A Tale of 1852Towards evening the master of the house returned from his fishing, and having learned that the cadet would pay for the lodging, pacified the old woman and satisfied Vanyusha's demands. Everything was arranged in the new quarters. Their hosts moved into the winter hut and let their summer hut to the cadet for three rubles a month. Olenin had something to eat and went to sleep. Towards evening he woke up, washed and made himself tidy, dined, and having lit a cigarette sat down by the window that looked onto the street. It was cooler. The slanting shadow of the hut with its ornamental gables fell across the dusty road and even bent upwards at the base of the wall of the house opposite. The steep reed-thatched roof of that house shone in the rays of the setting sun. The air grew fresher. Everything was peaceful in the village. The soldiers had settled down and become quiet. The herds had not yet been driven home and the people had not returned from their work. Olenin's...
Elisée Reclus' "Fragment of a Voyage to New Orleans " The following introduction to and translation of Reclus' "Voyage" was published in Mesechabe #11 (Winter 1993), pp. 14-17 and #12 (Spring 1994), pp. 17-22. A revised version, with illustrations and a much expanded introduction is forthcoming as a pamphlet from Glad Day Books. The editors and translators have also completed a collection of Reclus' writings, with extensive commentary on his ideas, entitled Liberty, Equality, Geography: The Social Thought of Elisée Reclus. They are at work on another Reclus collection entitled An Anarchist in the Old South: Elisée Reclus on Slavery and Antebellum Society. This work appears in Anarchy Archives with permission from John C... (From : Anarchy Archives.)
I The days ring with noisy clamor. There is constant going and coming. The clatter of levers, the slamming of iron doors, continually reverberates through the corridors. The dull thud of a footfall in the cell above hammers on my head with maddening regularity. In my ears is the yelling and shouting of coarse voices. "Cell num-ber ee-e-lev-ven! To court! Right a-way!" A prisoner hurriedly passes my door. His step is nervous, in his look expectant fear. "Hurry, there! To court!" "Good luck, Jimmie." The man flushes and averts his face, as he passes a group of visitors clustered about an overseer. "Who is that, Officer?" One of the ladies advances, lorgnette in hand, and stares boldly at the prisoner. Suddenly she shrinks back. A man is being led past by the guards. His face is bleeding from a deep gash, his head swathed in bandages. The officers thrust him violently into a cell. He falls heavily against the bed...
On the boulevard of the besieged city of Sevastopol, not far from the pavilion, the regimental band was playing, and throngs of military men and of women moved gaily through the streets. The brilliant sun of spring had risen in the morning over the works of the English, had passed over the bastions, then over the city, over the Nikolaevsky barracks, and, illuminating all with equal cheer, had now sunk into the blue and distant sea, which was lighted with a silvery gleam as it heaved in peace. A tall, rather bent infantry officer, who was drawing upon his hand a glove which was presentable, if not entirely white, came out of one of the small naval huts, built on the left side of the Morskaya[C] street, and, staring thoughtfully at the ground, took his way up the slope to the boulevard. The expression of this officer's homely countenance did not indicate any great mental capacity, but rather simplicity, judgment, honor, and a tendency to solid worth. He...
Count Rostóv took the girls to Countess Bezúkhova’s. There were a good many people there, but nearly all strangers to Natásha. Count Rostóv was displeased to see that the company consisted almost entirely of men and women known for the freedom of their conduct. Mademoiselle George was standing in a corner of the drawing room surrounded by young men. There were several Frenchmen present, among them Métivier who from the time Hélène reached Moscow had been an intimate in her house. The count decided not to sit down to cards or let his girls out of his sight and to get away as soon as Mademoiselle George’s performance was over. Anatole was at the door, evidently on the lookout for the Rostóvs. Immediately after greeting the count he went up to Natásha and followed her. As soon as she saw him she was seized by the same feeling she had had at the opera—gratified vanity at his...