A Tale of 1852Meanwhile the tattoo had sounded in the village square. The people had returned from their work. The herd lowed as in clouds of golden dust it crowded at the village gate. The girls and the women hurried through the streets and yards, turning in their cattle. The sun had quite hidden itself behind the distant snowy peaks. One pale bluish shadow spread over land and sky. Above the darkened gardens stars just discernible were kindling, and the sounds were gradually hushed in the village. The cattle having been attended to and left for the night, the women came out and gathered at the corners of the streets and, cracking sunflower seeds with their teeth, settled down on the earthen embankments of the houses. Later on Maryanka, having finished milking the buffalo and the other two cows, also joined one of these groups. The group consisted of several women and girls and one old Cossack man. They were talking about the abrek who had been killed. The Cossack was n...
Elisée Reclus' "Fragment of a Voyage to New Orleans " The following introduction to and translation of Reclus' "Voyage" was published in Mesechabe #11 (Winter 1993), pp. 14-17 and #12 (Spring 1994), pp. 17-22. A revised version, with illustrations and a much expanded introduction is forthcoming as a pamphlet from Glad Day Books. The editors and translators have also completed a collection of Reclus' writings, with extensive commentary on his ideas, entitled Liberty, Equality, Geography: The Social Thought of Elisée Reclus. They are at work on another Reclus collection entitled An Anarchist in the Old South: Elisée Reclus on Slavery and Antebellum Society. This work appears in Anarchy Archives with permission from John C... (From : Anarchy Archives.)
I The days ring with noisy clamor. There is constant going and coming. The clatter of levers, the slamming of iron doors, continually reverberates through the corridors. The dull thud of a footfall in the cell above hammers on my head with maddening regularity. In my ears is the yelling and shouting of coarse voices. "Cell num-ber ee-e-lev-ven! To court! Right a-way!" A prisoner hurriedly passes my door. His step is nervous, in his look expectant fear. "Hurry, there! To court!" "Good luck, Jimmie." The man flushes and averts his face, as he passes a group of visitors clustered about an overseer. "Who is that, Officer?" One of the ladies advances, lorgnette in hand, and stares boldly at the prisoner. Suddenly she shrinks back. A man is being led past by the guards. His face is bleeding from a deep gash, his head swathed in bandages. The officers thrust him violently into a cell. He falls heavily against the bed...
He went, first of all, to the pavilion, near which were standing the musicians, for whom other soldiers of the same regiment were holding the notes, in the absence of stands, and about whom a ring of cadets, nurses, and children had formed, intent rather on seeing than on hearing. Around the pavilion stood, sat, or walked sailors, adjutants, and officers in white gloves. Along the grand avenue of the boulevard paced officers of every sort, and women of every description, rarely in bonnets, mostly with kerchiefs on their heads (some had neither bonnets nor kerchiefs), but no one was old, and it was worthy of note that all were gay young creatures. Beyond, in the shady and fragrant alleys of white acacia, isolated groups walked and sat. No one was especially delighted to encounter Captain Mikhaïloff on the boulevard, with the exception, possibly, of the captain of his regiment, Obzhogoff, and Captain Suslikoff, who pressed his hand warmly; but the former was dressed in...
Anatole Kurágin was staying in Moscow because his father had sent him away from Petersburg, where he had been spending twenty thousand rubles a year in cash, besides running up debts for as much more, which his creditors demanded from his father. His father announced to him that he would now pay half his debts for the last time, but only on condition that he went to Moscow as adjutant to the commander in chief—a post his father had procured for him—and would at last try to make a good match there. He indicated to him Princess Mary and Julie Karágina. Anatole consented and went to Moscow, where he put up at Pierre’s house. Pierre received him unwillingly at first, but got used to him after a while, sometimes even accompanied him on his carousals, and gave him money under the guise of loans. As Shinshín had remarked, from the time of his arrival Anatole had turned the heads of the Moscow ladies, esp...