There is a sad lack of Anarchist pamphlets in England, and we gladly welcome our comrade Joseph Lane's contribution of 'An Anti-Statist Communist Manifesto' (price 1d., Joseph Lane, 38, Ainsley Street, Bethnal Green Junction, E.), which is an energetic and earnest exposition of Anarchist Socialism from a worker's standpoint. The second portion, which deals with practical politics, is specially interesting. We hope the tract will have a wide circulation. But is it not a pity to use the somewhat clumsy title 'Anti-Statist' rather than the more definite and expressive 'Anarchist'? Why evade the fine old name which for years has rung out in the van of the Socialist movement throughout the world? It is flung at every energetic Socialist, of what... (From : AnarchyArchives.)
The ResurrectionThe presiding justice arrived early. He was a tall, stout man, with long, grayish side-whiskers. He was married, but, like his wife, led a very dissolute life. They did not interfere with each other. On the morning in question he received a note from a Swiss governess, who had lived in his house during the summer, and was now passing on her way from the South to St. Petersburg. She wrote that she would be in town between three and six o'clock p. m., and wait for him at the "Hotel Italia." He was, therefore, anxious to end his day's sitting before six o'clock, that he might meet the red-haired Clara Vasilievna. Entering his private chamber, and locking the door behind him, he produced from the lower shelf of a book-case two dumb-bells, made twenty motions upward, forward, sidewise and downward, and three times lowered himself, holding the bells above his head. "Nothing so refreshes one as a cold-water bath and exercise," he thought, feeling with...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful “antiwar” films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they attach themselves to quite ... (From : http://www.bopsecrets.org/CF/goodman.htm.)
In Petersburg in the eighteen-forties a surprising event occurred. An officer of the Cuirassier Life Guards, a handsome prince who everyone predicted would become aide-de-camp to the Emperor Nicholas I. and have a brilliant career, left the service, broke off his engagement to a beautiful maid of honor, a favorite of the Empress’s, gave his small estate to his sister, and retired to a monastery to become a monk. This event appeared extraordinary and inexplicable to those who did not know his inner motives, but for Prince Stepan Kasatsky himself it all occurred so naturally that he could not imagine how he could have acted otherwise. His father, a retired colonel of the Guards, had died when Stepan was twelve, and sorry as his mother was to part from her son, she entered him at the Military College as her deceased husband had intended. The widow herself, with her daughter, Varvara, moved to Petersburg to be near her son and have him with her for the ho...
In the meanwhile the horses, the gray ones, had all been disposed of; Mashka was sold to the gypsies for eighteen rubles; Dapple-gray was exchanged for another horse, and passed over to another peasant who lived forty miles away from the estate; and Beauty died on the way. The man who conducted the whole affair was—Ivan Mironov. He had been employed on the estate, and knew all the whereabouts of Peter Nikolaevich. He wanted to get back the money he had lost, and stole the horses for that reason. After his misfortune with the forged coupon, Ivan Mironov took to drink; and all he possessed would have gone on drink if it had not been for his wife, who locked up his clothes, the horses’ collars, and all the rest of what he would otherwise have squandered in public-houses. In his drunken state Ivan Mironov was continually thinking, not only of the man who had wronged him, but of all the rich people who live on robbing the poor. One day he had a drink with some peasa...
Selected Letters of Bartolomeo Vanzetti from the Charlestown State Prison, 1921-24 July 22, 1921. Charlestown Prison MY DEAR MRS. GLENDOWER EVANS: I was just thinking what I would to do for past the long days jail: I was saying to myself: Do some work. But what? Write. A gentle motherly figure came to my mind and I rehear the voice: Why don't you write something now? It will be useful to you when you will be free. Just at that time I received your letter. Thanks to you from the bottom of my heart for your confidence in my innocence; I am so. I did not spittel a drop of blood, or steal a cent in all my life. A little knowledge of the past; a sorrowful experience of the life itself had gave to me some ideas very different from those of many o... (From : umkc.edu.)
Their Present Limits and Their Possible Extension
(The substance of a paper read on December 5, 1899, before the Freedom Discussion Group, London by M. Nettlau.) The following remarks, based on an article published by me in Freedom, November 1897, must not be understood as wishing to replace direct Anarchist propaganda by a "remedy or a "hobby," they simply raise a general subject which has been, as far as I know and am told, neglected up till now : the possibility of some new form and combination in the labor struggle; and I am anxious for Anarchist criticism, which, apart from the general possibility has to examine whether the means suggested are on the road to freedom or the contrary ; consequently, whether they merit the support of Anarchists or not. Progress in the labor movement seem... (From : Anarchy Archives.)
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
These sketches are written in the style of Tolstoy's "Popular Stories and Legends," and give the reader various glimpses into modern village life in Russia THE FREE AGE PRESS Publisher: C. W. DANIEL 3 Amen Corner, London, E. C. THREE DAYS IN THE VILLAGE And Other Sketches No Rights Reserved THREE DAYS IN THE VILLAGE And Other Sketches Written from September 1909 to July 1910 BY LEO TOLSTOY Translated by L. and A. Maude LONDON THE FREE AGE PRESS (C. W. DANIEL) 3 AMEN CORNER, E. C. 1910 CONTENTS PAGE THREE DAYS IN THE VILLAGE— FIRST DAY—TRAMPS 7... (From : Gutenberg.org.)