A Tale of 1852'Well, what was I saying?' he continued, trying to remember. 'Yes, that's the sort of man I am. I am a hunter. There is no hunter to equal me in the whole army. I will find and show you any animal and any bird, and what and where. I know it all! I have dogs, and two guns, and nets, and a screen and a hawk. I have everything, thank the Lord! If you are not bragging but are a real sportsman, I'll show you everything. Do you know what a man I am? When I have found a track—I know the animal. I know where he will lie down and where he'll drink or wallow. I make myself a perch and sit there all night watching. What's the good of staying at home? One only gets into mischief, gets drunk. And here women come and chatter, and boys shout at me—enough to drive one mad. It's a different matter when you go out at nightfall, choose yourself a place, press down the reeds and sit there and stay waiting, like a jolly fellow. One knows everything that goes on in the woods. One looks up a...
Elisée Reclus' "Fragment of a Voyage to New Orleans " The following introduction to and translation of Reclus' "Voyage" was published in Mesechabe #11 (Winter 1993), pp. 14-17 and #12 (Spring 1994), pp. 17-22. A revised version, with illustrations and a much expanded introduction is forthcoming as a pamphlet from Glad Day Books. The editors and translators have also completed a collection of Reclus' writings, with extensive commentary on his ideas, entitled Liberty, Equality, Geography: The Social Thought of Elisée Reclus. They are at work on another Reclus collection entitled An Anarchist in the Old South: Elisée Reclus on Slavery and Antebellum Society. This work appears in Anarchy Archives with permission from John C... (From : Anarchy Archives.)
Contentedly peaceful the Monongahela stretches before me, its waters lazily rippling in the sunlight, and softly crooning to the murmur of the woods on the hazy shore. But the opposite bank presents a picture of sharp contrast. Near the edge of the river rises a high board fence, topped with barbed wire, the menacing aspect heightened by warlike watch-towers and ramparts. The sinister wall looks down on me with a thousand hollow eyes, whose evident murderous purpose fully justifies the name of "Fort Frick." Groups of ex cited people crowd the open spaces between the river and the fort, filling the air with the confusion of many voices. Men carrying Winchesters are hurrying by, their faces grimy, eyes bold yet anxious. From the mill-yard gape the black mouths of can non, dismantled breastworks bar the passages, and the ground is strewn with burning cinders, empty shells, oil barrels, bro ken furnace stacks, and piles of steel and iron. The place looks the aftermath of a sanguinary...
He went, first of all, to the pavilion, near which were standing the musicians, for whom other soldiers of the same regiment were holding the notes, in the absence of stands, and about whom a ring of cadets, nurses, and children had formed, intent rather on seeing than on hearing. Around the pavilion stood, sat, or walked sailors, adjutants, and officers in white gloves. Along the grand avenue of the boulevard paced officers of every sort, and women of every description, rarely in bonnets, mostly with kerchiefs on their heads (some had neither bonnets nor kerchiefs), but no one was old, and it was worthy of note that all were gay young creatures. Beyond, in the shady and fragrant alleys of white acacia, isolated groups walked and sat. No one was especially delighted to encounter Captain Mikhaïloff on the boulevard, with the exception, possibly, of the captain of his regiment, Obzhogoff, and Captain Suslikoff, who pressed his hand warmly; but the former was dressed in...
The card tables were drawn out, sets made up for boston, and the count’s visitors settled themselves, some in the two drawing rooms, some in the sitting room, some in the library. The count, holding his cards fanwise, kept himself with difficulty from dropping into his usual after-dinner nap, and laughed at everything. The young people, at the countess’ instigation, gathered round the clavichord and harp. Julie by general request played first. After she had played a little air with variations on the harp, she joined the other young ladies in begging Natásha and Nicholas, who were noted for their musical talent, to sing something. Natásha, who was treated as though she were grown up, was evidently very proud of this but at the same time felt shy. “What shall we sing?” she said. “‘The Brook,’” suggested Nicholas. “Well, then, let’s be quick. Borís, come...