A Tale of 1852The farther Olenin traveled from Central Russia the farther he left his memories behind, and the nearer he drew to the Caucasus the lighter his heart became. "I'll stay away for good and never return to show myself in society," was a thought that sometimes occurred to him. "These people whom I see here are NOT people. None of them know me and none of them can ever enter the Moscow society I was in or find out about my past. And no one in that society will ever know what I am doing, living among these people." And quite a new feeling of freedom from his whole past came over him among the rough beings he met on the road whom he did not consider to be PEOPLE in the sense that his Moscow acquaintances were. The rougher the people and the fewer the signs of civilization the freer he felt. Stavropol, through which he had to pass, irked him. The signboards, some of them even in French, ladies in carriages, cabs in the marketplace, and a gentleman wearing a fur cloak and tall hat who was...
Elisée Reclus' "Fragment of a Voyage to New Orleans " The following introduction to and translation of Reclus' "Voyage" was published in Mesechabe #11 (Winter 1993), pp. 14-17 and #12 (Spring 1994), pp. 17-22. A revised version, with illustrations and a much expanded introduction is forthcoming as a pamphlet from Glad Day Books. The editors and translators have also completed a collection of Reclus' writings, with extensive commentary on his ideas, entitled Liberty, Equality, Geography: The Social Thought of Elisée Reclus. They are at work on another Reclus collection entitled An Anarchist in the Old South: Elisée Reclus on Slavery and Antebellum Society. This work appears in Anarchy Archives with permission from John C... (From : Anarchy Archives.)
I The clanking of the keys grows fainter and fainter; the sound of footsteps dies away. The officers are gone. It is a relief to be alone. Their insolent looks and stupid questions, insinuations and threats,-how disgusting and tiresome it all is! A sense of complete indifference possesses me. I stretch myself out on the wooden bench, running along the wall of the cell, and at once fall asleep. I awake feeling tired and chilly. All is quiet and dark around me. Is it night? My hand gropes blindly, hesitantly. Something wet and clammy touches my cheek. In sudden affright I draw back. The cell is damp and musty; the foul air nauseates me. Slowly my foot feels the floor, drawing my body forward, all my senses on the alert. I clutch the bars. The feel of iron is reassuring. Pressed close to the door, my mouth in the narrow opening, I draw quick, short breaths. I am hot, perspiring. My throat is dry to cracking; I cannot swallow. "Water! I want wate...
SEVASTOPOL IN DECEMBER, 1854. The flush of morning has but just begun to tinge the sky above Sapun Mountain; the dark blue surface of the sea has already cast aside the shades of night and awaits the first ray to begin a play of merry gleams; cold and mist are wafted from the bay; there is no snow—all is black, but the morning frost pinches the face and crackles underfoot, and the far-off, unceasing roar of the sea, broken now and then by the thunder of the firing in Sevastopol, alone disturbs the calm of the morning. It is dark on board the ships; it has just struck eight bells. Toward the north the activity of the day begins gradually to replace the nocturnal quiet; here the relief guard has passed clanking their arms, there the doctor is already hastening to the hospital, further on the soldier has crept out of his earth hut and is washing his sunburnt face in ice-encrusted water, and, turning towards the crimsoning east, crosses himself quickly...
An hour and a half later most of the players were but little interested in their own play. The whole interest was concentrated on Rostóv. Instead of sixteen hundred rubles he had a long column of figures scored against him, which he had reckoned up to ten thousand, but that now, as he vaguely supposed, must have risen to fifteen thousand. In reality it already exceeded twenty thousand rubles. Dólokhov was no longer listening to stories or telling them, but followed every movement of Rostóv’s hands and occasionally ran his eyes over the score against him. He had decided to play until that score reached forty-three thousand. He had fixed on that number because forty-three was the sum of his and Sónya’s joint ages. Rostóv, leaning his head on both hands, sat at the table which was scrawled over with figures, wet with spilled wine, and littered with cards. One tormenting impression did not leave him: that t...