A Tale of 1852On the third day after the events above described, two companies of a Caucasian infantry regiment arrived at the Cossack village of Novomlinsk. The horses had been unharnessed and the companies' wagons were standing in the square. The cooks had dug a pit, and with logs gathered from various yards (where they had not been sufficiently securely stored) were now cooking the food; the pay-sergeants were settling accounts with the soldiers. The Service Corps men were driving piles in the ground to which to tie the horses, and the quartermasters were going about the streets just as if they were at home, showing officers and men to their quarters. Here were green ammunition boxes in a line, the company's carts, horses, and cauldrons in which buckwheat porridge was being cooked. Here were the captain and the lieutenant and the sergeant-major, Onisim Mikhaylovich, and all this was in the Cossack village where it was reported that the companies were ordered to take up their quarters: theref...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
THE SNAKE'S HEAD AND TAIL The Snake's Tail had a quarrel with the Snake's Head about who was to walk in front. The Head said: "You cannot walk in front, because you have no eyes and no ears." The Tail said: "Yes, but I have strength, I move you; if I want to, I can wind myself around a tree, and you cannot get off the spot." The Head said: "Let us separate!" And the Tail tore himself loose from the Head, and crept on; but the moment he got away from the Head, he fell into a hole and was lost. FINE THREAD A Man ordered some fine thread from a Spinner. The Spinner spun it for him, but the Man said that the thread was not good, and that he wanted the finest thread he could get. The Spinner said: "If this is not fine enough, take this!" and she pointed to an empty space. He said that he did not see any. The Spinner said: "You do not see it, because it is so fine. I do not see it mys...
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER III AT the usual age I entered myself of the university of Oxford. I felt no strong propensity to this change; but I submitted to it, as to a thing in the regular order of proceeding, and to which it would be useless to object. I was so much accustomed to self-conversation as to have little inclination to mix in the world; and was to such a degree satisfied with my abilities, and progress, and capacity of directing my own studies and conduct, as not to look with any eager craving for the advice and assistance of professors and doctors. In setting out for the university, I was to part with my father and my preceptor. The first of these was a bitter pang to me: I had scarcely, from the earliest of my remembrance, ever been a...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. BOOK THE FIRST CHARACTER OF THE SHEPHERDESS AND HER LOVER. -FEAST OF RUTHYN.-SONGS OF THE BARDS. LISTEN, O man! to the voice of wisdom. The world thou inhabitest was not intended for a theater of fruition, nor destined for a scene of repose. False and treacherous is that happiness, which has been preceded by no trial, and is connected with no desert. It is like the gilded poison that undermines the human frame. It is like the hoarse murmur of the winds that announces the brewing tempest. Virtue, for such is the decree of the Most High, is evermore obliged to pass through the ordeal of temptation, and the thorny paths of adversity. If, in this day of her trial, no foul blot obscure her luster, no irresolution and instability tarnish the clearness of her spirit, then may she rejoice in the view of her approaching reward, and receive with an open heart the...
The household to which Vasili Andreevich had come was one of the richest in the village. The family had five allotments, besides renting other land. They had six horses, three cows, two calves, and some twenty sheep. There were twenty-two members belonging to the homestead: four married sons, six grandchildren (one of whom, Petrushka, was married), two great-grandchildren, three orphans, and four daughters-in-law with their babies. It was one of the few homesteads that remained still undivided, but even here the dull internal work of disintegration which would inevitably lead to separation had already begun, starting as usual among the women. Two sons were living in Moscow as water-carriers, and one was in the army. At home now were the old man and his wife, their second son who managed the homestead, the eldest who had come from Moscow for the holiday, and all the women and children. Besides these members of the family there was a visitor, a neighbor who was godfather to one of t...
THE SCANDINAVIAN DRAMA: AUGUST STRINDBERG COMRADES Although comrades was written in 1888, it is in a measure the most up-to-date play of Strindberg,-so thoroughly modern that one at all conversant with the milieu that inspired " Comrades " could easily point out the type of character portrayed in the play. It is a four-act comedy of marriage - the kind of marriage that lacks social and legal security in the form of a ceremony, but retains all the petty. conventions of the marriage institution. The results of such an anomaly are indeed ludicrous when viewed from a distance, but very tragic for those who play a part in it. Axel Alberg and his wife Bertha are Swedish artists residing in Paris. They are both painters. Of course they share the same living quarters, and although each has a separate room, the arrangement does not hinder them from trying to regulate each other's movements. Thus when Bertha does n...
A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...