A Tale of 1852It was growing light. The Chechen's body which was gently rocking in the shallow water was now clearly visible. Suddenly the reeds rustled not far from Luke and he heard steps and saw the feathery tops of the reeds moving. He set his gun at full cock and muttered: 'In the name of the Father and of the Son,' but when the cock clicked the sound of steps ceased. 'Halloo, Cossacks! Don't kill your Daddy!' said a deep bass voice calmly; and moving the reeds apart Daddy Eroshka came up close to Luke. 'I very nearly killed you, by God I did!' said Lukashka. 'What have you shot?' asked the old man. His sonorous voice resounded through the wood and downward along the river, suddenly dispelling the mysterious quiet of night around the Cossack. It was as if everything had suddenly become lighter and more distinct. 'There now. Uncle, you have not seen anything, but I've killed a beast,' said Lukashka, uncocking his gun and getting up with unnatural calm...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
In the village of Nikólskoe, the people went on a holiday to mass. In the manor yard were left the cow-tender, the elder, and the groom. The cow-tender went to the well for water. The well was in the yard itself. She pulled out the bucket, but could not hold it. The bucket pulled away from her, struck the side of the well, and tore the rope. The cow-tender returned to the hut and said to the elder: "Aleksándr! Climb down into the well,—I have dropped the bucket into it." Aleksándr said: "You have dropped it, so climb down yourself." The cow-tender said that she did not mind fetching it herself, if he would let her down. The elder laughed at her, and said: "Well, let us go! You have an empty stomach now, so I shall be able to hold you up, for after dinner I could not do it." The elder tied a stick to a rope, and the woman sat astride it, took hold of the rope, and began to climb down into the well, w...
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER VIII I Hastened, as I have already said, from paris, and plunged amid the wild and desolate scenery of mount Jura. The next intended stage of my travels was Switzerland, and I pursued the road which led to that country. The first anxiety I felt was to escape from my sufferings and my disgrace. There first I had felt my mind agitated with hose emotions which are destined to have so mighty an influence on the fate of man. But how agitated I had loved. I had not loved innocence; I had not loved the chaste simplicity of the female character: my affections had not gone forth toward any object, which might refine and elevate my soul, which might free me from the impurities I had contracted among the debauchees of the university, restore me to peace with myself, and prepare m...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...
At the entrance to the street the wind still raged and the road was thickly covered with snow, but well within the village it was calm, warm, and cheerful. At one house a dog was barking, at another a woman, covering her head with her coat, came running from somewhere and entered the door of a hut, stopping on the threshold to have a look at the passing sledge. In the middle of the village girls could be heard singing. Here in the village there seemed to be less wind and snow, and the frost was less keen. ‘Why, this is Grishkino,’ said Vasili Andreevich. ‘So it is,’ responded Nikita. It really was Grishkino, which meant that they had gone too far to the left and had traveled some six miles, not quite in the direction they aimed at, but towards their destination for all that. From Grishkino to Goryachkin was about another four miles. In the middle of the village they almost ran into a tall man walking down the...
THE SCANDINAVIAN DRAMA In a letter to George Brandes, shortly after the Paris Commune, Henrik Ibsen wrote concerning the State and political liberty: "The State is the curse of the individual. How has the national strength of Prussia been purchased? By the sinking of the individual in a political and geographical formula. . . . The State must go! That will be a revolution which will find me on its side. Undermine the idea of the State, set up in its place spontaneous action, and the idea that spiritual relationship is the only thing that makes for unity, and you will start the elements of a liberty which will be something worth possessing." The State was not the only bête noire of Henrik Ibsen. Every other institution which, like the State, rests upon a lie, was an iniquity to him. Uncompromising demolisher of all false idols and dynamiter of all social shams and hypocrisy, Ibsen consistently strove to uproot every stone of our so...
A Critical Essay on Shakespeare"Well, but the profound utterances and sayings expressed by Shakespeare's characters," Shakespeare's panegyrists will retort. "See Lear's monologue on punishment, Kent's speech about vengeance, or Edgar's about his former life, Gloucester's reflections on the instability of fortune, and, in other dramas, the famous monologues of Hamlet, Antony, and others." Thoughts and sayings may be appreciated, I will answer, in a prose work, in an essay, a collection of aphorisms, but not in an artistic dramatic production, the object of which is to elicit sympathy with that which is represented. Therefore the monologues and sayings of Shakespeare, even did they contain very many deep and new thoughts, which they do not, do not constitute the merits of an artistic, poetic production. On the contrary, these speeches, expressed in unnatural conditions, can only spoil artistic works. An artistic, poetic work, particularly a drama, must first of all excite in the reader or spectato...