The prince communicated his good humor to his own family and his friends, and even to the German landlord in whose rooms the Shtcherbatskys were staying. On coming back with Kitty from the springs, the prince, who had asked the colonel, and Marya Yevgenyevna, and Varenka all to come and have coffee with them, gave orders for a table and chairs to be taken into the garden under the chestnut tree, and lunch to be laid there. The landlord and the servants, too, grew brisker under the influence of his good spirits. They knew his openhandedness; and half an hour later the invalid doctor from Hamburg, who lived on the top floor, looked enviously out of the window at the merry party of healthy Russians assembled under the chestnut tree. In the trembling circles of shadow cast by the leaves, at a table, covered with a white cloth, and set with coffeepot, bread-and-butter, cheese, and cold game, sat the princess in a high cap with lilac ribbons, distributing cups and...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
I. In olden days there was a shepherd whose name was Magnes. Magnes lost a sheep. He went to the mountains to find it. He came to a place where there were barren rocks. He walked over these rocks, and felt that his boots were sticking to them. He touched them with his hand, but they were dry and did not stick to his hand. He started to walk again, and again his boots stuck to the rocks. He sat down, took off one of his boots, took it into his hand, and touched the rocks with it. Whenever he touched them with his skin, or with the sole of his boot, they did not stick; but when he touched them with the nails, they did stick. Magnes had a cane with an iron point. He touched a rock with the wood; it did not stick; he touched it with the iron end, and it stuck so that he could not pull it off. Magnes looked at the stone, and he saw that it looked like iron, and he took pieces of that stone home with him. Since then that rock has been known, a...
In Petersburg in the eighteen-forties a surprising event occurred. An officer of the Cuirassier Life Guards, a handsome prince who everyone predicted would become aide-de-camp to the Emperor Nicholas I. and have a brilliant career, left the service, broke off his engagement to a beautiful maid of honor, a favorite of the Empress’s, gave his small estate to his sister, and retired to a monastery to become a monk. This event appeared extraordinary and inexplicable to those who did not know his inner motives, but for Prince Stepan Kasatsky himself it all occurred so naturally that he could not imagine how he could have acted otherwise. His father, a retired colonel of the Guards, had died when Stepan was twelve, and sorry as his mother was to part from her son, she entered him at the Military College as her deceased husband had intended. The widow herself, with her daughter, Varvara, moved to Petersburg to be near her son and have him with her for the ho...
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
“And note, also, this falsehood, of which all are guilty; the way in which marriages are made. What could there be more natural? The young girl is marriageable, she should marry. What simpler, provided the young person is not a monster, and men can be found with a desire to marry? Well, no, here begins a new hypocrisy. “Formerly, when the maiden arrived at a favorable age, her marriage was arranged by her parents. That was done, that is done still, throughout humanity, among the Chinese, the Hindus, the Mussulmans, and among our common people also. Things are so managed in at least ninety-nine per cent. of the families of the entire human race. “Only we riotous livers have imagined that this way was bad, and have invented another. And this other,—what is it? It is this. The young girls are seated, and the gentlemen walk up and down before them, as in a bazaar, and make their choice. The maidens wait and think, but do not dare to say: ‘...
From Meet Kropotkin. The Salvation Series No. 1. Bombay: The Libertarian Book House, n.d. KROPOTKIN - THE MASTER by HERBERT READ. PRINCE PETER ALEXEIVICH KROPOTKIN was born at Moscow on the 9th December, 1842 (o. s.). His father, Prince Alexei Petrovich Kropotkin, is described by Kropotkin as "a typical officer of the time of Nicholas I", but he seems to have been an easy-going parent, content to leave his son's education to his French tutor until it was time to send him off to a military academy. Kropotkin's mother was the youngest daughter of the commander of a Cossack army corps, General Sulima, and a woman of great refinement and sensibility, qualities which her son must have inherited, for she died before she had time to influence him ... (From : Anarchy Archives.)
A Critical Essay on ShakespeareSuch is this celebrated drama. However absurd it may appear in my rendering (which I have endeavored to make as impartial as possible), I may confidently say that in the original it is yet more absurd. For any man of our time—if he were not under the hypnotic suggestion that this drama is the height of perfection—it would be enough to read it to its end (were he to have sufficient patience for this) to be convinced that far from being the height of perfection, it is a very bad, carelessly composed production, which, if it could have been of interest to a certain public at a certain time, can not evoke among us anything but aversion and weariness. Every reader of our time, who is free from the influence of suggestion, will also receive exactly the same impression from all the other extolled dramas of Shakespeare, not to mention the senseless, dramatized tales, "Pericles," "Twelfth Night," "The Tempest," "Cymbeline," "Troilus and Cressida." But such free-minded i...
A shoemaker named Simon, who had neither house nor land of his own, lived with his wife and children in a peasant’s hut, and earned his living by his work. Work was cheap, but bread was dear, and what he earned he spent for food. The man and his wife had but one sheepskin coat between them for winter wear, and even that was torn to tatters, and this was the second year he had been wanting to buy sheep-skins for a new coat. Before winter Simon saved up a little money: a three-ruble note lay hidden in his wife’s box, and five rubles and twenty kopecks were owed him by customers in the village. So one morning he prepared to go to the village to buy the sheep-skins. He put on over his shirt his wife’s wadded nankeen jacket, and over that he put his own cloth coat. He took the three-ruble note in his pocket, cut himself a stick to serve as a staff, and started off after breakfast. “I’ll collect the five rubles that are due to me,” thought he,...