A Tale of 1852From Eroshka's hut Lukashka went home. As he returned, the dewy mists were rising from the ground and enveloped the village. In various places the cattle, though out of sight, could be heard beginning to stir. The cocks called to one another with increasing frequency and insistence. The air was becoming more transparent, and the villagers were getting up. Not till he was close to it could Lukishka discern the fence of his yard, all wet with dew, the porch of the hut, and the open shed. From the misty yard he heard the sound of an ax chopping wood. Lukashka entered the hut. His mother was up, and stood at the oven throwing wood into it. His little sister was still lying in bed asleep. 'Well, Lukashka, had enough holiday-making?' asked his mother softly. 'Where did you spend the night?' 'I was in the village,' replied her son reluctantly, reaching for his musket, which he drew from its cover and examined carefully. His mother swayed her head.
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
In the city of Vladímir there lived a young merchant, Aksénov by name. He had two shops and a house. Aksénov was a light-complexioned, curly-headed, fine-looking man and a very jolly fellow and good singer. In his youth Aksénov had drunk much, and when he was drunk he used to become riotous, but when he married he gave up drinking, and that now happened very rarely with him. One day in the summer Aksénov went to the Nízhni-Nóvgorod fair. As he bade his family good-bye, his wife said to him: "Iván Dmítrievich, do not start today! I have had a bad dream about you." Aksénov laughed, and said: "Are you afraid that I might go on a spree at the fair?" His wife said: "I do not know what I am afraid of, but I had a bad dream: I dreamed that you came to town, and when you took off your cap I saw that your head was all gray." Aksénov laughed. "...
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. IN TWO VOLUMES. Vol. I New York: PRINTED FOR I. RILEY & Co. BOOK-SELLERS, NO. I, CITY HOTEL. 1805. CHAPTER I. I WAS the only son of my father. I was very young at the period of the death of my mother, and have retained scarcely any recollection of her. My father was so much affected by the loss of the amiable and affectionate partner of his days, that he resolved to withdraw forever from those scenes, where every object he saw was ssociated with the ideas of her kindness, her accomplishments, and her virtues: and, being habitually a lover of the sublime and romantic features of nature, he fixed upon a spot in Merionethshire, near the foot of Cader Idr...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...
At the entrance to the street the wind still raged and the road was thickly covered with snow, but well within the village it was calm, warm, and cheerful. At one house a dog was barking, at another a woman, covering her head with her coat, came running from somewhere and entered the door of a hut, stopping on the threshold to have a look at the passing sledge. In the middle of the village girls could be heard singing. Here in the village there seemed to be less wind and snow, and the frost was less keen. ‘Why, this is Grishkino,’ said Vasili Andreevich. ‘So it is,’ responded Nikita. It really was Grishkino, which meant that they had gone too far to the left and had traveled some six miles, not quite in the direction they aimed at, but towards their destination for all that. From Grishkino to Goryachkin was about another four miles. In the middle of the village they almost ran into a tall man walking down the...
THE SCANDINAVIAN DRAMA: AUGUST STRINDBERG COUNTESS JULIE In his masterly preface to this play, August Strindberg writes: "The fact that my tragedy makes a sad impression on many is the fault of the many. When we become strong, as were the first French revolutionaries, it will make an exclusively pleasant and cheerful impression to see the royal parks cleared of rotting, superannuated trees which have too long stood in the way of others with equal right to vegetate their full lifetime; it will make a good impression in the same sense as does the sight of the death of an incurable." What a wealth of revolutionary thought,were we to realize that those who will clear society of the rotting, superannuated trees that have so long been standing in the way of others entitled to an equal share in life, must be as strong as the great revolutionists of the past! Indeed, Strindberg is no trimmer, no cheap reformer, no patchworker; therefore his inability to...
A Critical Essay on ShakespeareThe drama of "Lear" begins with a scene giving the conversation between two courtiers, Kent and Gloucester. Kent, pointing to a young man present, asks Gloucester whether that is not his son. Gloucester says that he has often blushed to acknowledge the young man as his son, but has now ceased doing so. Kent says he "can not conceive him." Then Gloucester in the presence of this son of his says: "The fellow's mother could, and grew round-wombed, and had a son for her cradle ere she had a husband for her bed." "I have another, a legitimate son," continues Gloucester, "but although this one came into the world before he was sent for, his mother was fair and there was good sport at his making, and therefore I acknowledge this one also." Such is the introduction. Not to mention the coarseness of these words of Gloucester, they are, farther, out of place in the mouth of a person intended to represent a noble character. One can not agree with the opinion of some critics that thes...