There is a sad lack of Anarchist pamphlets in England, and we gladly welcome our comrade Joseph Lane's contribution of 'An Anti-Statist Communist Manifesto' (price 1d., Joseph Lane, 38, Ainsley Street, Bethnal Green Junction, E.), which is an energetic and earnest exposition of Anarchist Socialism from a worker's standpoint. The second portion, which deals with practical politics, is specially interesting. We hope the tract will have a wide circulation. But is it not a pity to use the somewhat clumsy title 'Anti-Statist' rather than the more definite and expressive 'Anarchist'? Why evade the fine old name which for years has rung out in the van of the Socialist movement throughout the world? It is flung at every energetic Socialist, of what... (From : AnarchyArchives.)
The Resurrection"It is shameful and disgusting," Nekhludoff meditated, while returning home on foot along the familiar streets. The oppressive feeling which he had experienced while speaking to Missy clung to him. He understood that nominally, if one may so express himself, he was in the right; he had never said anything to bind himself to her; had made no offer, but in reality he felt that he had bound himself to her, that he had promised to be hers. Yet he felt in all his being that he could not marry her. "It is shameful and disgusting," he repeated, not only of his relations to Missy, but of everything. "Everything is disgusting and shameful," he repeated to himself, as he ascended the steps of his house. "I shall take no supper," he said to Kornei, who followed him into the dining-room, where the table was set for his supper. "You may go." "All right," said Kornei, but did not go, and began to clear the table. Nekhludoff looked at Kornei and an ill feel...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful “antiwar” films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they attach themselves to quite ... (From : http://www.bopsecrets.org/CF/goodman.htm.)
In Petersburg in the eighteen-forties a surprising event occurred. An officer of the Cuirassier Life Guards, a handsome prince who everyone predicted would become aide-de-camp to the Emperor Nicholas I. and have a brilliant career, left the service, broke off his engagement to a beautiful maid of honor, a favorite of the Empress’s, gave his small estate to his sister, and retired to a monastery to become a monk. This event appeared extraordinary and inexplicable to those who did not know his inner motives, but for Prince Stepan Kasatsky himself it all occurred so naturally that he could not imagine how he could have acted otherwise. His father, a retired colonel of the Guards, had died when Stepan was twelve, and sorry as his mother was to part from her son, she entered him at the Military College as her deceased husband had intended. The widow herself, with her daughter, Varvara, moved to Petersburg to be near her son and have him with her for the ho...
The lawyer consented to take proceedings on behalf of Ivan Mironov, not so much for the sake of the fee, as because he believed the peasant, and was revolted by the wrong done to him. Both parties appeared in the court when the case was tried, and the yard-porter Vassily was summoned as witness. They repeated in the court all they had said before to the police officials. Ivan Mironov again called to his aid the name of the Divinity, and reminded the shopkeeper of the hour of death. Eugene Mihailovich, although quite aware of his wickedness, and the risks he was running, despite the rebukes of his conscience, could not now change his testimony, and went on calmly to deny all the allegations made against him. The yard-porter Vassily had received another ten rubles from his master, and, quite unperturbed, asserted with a smile that he did not know anything about Ivan Mironov. And when he was called upon to take the oath, he overcame his inner qualms, and repeated with...
Selected Letters of Bartolomeo Vanzetti from the Charlestown State Prison, 1921-24 July 22, 1921. Charlestown Prison MY DEAR MRS. GLENDOWER EVANS: I was just thinking what I would to do for past the long days jail: I was saying to myself: Do some work. But what? Write. A gentle motherly figure came to my mind and I rehear the voice: Why don't you write something now? It will be useful to you when you will be free. Just at that time I received your letter. Thanks to you from the bottom of my heart for your confidence in my innocence; I am so. I did not spittel a drop of blood, or steal a cent in all my life. A little knowledge of the past; a sorrowful experience of the life itself had gave to me some ideas very different from those of many o... (From : umkc.edu.)
Their Present Limits and Their Possible Extension
(The substance of a paper read on December 5, 1899, before the Freedom Discussion Group, London by M. Nettlau.) The following remarks, based on an article published by me in Freedom, November 1897, must not be understood as wishing to replace direct Anarchist propaganda by a "remedy or a "hobby," they simply raise a general subject which has been, as far as I know and am told, neglected up till now : the possibility of some new form and combination in the labor struggle; and I am anxious for Anarchist criticism, which, apart from the general possibility has to examine whether the means suggested are on the road to freedom or the contrary ; consequently, whether they merit the support of Anarchists or not. Progress in the labor movement seem... (From : Anarchy Archives.)
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
These sketches are written in the style of Tolstoy's "Popular Stories and Legends," and give the reader various glimpses into modern village life in Russia THE FREE AGE PRESS Publisher: C. W. DANIEL 3 Amen Corner, London, E. C. THREE DAYS IN THE VILLAGE And Other Sketches No Rights Reserved THREE DAYS IN THE VILLAGE And Other Sketches Written from September 1909 to July 1910 BY LEO TOLSTOY Translated by L. and A. Maude LONDON THE FREE AGE PRESS (C. W. DANIEL) 3 AMEN CORNER, E. C. 1910 CONTENTS PAGE THREE DAYS IN THE VILLAGE— FIRST DAY—TRAMPS 7... (From : Gutenberg.org.)