A Tale of 1852'I'm fond of them, very fond! … First-rate fellows! … Fine!' he kept repeating, and felt ready to cry. But why he wanted to cry, who were the first-rate fellows he was so fond of—was more than he quite knew. Now and then he looked round at some house and wondered why it was so curiously built; sometimes he began wondering why the post-boy and Vanyusha, who were so different from himself, sat so near, and together with him were being jerked about and swayed by the tugs the side-horses gave at the frozen traces, and again he repeated: 'First rate … very fond!' and once he even said: 'And how it seizes one … excellent!' and wondered what made him say it. 'Dear me, am I drunk?' he asked himself. He had had a couple of bottles of wine, but it was not the wine alone that was having this effect on Olenin. He remembered all the words of friendship heartily, bashfully, spontaneously (as he believed) addressed to him on his departure. He remembered the clas...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
A peasant once went to the gardener's, to steal cucumbers. He crept up to the cucumbers, and thought: "I will carry off a bag of cucumbers, which I will sell; with the money I will buy a hen. The hen will lay eggs, hatch them, and raise a lot of chicks. I will feed the chicks and sell them; then I will buy me a young sow, and she will bear a lot of pigs. I will sell the pigs, and buy me a mare; the mare will foal me some colts. I will raise the colts, and sell them. I will buy me a house, and start a garden. In the garden I will sow cucumbers, and will not let them be stolen, but will keep a sharp watch on them. I will hire watchmen, and put them in the cucumber patch, while I myself will come on them, unawares, and shout: 'Oh, there, keep a sharp lookout!'" And this he shouted as loud as he could. The watchmen heard it, and they rushed out and beat the peasant.
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER II The proper topic of the narrative I am writing is the record of my errors, To write it, is the act of my pentinence and humiliation. I can expect however few persons to interest themselves respecting my errors, unless they are first informed what manner of man I am, what were my spontaneous and native dispositions, and whether I am such a one as that my errors are worthy of commiseration and pity. This must be my apology for the topic I am here to introduce, a topic on which all ingenous minds are disposed to be silent, and which shall in this place be passed over as flightly as possible, my beneficence and charities. I was fond of penetrating into the cottages of the poor. I should be greatly unjust to myself, if I suffered the reader to suppose that the wild elevati...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...
It happened in the ‘seventies in winter, on the day after St. Nicholas’s Day. There was a fete in the parish and the innkeeper, Vasili Andreevich Brekhunov, a Second Guild merchant, being a church elder had to go to church, and had also to entertain his relatives and friends at home. But when the last of them had gone he at once began to prepare to drive over to see a neighboring proprietor about a grove which he had been bargaining over for a long time. He was now in a hurry to start, lest buyers from the town might forestall him in making a profitable purchase. The youthful landowner was asking ten thousand rubles for the grove simply because Vasili Andreevich was offering seven thousand. Seven thousand was, however, only a third of its real value. Vasili Andreevich might perhaps have got it down to his own price, for the woods were in his district and he had a long-standing agreement with the other village dealers that no one should run up the price...
THE SCANDINAVIAN DRAMA In a letter to George Brandes, shortly after the Paris Commune, Henrik Ibsen wrote concerning the State and political liberty: "The State is the curse of the individual. How has the national strength of Prussia been purchased? By the sinking of the individual in a political and geographical formula. . . . The State must go! That will be a revolution which will find me on its side. Undermine the idea of the State, set up in its place spontaneous action, and the idea that spiritual relationship is the only thing that makes for unity, and you will start the elements of a liberty which will be something worth possessing." The State was not the only bête noire of Henrik Ibsen. Every other institution which, like the State, rests upon a lie, was an iniquity to him. Uncompromising demolisher of all false idols and dynamiter of all social shams and hypocrisy, Ibsen consistently strove to uproot every stone of our so...
A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...