Browsing Untitled By Tag : pity

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There is a sad lack of Anarchist pamphlets in England, and we gladly welcome our comrade Joseph Lane's contribution of 'An Anti-Statist Communist Manifesto' (price 1d., Joseph Lane, 38, Ainsley Street, Bethnal Green Junction, E.), which is an energetic and earnest exposition of Anarchist Socialism from a worker's standpoint. The second portion, which deals with practical politics, is specially interesting. We hope the tract will have a wide circulation. But is it not a pity to use the somewhat clumsy title 'Anti-Statist' rather than the more definite and expressive 'Anarchist'? Why evade the fine old name which for years has rung out in the van of the Socialist movement throughout the world? It is flung at every energetic Socialist, of what... (From : AnarchyArchives.)

The ResurrectionAll the efforts of several hundred thousand people, crowded in a small space, to disfigure the land on which they lived; all the stone they covered it with to keep it barren; how so diligently every sprouting blade of grass was removed; all the smoke of coal and naphtha; all the cutting down of trees and driving off of cattle could not shut out the spring, even from the city. The sun was shedding its light; the grass, revivified, was blooming forth, where it was left uncut, not only on the greenswards of the boulevard, but between the flag-stones, and the birches, poplars and wild-berry trees were unfolding their viscous leaves; the limes were unfolding their buds; the daws, sparrows and pigeons were joyfully making their customary nests, and the flies were buzzing on the sun-warmed walls. Plants, birds, insects and children were equally joyful. Only men—grown-up men—continued cheating and tormenting themselves and each other. People saw nothing holy i...

A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)


I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful “antiwar” films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they attach themselves to quite ... (From : http://www.bopsecrets.org/CF/goodman.htm.)

In Petersburg in the eighteen-forties a surprising event occurred. An officer of the Cuirassier Life Guards, a handsome prince who everyone predicted would become aide-de-camp to the Emperor Nicholas I. and have a brilliant career, left the service, broke off his engagement to a beautiful maid of honor, a favorite of the Empress’s, gave his small estate to his sister, and retired to a monastery to become a monk. This event appeared extraordinary and inexplicable to those who did not know his inner motives, but for Prince Stepan Kasatsky himself it all occurred so naturally that he could not imagine how he could have acted otherwise. His father, a retired colonel of the Guards, had died when Stepan was twelve, and sorry as his mother was to part from her son, she entered him at the Military College as her deceased husband had intended. The widow herself, with her daughter, Varvara, moved to Petersburg to be near her son and have him with her for the ho...

Ivan Mironov's murderers were brought to trial, Stepan Pelageushkine among them. He had a heavier charge to answer than the others, all the witnesses having stated that it was he who had smashed Ivan Mironov’s head with a stone. Stepan concealed nothing when in court. He contented himself with explaining that, having been robbed of his two last horses, he had informed the police. Now it was comparatively easy at that time to trace the horses with the help of professional thieves among the gypsies. But the police officer would not even permit him, and no search had been ordered. “Nothing else could be done with such a man. He has ruined us all.” “But why did not the others attack him. It was you alone who broke his head open.” “That is false. We all fell upon him. The village agreed to kill him. I only gave the final stroke. What is the use of inflicting unnecessary sufferings on a man?” The judges were aston...


Selected Letters of Bartolomeo Vanzetti from the Charlestown State Prison, 1921-24 July 22, 1921. Charlestown Prison MY DEAR MRS. GLENDOWER EVANS: I was just thinking what I would to do for past the long days jail: I was saying to myself: Do some work. But what? Write. A gentle motherly figure came to my mind and I rehear the voice: Why don't you write something now? It will be useful to you when you will be free. Just at that time I received your letter. Thanks to you from the bottom of my heart for your confidence in my innocence; I am so. I did not spittel a drop of blood, or steal a cent in all my life. A little knowledge of the past; a sorrowful experience of the life itself had gave to me some ideas very different from those of many o... (From : umkc.edu.)

Their Present Limits and Their Possible Extension
(The substance of a paper read on December 5, 1899, before the Freedom Discussion Group, London by M. Nettlau.) The following remarks, based on an article published by me in Freedom, November 1897, must not be understood as wishing to replace direct Anarchist propaganda by a "remedy or a "hobby," they simply raise a general subject which has been, as far as I know and am told, neglected up till now : the possibility of some new form and combination in the labor struggle; and I am anxious for Anarchist criticism, which, apart from the general possibility has to examine whether the means suggested are on the road to freedom or the contrary ; consequently, whether they merit the support of Anarchists or not. Progress in the labor movement seem... (From : Anarchy Archives.)

THE SCANDINAVIAN DRAMA: HENRIK IBSEN A DOLL'S HOUSE In "A Doll's House" Ibsen returns to the subject so vital to him,--the Social Lie and Duty,--this time as manifesting themselves in the sacred institution of the home and in the position of woman in her gilded cage. Nora is the beloved, adored wife of Torvald Helmer. He is an admirable man, rigidly honest, of high moral ideals, and passionately devoted to his wife and children. In short, a good man and an enviable husband. Almost every mother would be proud of such a match for her daughter, and the latter would consider herself fortunate to become the wife of such a man. Nora, too, considers herself fortunate. Indeed, she worships her husband, believes in him implicitly, and is sure that if ever her safety should be menaced, Torvald, her idol, her god, would perform the miracle. When a woman loves as Nora does, nothing else matt...


These sketches are written in the style of Tolstoy's "Popular Stories and Legends," and give the reader various glimpses into modern village life in Russia THE FREE AGE PRESS Publisher: C. W. DANIEL 3 Amen Corner, London, E. C. THREE DAYS IN THE VILLAGE And Other Sketches No Rights Reserved THREE DAYS IN THE VILLAGE And Other Sketches Written from September 1909 to July 1910 BY LEO TOLSTOY Translated by L. and A. Maude LONDON THE FREE AGE PRESS (C. W. DANIEL) 3 AMEN CORNER, E. C. 1910 CONTENTS PAGE THREE DAYS IN THE VILLAGE— FIRST DAY—TRAMPS 7... (From : Gutenberg.org.)

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