A Tale of 1852'I'm fond of them, very fond! … First-rate fellows! … Fine!' he kept repeating, and felt ready to cry. But why he wanted to cry, who were the first-rate fellows he was so fond of—was more than he quite knew. Now and then he looked round at some house and wondered why it was so curiously built; sometimes he began wondering why the post-boy and Vanyusha, who were so different from himself, sat so near, and together with him were being jerked about and swayed by the tugs the side-horses gave at the frozen traces, and again he repeated: 'First rate … very fond!' and once he even said: 'And how it seizes one … excellent!' and wondered what made him say it. 'Dear me, am I drunk?' he asked himself. He had had a couple of bottles of wine, but it was not the wine alone that was having this effect on Olenin. He remembered all the words of friendship heartily, bashfully, spontaneously (as he believed) addressed to him on his departure. He remembered the clas...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
In our village there was an old, old man, Pímen Timoféich. He was ninety years old. He was living at the house of his grandson, doing no work. His back was bent: he walked with a cane and moved his feet slowly. He had no teeth at all, and his face was wrinkled. His nether lip trembled; when he walked and when he talked, his lips smacked, and one could not understand what he was saying. We were four brothers, and we were fond of riding. But we had no gentle riding-horses. We were allowed to ride only on one horse,—the name of that horse was Raven. One day mama allowed us to ride, and all of us went with the valet to the stable. The coachman saddled Raven for us, and my eldest brother was the first to take a ride. He rode for a long time; he rode to the threshing-floor and around the garden, and when he came back, we shouted: "Now gallop past us!" My elder brother began to strike Raven with his feet and with the whip, and R...
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER VI The first woman who in this career fixed my regard, was a finished coquette, by which epithet I understand a woman whose ruling passion is her vanity, and whole invention is hourly on the rack for means of gratifying it. She was a lady of high rank, and married to a person of great figure at court. I first obtained her attention under favor of the epithet, by which the Parisian belles thought proper to distinguish me, of the handsome Englishman. Sir Charles, my introducer, was certainly of more established vogue than myself, and in this respect might have seemed a conquest still more flattering to a person of her character. But the marchioness easily discerned that he would have afforded her less occupation and amusement. Sir Charles would perhap...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. BOOK THE SECOND THUNDER STORM.--THE RAPE OF IMOGEN.--EDWIN ARRIVES AT THE GROTTO OF ELWY.--CHARACTER OF THE MAGICIAN.--THE END OF THE FIRST DAY. THE song of Llewelyn was heard by the shepherds with reverence and mute attention. Their blameless hearts were lifted to the skies with the sentiment of gratitude; their honest bosoms overflowed with the fervor of devotion. They proved their sympathy with the feelings of the bard, not by licentious shouts and wild huzzahes, but by the composure of their spirits, the serenity of their countenances' and the deep and unutterable silence which universally prevailed. And now the hoary minstrel rose from the little eminence, beneath the aged oak, from whose branches depended the ivy and the honeysuckle, on which the veneration of the multitude had placed him. He came into the midst of the plain, and the sons and the daughters...
The good stallion took the sledge along at a brisk pace over the smooth-frozen road through the village, the runners squeaking slightly as they went. ‘Look at him hanging on there! Hand me the whip, Nikita!’ shouted Vasili Andreevich, evidently enjoying the sight of his ‘heir,’ who standing on the runners was hanging on at the back of the sledge. ‘I’ll give it you! Be off to mama, you dog!’ The boy jumped down. The horse increased his amble and, suddenly changing foot, broke into a fast trot. The Crosses, the village where Vasili Andreevich lived, consisted of six houses. As soon as they had passed the blacksmith’s hut, the last in the village, they realized that the wind was much stronger than they had thought. The road could hardly be seen. The tracks left by the sledge-runners were immediately covered by snow and the road was only distinguished by the fact that it was higher than the rest of the ground. The...
THE SCANDINAVIAN DRAMA: AUGUST STRINDBERG COUNTESS JULIE In his masterly preface to this play, August Strindberg writes: "The fact that my tragedy makes a sad impression on many is the fault of the many. When we become strong, as were the first French revolutionaries, it will make an exclusively pleasant and cheerful impression to see the royal parks cleared of rotting, superannuated trees which have too long stood in the way of others with equal right to vegetate their full lifetime; it will make a good impression in the same sense as does the sight of the death of an incurable." What a wealth of revolutionary thought,were we to realize that those who will clear society of the rotting, superannuated trees that have so long been standing in the way of others entitled to an equal share in life, must be as strong as the great revolutionists of the past! Indeed, Strindberg is no trimmer, no cheap reformer, no patchworker; therefore his inability to...
A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...