A Tale of 1852'Well, what was I saying?' he continued, trying to remember. 'Yes, that's the sort of man I am. I am a hunter. There is no hunter to equal me in the whole army. I will find and show you any animal and any bird, and what and where. I know it all! I have dogs, and two guns, and nets, and a screen and a hawk. I have everything, thank the Lord! If you are not bragging but are a real sportsman, I'll show you everything. Do you know what a man I am? When I have found a track—I know the animal. I know where he will lie down and where he'll drink or wallow. I make myself a perch and sit there all night watching. What's the good of staying at home? One only gets into mischief, gets drunk. And here women come and chatter, and boys shout at me—enough to drive one mad. It's a different matter when you go out at nightfall, choose yourself a place, press down the reeds and sit there and stay waiting, like a jolly fellow. One knows everything that goes on in the woods. One looks up a...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
During Easter week a peasant went out to see whether the ground was all thawed out. He went into the garden and touched the soil with a stick. The earth was soft. The peasant went into the woods; here the catkins were already swelling on the willows. The peasant thought: "I will fence my garden with willows; they will grow up and will make a good hedge!" He took his ax, cut down a dozen willows, sharpened them at the end, and stuck them in the ground. All the willows sent up sprouts with leaves, and underground let out just such sprouts for roots; and some of them took hold of the ground and grew, and others did not hold well to the ground with their roots, and died and fell down. In the fall the peasant was glad at the sight of his willows: six of them had taken root. The following spring the sheep killed two willows by gnawing at them, and only two were left. Next spring the sheep nibbled at these also. One of them was completely ruined, a...
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. VOLUME THE SECOND CHAPTER I "WE went together to Paris, and arrived about the close of the evening. Our conversation had been eager and animated, and my companion proposed our taking up our lodging at the same inn. I was a total stranger in this great metropolis, and willingly accepted his suggestion. The streets by which we entered the capital were by no means so sumptuous as the idea of so celebrated a city had given me to expect; but I presently observed that my conductor led me away from the principal streets, and that his route lay through many a dark passage and many an alley. The house of reception to which we repaired corresponded to the road by which we reached it. My fellow-traveler, however, appeared to be well known to its inhabitants, and...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...
It happened in the ‘seventies in winter, on the day after St. Nicholas’s Day. There was a fete in the parish and the innkeeper, Vasili Andreevich Brekhunov, a Second Guild merchant, being a church elder had to go to church, and had also to entertain his relatives and friends at home. But when the last of them had gone he at once began to prepare to drive over to see a neighboring proprietor about a grove which he had been bargaining over for a long time. He was now in a hurry to start, lest buyers from the town might forestall him in making a profitable purchase. The youthful landowner was asking ten thousand rubles for the grove simply because Vasili Andreevich was offering seven thousand. Seven thousand was, however, only a third of its real value. Vasili Andreevich might perhaps have got it down to his own price, for the woods were in his district and he had a long-standing agreement with the other village dealers that no one should run up the price...
THE GERMAN DRAMA HERMANN SUDERMANN It has been said that military conquest generally goes hand in hand with the decline of creative genius, with the retrogression of culture. I believe this is not a mere assertion. The history of the human race repeatedly demonstrates that whenever a nation achieved great military success, it invariably involved the decline of art, of literature, of the drama; in short, of culture in the deepest and finest sense. This has been particularly borne out by Germany after its military triumph in the Franco-Prussian War. For almost twenty years after that war, the country of poets and thinkers remained, intellectually, a veritable desert, barren of ideas. Young Germany had to go for its intellectual food to France, -Daudet, Maupassant, and Zola; or to Russia -Tolstoy, Turgenev, and Dostoyevski; finally also to Ibsen and Strindberg. Nothing thrived in Germany during that period, except a sickening patriotism and sentimental ro...
A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...