Anna came in with hanging head, playing with the tassels of her hood. Her face was brilliant and glowing; but this glow was not one of brightness; it suggested the fearful glow of a conflagration in the midst of a dark night. On seeing her husband, Anna raised her head and smiled, as though she had just waked up. "You’re not in bed? What a wonder!" she said, letting fall her hood, and without stopping, she went on into the dressing room. "It’s late, Alexey Alexandrovitch," she said, when she had gone through the doorway. "Anna, it’s necessary for me to have a talk with you." "With me?" she said, wonderingly. She came out from behind the door of the dressing room, and looked at him. "Why, what is it? What about?" she asked, sitting down. "Well, let’s talk, if it’s so necessary. But it would be better to get to sleep." Anna said what came to her lips, and marveled, hearing herself, at her own capacity for lyin...
What is most significant, it seems to me, is the earnest attention paid to the Children and Family as a subject, the desire of parents to be Informed and thereby do their best, rather than following their wit and impulse; or to say this another way, what is significant is the importance assigned in our society to Psychology itself? for Psychology is still by and large the family-psychology that Freud made it discussing the problems of jealousy, infantile dependency authority, submissiveness and rebelliousness, and sibling competition: and problems of spite, moral prejudice and other reaction-formations springing from instinctual deprivation. This interest in the Children is of course hopeful, for the increase of wisdom cannot fail to remedy... (From : http://www.tao.ca/~freedom/goodman.html.)
I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful “antiwar” films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they attach themselves to quite ... (From : http://www.bopsecrets.org/CF/goodman.htm.)
Mr. Mencken gives the impression of an able mind so harried and irritated by the philistinism of American life that it has not been able to attain its full power. These more carefully worked-over critical essays are, on the whole, less interesting and provocative than the irresponsible comment he gives us in his magazine. How is it that so robust a hater of uplift and puritanism becomes so fanatical a crusader himself? One is forced to call Mr. Mencken a moralist, for with him appraisement has constantly to stop while he tilts against philistine critics and outrageous puritans. In order to show how good a writer is, he must first show how deplorably fatuous, malicious or ignorant are all those who dislike him. Such a proof is undoubtedly th... (From : fair-use.org.)
The following text is Stirner's first publication, which previous collections of Stirner's writings do not contain. Review of: Theodor Rohmer: German occupation in the present. Zurich and Winterthur: Publishing house of the literary Comptoirs 1841 in: The railroad. A support leaf for the formed world (Leipzig), 4th Jg., no. 77/78 (28./30.12.1841), S.307-308, 310-312 Max Stirner: "You only have the courage to be destructive" How happy I was as a child to lie on green fields and look up into blue skies. The sweet smells of Spring would waft through the air as dreamed of my bright future. I dreamed of becoming a great man. I would throw fistfuls of gold out of my carriage and masses of poor and stunned people would worship me. I would build fa... (From : Anarchy Archives.)