"We’ve come to fetch you. Your lessive lasted a good time today," said Petritsky. "Well, is it over?" "It is over," answered Vronsky, smiling with his eyes only, and twirling the tips of his mustaches as circumspectly as though after the perfect order into which his affairs had been brought any over-bold or rapid movement might disturb it. "You’re always just as if you’d come out of a bath after it," said Petritsky. "I’ve come from Gritsky’s" (that was what they called the colonel); "they’re expecting you." Vronsky, without answering, looked at his comrade, thinking of something else. "Yes; is that music at his place?" he said, listening to the familiar sounds of polkas and waltzes floating across to him. "What’s the fête?" "Serpuhovskoy’s come." "Aha!" said Vronsky, "why, I didn’t know." The smile in his eyes gleamed more brightly than ever.
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
Why are cart bolsters cut and wheel naves turned not from oak, but from birch? Bolsters and naves have to be strong, and oak is not more expensive than birch. Because oak splits lengthwise, and birch does not split, but ravels out. Because, though oak is more firmly connected than birch, it is connected in such a way that it splits lengthwise, while birch does not. Why are wheels and runners bent from oak and elm, and not from birch and linden? Because, when oak and elm are steamed in a bath, they bend and do not break, while birch and linden ravel in every direction. This is again for the same reason, that is, that the particles of the wood in the oak and in the birch are differently connected.
Kasatsky entered the monastery on the feast of the Intercession of the Blessed Virgin. The Abbot of that monastery was a gentleman by birth, a learned writer and a starets, that is, he belonged to that succession of monks originating in Walachia who each choose a director and teacher whom they implicitly obey. This Superior had been a disciple of the starets Ambrose, who was a disciple of Makarius, who was a disciple of the starets Leonid, who was a disciple of Paussy Velichkovsky. To this Abbot Kasatsky submitted himself as to his chosen director. Here in the monastery, besides the feeling of ascendancy over others that such a life gave him, he felt much as he had done in the world: he found satisfaction in attaining the greatest possible perfection outwardly as well as inwardly. As in the regiment he had been not merely an irreproachable officer but had even exceeded his duties and widened the borders of perfection, so also as a monk he tried to be perfect, and was alway...
A Comedy in Four ActsLEONÍD FYÓDORITCH ZVEZDÍNTSEF. A retired Lieutenant of the Horse Guards. Owner of more than 60,000 acres of land in various provinces. A fresh-looking, bland, agreeable gentleman of 60. Believes in Spiritualism, and likes to astonish people with his wonderful stories. ANNA PÁVLOVNA ZVEZDÍNTSEVA. Wife of Leoníd. Stout; pretends to be young; quite taken up with the conventionalities of life; despises her husband, and blindly believes in her doctor. Very irritable. BETSY. Their daughter. A young woman of 20, fast, tries to be mannish, wears a pince-nez, flirts and giggles. Speaks very quickly and distinctly. VASÍLY LEONÍDITCH ZVEZDÍNTSEF. Their son, aged 25; has studied law, but has no definite occupation. Member of the Cycling Club, Jockey Club, and of the Society for Promoting the Breeding of Hounds. Enjoys perfect health, and has imperturbable self-assurance. Speaks loud...
“We lived at first in the country, then in the city, and, if the final misfortune had not happened, I should have lived thus until my old age and should then have believed that I had had a good life,—not too good, but, on the other hand, not bad,—an existence such as other people lead. I should not have understood the abyss of misfortune and ignoble falsehood in which I floundered about, feeling that something was not right. I felt, in the first place, that I, a man, who, according to my ideas, ought to be the master, wore the petticoats, and that I could not get rid of them. The principal cause of my subjection was the children. I should have liked to free myself, but I could not. Bringing up the children, and resting upon them, my wife ruled. I did not then realize that she could not help ruling, especially because, in marrying, she was morally superior to me, as every young girl is incomparably superior to the man, since she is incomparably purer. Strange thin...
From Meet Kropotkin. The Salvation Series No. 1. Bombay: The Libertarian Book House, n.d. KROPOTKIN - THE MASTER by HERBERT READ. PRINCE PETER ALEXEIVICH KROPOTKIN was born at Moscow on the 9th December, 1842 (o. s.). His father, Prince Alexei Petrovich Kropotkin, is described by Kropotkin as "a typical officer of the time of Nicholas I", but he seems to have been an easy-going parent, content to leave his son's education to his French tutor until it was time to send him off to a military academy. Kropotkin's mother was the youngest daughter of the commander of a Cossack army corps, General Sulima, and a woman of great refinement and sensibility, qualities which her son must have inherited, for she died before she had time to influence him ... (From : Anarchy Archives.)
A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...
Simon approached the stranger, looked at him, and saw that he was a young man, fit, with no bruises on his body, only evidently freezing and frightened, and he sat there leaning back without looking up at Simon, as if too faint to lift his eyes. Simon went close to him, and then the man seemed to wake up. Turning his head, he opened his eyes and looked into Simon’s face. That one look was enough to make Simon fond of the man. He threw the felt boots on the ground, undid his sash, laid it on the boots, and took off his cloth coat. “It’s not a time for talking,” said he. “Come, put this coat on at once!” And Simon took the man by the elbows and helped him to rise. As he stood there, Simon saw that his body was clean and in good condition, his hands and feet shapely, and his face good and kind. He threw his coat over the man’s shoulders, but the latter could not find the sleeves. Simon guided his arms into them, and drawing the coat w...