At the end of the winter, in the Shtcherbatskys’ house, a consultation was being held, which was to pronounce on the state of Kitty’s health and the measures to be taken to restore her failing strength. She had been ill, and as spring came on she grew worse. The family doctor gave her cod liver oil, then iron, then nitrate of silver, but as the first and the second and the third were alike in doing no good, and as his advice when spring came was to go abroad, a celebrated physician was called in. The celebrated physician, a very handsome man, still youngish, asked to examine the patient. He maintained, with peculiar satisfaction, it seemed, that maiden modesty is a mere relic of barbarism, and that nothing could be more natural than for a man still youngish to handle a young girl naked. He thought it natural because he did it every day, and felt and thought, as it seemed to him, no harm as he did it and consequently he considered modesty in the girl not...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
I. In olden days there was a shepherd whose name was Magnes. Magnes lost a sheep. He went to the mountains to find it. He came to a place where there were barren rocks. He walked over these rocks, and felt that his boots were sticking to them. He touched them with his hand, but they were dry and did not stick to his hand. He started to walk again, and again his boots stuck to the rocks. He sat down, took off one of his boots, took it into his hand, and touched the rocks with it. Whenever he touched them with his skin, or with the sole of his boot, they did not stick; but when he touched them with the nails, they did stick. Magnes had a cane with an iron point. He touched a rock with the wood; it did not stick; he touched it with the iron end, and it stuck so that he could not pull it off. Magnes looked at the stone, and he saw that it looked like iron, and he took pieces of that stone home with him. Since then that rock has been known, a...
In Petersburg in the eighteen-forties a surprising event occurred. An officer of the Cuirassier Life Guards, a handsome prince who everyone predicted would become aide-de-camp to the Emperor Nicholas I. and have a brilliant career, left the service, broke off his engagement to a beautiful maid of honor, a favorite of the Empress’s, gave his small estate to his sister, and retired to a monastery to become a monk. This event appeared extraordinary and inexplicable to those who did not know his inner motives, but for Prince Stepan Kasatsky himself it all occurred so naturally that he could not imagine how he could have acted otherwise. His father, a retired colonel of the Guards, had died when Stepan was twelve, and sorry as his mother was to part from her son, she entered him at the Military College as her deceased husband had intended. The widow herself, with her daughter, Varvara, moved to Petersburg to be near her son and have him with her for the ho...
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
“Do you know,” suddenly continued Posdnicheff, “that this power of women from which the world suffers arises solely from what I have just spoken of?” “What do you mean by the power of women?” I said. “Everybody, on the contrary, complains that women have not sufficient rights, that they are in subjection.” “That’s it; that’s it exactly,” said he, vivaciously. “That is just what I mean, and that is the explanation of this extraordinary phenomenon, that on the one hand woman is reduced to the lowest degree of humiliation and on the other hand she reigns over everything. See the Jews: with their power of money, they avenge their subjection, just as the women do. ‘Ah! you wish us to be only merchants? All right; remaining merchants, we will get possession of you,’ say the Jews. ‘Ah! you wish us to be only objects of sensuality? All right; by the aid of sensuality we will ben...
From Meet Kropotkin. The Salvation Series No. 1. Bombay: The Libertarian Book House, n.d. KROPOTKIN - THE MASTER by HERBERT READ. PRINCE PETER ALEXEIVICH KROPOTKIN was born at Moscow on the 9th December, 1842 (o. s.). His father, Prince Alexei Petrovich Kropotkin, is described by Kropotkin as "a typical officer of the time of Nicholas I", but he seems to have been an easy-going parent, content to leave his son's education to his French tutor until it was time to send him off to a military academy. Kropotkin's mother was the youngest daughter of the commander of a Cossack army corps, General Sulima, and a woman of great refinement and sensibility, qualities which her son must have inherited, for she died before she had time to influence him ... (From : Anarchy Archives.)
A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...
We know that we have passed out of death into life, because we love the brethren. He that loveth not abideth in death. —1 Epistle St. John iii. 14. Whoso hath the world’s goods, and beholdeth his brother in need, and shutteth up his compassion from him, how doth the love of God abide in him? My little children, let us not love in word, neither with the tongue; but in deed and truth. —iii. 17-18. Love is of God; and every one that loveth is begotten of God, and knoweth God. He that loveth not knoweth not God; for God is love. —iv. 7-8. No man hath beheld God at any time; if we love one another, God abideth in us. —iv. 12. God is love; and he that abideth in love abideth in God, and God abideth in him. —iv. 16. If a man say, I love God, and hateth his brother, he is a liar; for he that loveth not his brother whom he hath seen, how can he love God whom he hath not seen? —iv. 20.