But at that very moment the princess came in. There was a look of horror on her face when she saw them alone, and their disturbed faces. Levin bowed to her, and said nothing. Kitty did not speak nor lift her eyes. "Thank God, she has refused him," thought the mother, and her face lighted up with the habitual smile with which she greeted her guests on Thursdays. She sat down and began questioning Levin about his life in the country. He sat down again, waiting for other visitors to arrive, in order to retreat unnoticed. Five minutes later there came in a friend of Kitty’s, married the preceding winter, Countess Nordston. She was a thin, sallow, sickly, and nervous woman, with brilliant black eyes. She was fond of Kitty, and her affection for her showed itself, as the affection of married women for girls always does, in the desire to make a match for Kitty after her own ideal of married happiness; she wanted her to marry Vronsky. Levin she had ofte...
What is most significant, it seems to me, is the earnest attention paid to the Children and Family as a subject, the desire of parents to be Informed and thereby do their best, rather than following their wit and impulse; or to say this another way, what is significant is the importance assigned in our society to Psychology itself? for Psychology is still by and large the family-psychology that Freud made it discussing the problems of jealousy, infantile dependency authority, submissiveness and rebelliousness, and sibling competition: and problems of spite, moral prejudice and other reaction-formations springing from instinctual deprivation. This interest in the Children is of course hopeful, for the increase of wisdom cannot fail to remedy... (From : http://www.tao.ca/~freedom/goodman.html.)
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
In Petersburg in the eighteen-forties a surprising event occurred. An officer of the Cuirassier Life Guards, a handsome prince who everyone predicted would become aide-de-camp to the Emperor Nicholas I. and have a brilliant career, left the service, broke off his engagement to a beautiful maid of honor, a favorite of the Empress’s, gave his small estate to his sister, and retired to a monastery to become a monk. This event appeared extraordinary and inexplicable to those who did not know his inner motives, but for Prince Stepan Kasatsky himself it all occurred so naturally that he could not imagine how he could have acted otherwise. His father, a retired colonel of the Guards, had died when Stepan was twelve, and sorry as his mother was to part from her son, she entered him at the Military College as her deceased husband had intended. The widow herself, with her daughter, Varvara, moved to Petersburg to be near her son and have him with her for the ho...
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER V IT is not my purpose to convert these honest pages into a record of dissipations; far less, of the rude and unseemly dissipations of an overgrown boy. There are few ebaracters more repulsive than that in which we find conjoined the fresh and ingenuous lineaments of a young man, in whom the down has scarcely yet shaded his prosperous cheek, with the impudence of a practiced libertine. I look back upon it with horror. Youth, if once it has broken through the restraints of decorum, is the minister of cruelty. Even in me, whose disposition was naturally kind and humane, there was too much of this. It is suffering only that can inspire us with true sympathy, that can render us alive to those trifles which constitute so large a portion of earthly misery or happiness, that can give us a feeling of that anguish, which,...
In the meanwhile the horses, the gray ones, had all been disposed of; Mashka was sold to the gypsies for eighteen rubles; Dapple-gray was exchanged for another horse, and passed over to another peasant who lived forty miles away from the estate; and Beauty died on the way. The man who conducted the whole affair was—Ivan Mironov. He had been employed on the estate, and knew all the whereabouts of Peter Nikolaevich. He wanted to get back the money he had lost, and stole the horses for that reason. After his misfortune with the forged coupon, Ivan Mironov took to drink; and all he possessed would have gone on drink if it had not been for his wife, who locked up his clothes, the horses’ collars, and all the rest of what he would otherwise have squandered in public-houses. In his drunken state Ivan Mironov was continually thinking, not only of the man who had wronged him, but of all the rich people who live on robbing the poor. One day he had a drink with some peasa...
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...
At the entrance to the street the wind still raged and the road was thickly covered with snow, but well within the village it was calm, warm, and cheerful. At one house a dog was barking, at another a woman, covering her head with her coat, came running from somewhere and entered the door of a hut, stopping on the threshold to have a look at the passing sledge. In the middle of the village girls could be heard singing. Here in the village there seemed to be less wind and snow, and the frost was less keen. ‘Why, this is Grishkino,’ said Vasili Andreevich. ‘So it is,’ responded Nikita. It really was Grishkino, which meant that they had gone too far to the left and had traveled some six miles, not quite in the direction they aimed at, but towards their destination for all that. From Grishkino to Goryachkin was about another four miles. In the middle of the village they almost ran into a tall man walking down the...
To one not familiar with the Russian language the accessible data relative to the external life of Leo Nikolaevich Tolstoy, the author of this book, are, to say the least, not voluminous. His name does not appear in that heterogeneous record of celebrities known as The Men of the Time, nor is it to be found in M. Vapereau's comprehensive Dictionnaire des Contemporains. And yet Count Leo Tolstoy is acknowledged by competent critics to be a man of extraordinary genius, who, certainly in one instance, has produced a masterpiece of literature which will continue to rank with the great artistic productions of this age. Perhaps it is enough for us to know that he was born on his father's estate in the Russian province of Tula, in the year 1828; that he received a good home education and studied the oriental languages at the University of Kasan; that he was for a time in the army, which he entered at the age of twenty-three as an officer of artillery, serving later...
The Father of rulers, property and lies, has lately inspired his children with some skill in playing to the gallery and creating the delusions by which the victims of oppression are diverted from their wrongs. On the one side, Mr. Goschen conjures so cleverly with his items of finance that the admiring crowd are ready to forget that all taxes, however distributed, are a tribute wrung by force from the workers to support the Government that guarantees property and poverty. On the other hand, Mr. Ritchie produces such dazzling effects of democratic local administration that we are inclined to forget that, in the first place, the Local Government Bill will never be carried out in its present imposing form; and in the second, that if it were, i... (From : AnarchyArchives.)
Of a member of the Berlin Community against the Publication to the 57 Clergymen: "The Christian Sunday Celebration(Mass), A Word of Love to Our Congregation." Dear Brothers and Sisters! A word of love was directed at us; we are not permitted to close our ears. On the first day of this year, a pamphlet will be handed out, in the church, to the church-goers of Berlin; it carries the title: "The Christian Sunday Celebration. A word of love to our congregation," and it concerns us all deeply. Before we later take him to heart in the particular, we include the same content written together in the few words of the second page: "Given that it is undeniable, that the corruption of the church itself is most outwardly apparent by the desecration of t... (From : Anarchy Archives.)
The inexorable master, Death, has again visited the Anarchist ranks. This time its victim was Ross Winn, one of the most earnest and able American Anarchists. Never has the power of the Ideal been demonstrated with greater force than in the life and work of this man, Ross Winn. For nothing short of a great Ideal, a burning, impelling, all absorbing ideal could make possible the task that our dead comrade so lovingly performed during a quarter of a century. Born in Texas forty-one years ago, of farmer parents, young Winn was expected to follow the path of his fathers. But the boy had other dreams, dreams extending far beyond his immediates. His were dreams of the world, of humanity, of the struggle for liberty. He was possessed by a passiona... (From : Kate Sharpley Library.)
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
I begin with an admission: Regardless of all political and economic theories, treating of the fundamental differences between various groups within the human race, regardless of class and race distinctions, regardless of all artificial boundary lines between woman's rights and man's rights, I hold that there is a point where these differentiations may meet and grow into one perfect whole. With this I do not mean to propose a peace treaty. The general social antagonism which has taken hold of our entire public life today, brought about through the force of opposing and contradictory interests, will crumble to pieces when the reorganization of our social life, based upon the principles of economic justice, shall have become a reality. Peace o... (From : Anarchy Archives.)
With an Introduction by James J. Martin Introduction In reissuing this famous but long-neglected work for the first time in over a century, it is not intended that it furnish a pretext to leap into the complex controversy concerning "women's rights" which has become increasingly intensified in the last fifteen years. The object is rather to bring attention to an undeservedly obscured figure in American intellectual and ideological history, first of all, and to put on the contemporary record one of the overlooked phases of the struggle to achieve equality before the law, especially, for women in the USA. It has been observed that it has become progressively more difficult to write about any phase of this subject recently, as the language of ... (From : crispinsartwell.com.)
Youth, by Leo Tolstoy
Several times that night I woke in terror at the thought that I might be oversleeping myself, and by six o’clock was out of bed, although the dawn was hardly peeping in at the window. I put on my clothes and boots (all of which were lying tumbled and unbrushed beside the bed, since Nicola, of course had not been in yet to tidy them up), and, without a prayer said or my face washed, emerged, for the first time in my life, into the street ALONE. Over the way, behind the green roof of a large building, the dim, cold dawn was beginning to blush red. The keen frost of the spring morning which had stiffened the pools and mud and made them crackle under my feet now nipped my face and hands also. Not a cab was to be seen, though I had counted upon one to make the journey out and home the quicker. Only a file of wagons was rumbling along the Arbat Prospect, and a couple of bricklayers talking noisily together as they strode along the pavement. However, after walking a verst o...