which will find me on its side. Undermine the idea of the State, set up in its place spontaneous action, and the idea that spiritual relationship is the only thing that makes for unity, and you will start the elements of a liberty which will be something worth possessing." The State was not the only bête noire of Henrik Ibsen. Every other institution which, like the State, rests upon a lie, was an iniquity to him. Uncompromising demolisher of all false idols and dynamiter of all social shams and hypocrisy, Ibsen consistently strove to uproot every stone of our so...


(A lecture presenting the negative side of the question, whose positive was argued under the heading "They who marry do well," by Dr. Henrietta P. Westbrook; both lectures delivered before the Radical Liberal League, Philadelphia, April 28, 1907.) LET ME make myself understood on two points, now, so that when discussion arises later, words may not be wasted in considering things not in question: First -How shall we measure doing well or doing ill; Second -What I mean by marriage. So much as I have been able to put together the pieces of the universe in my small head, there is no absolute right or wrong; there is only a relativity, depending on the consciously though very slowly altering condition of a social race in respect to the rest of t... (From : Anarchy Archives.)


I begin with an admission: Regardless of all political and economic theories, treating of the fundamental differences between various groups within the human race, regardless of class and race distinctions, regardless of all artificial boundary lines between woman's rights and man's rights, I hold that there is a point where these differentiations may meet and grow into one perfect whole. With this I do not mean to propose a peace treaty. The general social antagonism which has taken hold of our entire public life today, brought about through the force of opposing and contradictory interests, will crumble to pieces when the reorganization of our social life, based upon the principles of economic justice, shall have become a reality. Peace o... (From : Anarchy Archives.)

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