On the way home Levin asked all details of Kitty’s illness and the Shtcherbatskys’ plans, and though he would have been ashamed to admit it, he was pleased at what he heard. He was pleased that there was still hope, and still more pleased that she should be suffering who had made him suffer so much. But when Stepan Arkadyevitch began to speak of the causes of Kitty’s illness, and mentioned Vronsky’s name, Levin cut him short. "I have no right whatever to know family matters, and, to tell the truth, no interest in them either." Stepan Arkadyevitch smiled hardly perceptibly, catching the instantaneous change he knew so well in Levin’s face, which had become as gloomy as it had been bright a minute before. "Have you quite settled about the forest with Ryabinin?" asked Levin. "Yes, it’s settled. The price is magnificent; thirty-eight thousand. Eight straight away, and the rest in six years. I’ve been...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
I bought me a setter to hunt pheasants with. The name of the dog was Milton. He was a big, thin, gray, spotted dog, with long lips and ears, and he was very strong and intelligent. He did not fight with Búlka. No dog ever tried to get into a fight with Búlka. He needed only to show his teeth, and the dogs would take their tails between their legs and slink away. Once I went with Milton to hunt pheasants. Suddenly Búlka ran after me to the forest. I wanted to drive him back, but could not do so; and it was too far for me to take him home. I thought he would not be in my way, and so walked on; but the moment Milton scented a pheasant in the grass and began to search for it, Búlka rushed forward and tossed from side to side. He tried to scare up the pheasant before Milton. He heard something in the grass, and jumped and whirled around; but he had a poor scent and could not find the track himself, but watched Milton, to see where he was running. The...
In Petersburg in the eighteen-forties a surprising event occurred. An officer of the Cuirassier Life Guards, a handsome prince who everyone predicted would become aide-de-camp to the Emperor Nicholas I. and have a brilliant career, left the service, broke off his engagement to a beautiful maid of honor, a favorite of the Empress’s, gave his small estate to his sister, and retired to a monastery to become a monk. This event appeared extraordinary and inexplicable to those who did not know his inner motives, but for Prince Stepan Kasatsky himself it all occurred so naturally that he could not imagine how he could have acted otherwise. His father, a retired colonel of the Guards, had died when Stepan was twelve, and sorry as his mother was to part from her son, she entered him at the Military College as her deceased husband had intended. The widow herself, with her daughter, Varvara, moved to Petersburg to be near her son and have him with her for the ho...
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
“All of us, men and women, are brought up in these aberrations of feeling that we call love. I from childhood had prepared myself for this thing, and I loved, and I loved during all my youth, and I was joyous in loving. It had been put into my head that it was the noblest and highest occupation in the world. But when this expected feeling came at last, and I, a man, abandoned myself to it, the lie was pierced through and through. Theoretically a lofty love is conceivable; practically it is an ignoble and degrading thing, which it is equally disgusting to talk about and to remember. It is not in vain that nature has made ceremonies, but people pretend that the ignoble and the shameful is beautiful and lofty. “I will tell you brutally and briefly what were the first signs of my love. I abandoned myself to beastly excesses, not only not ashamed of them, but proud of them, giving no thought to the intellectual life of my wife. And not only did I not think of her in...
From Meet Kropotkin. The Salvation Series No. 1. Bombay: The Libertarian Book House, n.d. KROPOTKIN - THE MASTER by HERBERT READ. PRINCE PETER ALEXEIVICH KROPOTKIN was born at Moscow on the 9th December, 1842 (o. s.). His father, Prince Alexei Petrovich Kropotkin, is described by Kropotkin as "a typical officer of the time of Nicholas I", but he seems to have been an easy-going parent, content to leave his son's education to his French tutor until it was time to send him off to a military academy. Kropotkin's mother was the youngest daughter of the commander of a Cossack army corps, General Sulima, and a woman of great refinement and sensibility, qualities which her son must have inherited, for she died before she had time to influence him ... (From : Anarchy Archives.)
A Critical Essay on ShakespeareSuch is this celebrated drama. However absurd it may appear in my rendering (which I have endeavored to make as impartial as possible), I may confidently say that in the original it is yet more absurd. For any man of our time—if he were not under the hypnotic suggestion that this drama is the height of perfection—it would be enough to read it to its end (were he to have sufficient patience for this) to be convinced that far from being the height of perfection, it is a very bad, carelessly composed production, which, if it could have been of interest to a certain public at a certain time, can not evoke among us anything but aversion and weariness. Every reader of our time, who is free from the influence of suggestion, will also receive exactly the same impression from all the other extolled dramas of Shakespeare, not to mention the senseless, dramatized tales, "Pericles," "Twelfth Night," "The Tempest," "Cymbeline," "Troilus and Cressida." But such free-minded i...
We know that we have passed out of death into life, because we love the brethren. He that loveth not abideth in death. —1 Epistle St. John iii. 14. Whoso hath the world’s goods, and beholdeth his brother in need, and shutteth up his compassion from him, how doth the love of God abide in him? My little children, let us not love in word, neither with the tongue; but in deed and truth. —iii. 17-18. Love is of God; and every one that loveth is begotten of God, and knoweth God. He that loveth not knoweth not God; for God is love. —iv. 7-8. No man hath beheld God at any time; if we love one another, God abideth in us. —iv. 12. God is love; and he that abideth in love abideth in God, and God abideth in him. —iv. 16. If a man say, I love God, and hateth his brother, he is a liar; for he that loveth not his brother whom he hath seen, how can he love God whom he hath not seen? —iv. 20.