A Tale of 1852The Captain and the head of the village rode away, and Olenin, to please Lukashka as well as to avoid going back alone through the dark forest, asked the corporal to give Lukashka leave, and the corporal did so. Olenin thought that Lukashka wanted to see Maryanka and he was also glad of the companionship of such a pleasant-looking and sociable Cossack. Lukashka and Maryanka he involuntarily united in his mind, and he found pleasure in thinking about them. 'He loves Maryanka,' thought Olenin, 'and I could love her,' and a new and powerful emotion of tenderness overcame him as they walked homeward together through the dark forest. Lukashka too felt happy; something akin to love made itself felt between these two very different young men. Every time they glanced at one another they wanted to laugh. 'By which gate do you enter?' asked Olenin. 'By the middle one. But I'll see you as far as the marsh. After that you have nothing to fear.' Olenin laughed.
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
Once we went into the Caucasus to hunt the wild boar, and Búlka went with me. The moment the hounds started, Búlka rushed after them, following their sound, and disappeared in the forest. That was in the month of November; the boars and sows are then very fat. In the Caucasus there are many edible fruits in the forests where the boars live: wild grapes, cones, apples, pears, blackberries, acorns, wild plums. And when all these fruits get ripe and are touched by the frost, the boars eat them and grow fat. At that time a boar gets so fat that he cannot run from the dogs. When they chase him for about two hours, he makes for the thicket and there stops. Then the hunters run up to the place where he stands, and shoot him. They can tell by the bark of the hounds whether the boar has stopped, or is running. If he is running, the hounds yelp, as though they were beaten; but when he stops, they bark as though at a man, with a howling sound. During tha...
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. IN TWO VOLUMES. Vol. I New York: PRINTED FOR I. RILEY & Co. BOOK-SELLERS, NO. I, CITY HOTEL. 1805. CHAPTER I. I WAS the only son of my father. I was very young at the period of the death of my mother, and have retained scarcely any recollection of her. My father was so much affected by the loss of the amiable and affectionate partner of his days, that he resolved to withdraw forever from those scenes, where every object he saw was ssociated with the ideas of her kindness, her accomplishments, and her virtues: and, being habitually a lover of the sublime and romantic features of nature, he fixed upon a spot in Merionethshire, near the foot of Cader Idr...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. BOOK THE FIRST CHARACTER OF THE SHEPHERDESS AND HER LOVER. -FEAST OF RUTHYN.-SONGS OF THE BARDS. LISTEN, O man! to the voice of wisdom. The world thou inhabitest was not intended for a theater of fruition, nor destined for a scene of repose. False and treacherous is that happiness, which has been preceded by no trial, and is connected with no desert. It is like the gilded poison that undermines the human frame. It is like the hoarse murmur of the winds that announces the brewing tempest. Virtue, for such is the decree of the Most High, is evermore obliged to pass through the ordeal of temptation, and the thorny paths of adversity. If, in this day of her trial, no foul blot obscure her luster, no irresolution and instability tarnish the clearness of her spirit, then may she rejoice in the view of her approaching reward, and receive with an open heart the...
The good stallion took the sledge along at a brisk pace over the smooth-frozen road through the village, the runners squeaking slightly as they went. ‘Look at him hanging on there! Hand me the whip, Nikita!’ shouted Vasili Andreevich, evidently enjoying the sight of his ‘heir,’ who standing on the runners was hanging on at the back of the sledge. ‘I’ll give it you! Be off to mama, you dog!’ The boy jumped down. The horse increased his amble and, suddenly changing foot, broke into a fast trot. The Crosses, the village where Vasili Andreevich lived, consisted of six houses. As soon as they had passed the blacksmith’s hut, the last in the village, they realized that the wind was much stronger than they had thought. The road could hardly be seen. The tracks left by the sledge-runners were immediately covered by snow and the road was only distinguished by the fact that it was higher than the rest of the ground. The...
THE ENGLISH DRAMA: GEORGE BERNARD SHAW "I am not an ordinary playwright in general practice. I am a specialist in immoral and heretical plays. My reputation has been gained by my persistent struggle to force the public to reconsider its morals. In particular, I regard much current morality as to economic and sexual relations as disastrously wrong; and I regard certain doctrines of the Christian religion as under stood in England to-day with abhorrence. I write plays with the deliberate object of converting the nation to my opinions in these matters." This confession of faith should leave no doubt as to the place of George Bernard Shaw in modern dramatic art. Yet, strange to say, he is among the most doubted of his time. That is partly due to the fact that humor generally serves merely to amuse, touching only the lighter side of life. But there is a kind of humor that fills laughter with tears, a humor that eats into the soul like acid, leaving...
A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...