Address to the Jury in U.S. v. Emma Goldman and Alexander Berkman, 1917, The U.S. Records of the U.S. Supreme Court, Appellate Case No. 2619 Gentlemen of the Jury: As in the case of my codefendant, Alexander Berkman, this is also the first time in my life I have ever addressed a jury. I once had occasion to speak to three judges. On the day after our arrest it was given out by the U.S. Marshal and the District Attorney's office that the "big fish" of the No Conscription activities had been caught, and that there would be no more trouble-makers and disturbers to interfere with the highly democratic effort of the Government to conscript its young manhood for the European slaughter. What a pity that the faithful servants of the Government, per... (From : WikiSource.)
The workingman, whose strength and muscles are so admired by the pale, puny off-springs of the rich, yet whose labor barely brings him enough to keep the wolf of starvation from the door, marries only to have a wife and house-keeper, who must slave from morning till night, who must make every effort to keep down expenses. Her nerves are so tired by the continual effort to make the pitiful wages of her husband support both of them that she grows irritable and no longer is successful in concealing her want of affection for her lord and master, who, alas! soon comes to the conclusion that his hopes and plans have gone astray, and so practically begins to think that marriage is a failure. THE CHAIN GROWS HEAVIER AND HEAVIER As the expenses grow... (From : Anarchy Archives.)
To most Americans Anarchy is an evil-sounding word -- another name for wickedness, perversity, and chaos. Anarchists are looked upon as a herd of uncombed, unwashed, and vile ruffians, bent on killing the rich and dividing their capital. Anarchy, however, to its followers actually signifies a social theory which regards the union of order with the absence of all government of man by man; in short, it means perfect individual liberty. If the meaning of Anarchy has so far been interpreted as a state of the greatest disorder, it is because people have been taught that their affairs are regulated, that they are ruled wisely, and that authority is a necessity. In by-gone centuries any person who asserted that mankind could get along without the ... (From : Anarchy Archives.)
"Peter Kropotkin...was recognized by friend and foe as one of the greatest minds...of the nineteenth century...The lucidity and brilliance of his mind combined with his warmheartedness into the harmonious whole of a fascinating and gracious personality. " -Emma Goldman REVOLT! Addressed to young men and women preparing to enter the professions, An Appeal to the Young was first published in 1880 in Kropotkin's paper, La Revolte, and was soon thereafter issued as a pamphlet. An American edition was brought out by Charles H. Kerr in 1899, in the wake of the great Anarchist's first U.S. speaking tour; his Memoirs of a Revolutionist was also published (by Houghton-Mifflin) that year. A new edition in Kerr's "Pocket Library of Socialism" appeared... (From : Anarchy Archives.)
Bill Haywood Remembers the 1913 Paterson Strike Source, William D. Haywood,"On the Paterson Picket Line," International Socialist Review, 13 (June 1913): 850-851. In this excerpt from an article published during the 1913 Paterson Silk Strike by "Big" Bill Haywood, he comments on the women’s role in the strike. Haywood was a founder and national leader of the Industrial Workers of the World (IWW). ...The women have been an enormous factor in the Paterson strike. Each meeting for them has been attended by bigger and bigger crowds. They are becoming deeply interested in the questions of the hour that are confronting women and are rapidly developing the sentiments that go to make up the great feminist movement of the world. With them it is... (From : Rutgers University.)
Childhood, by Leo Tolstoy
Translated by C.J. Hogarth CONTENTS I THE TUTOR, KARL IVANITCH II MAMA III PAPA IV LESSONS V THE IDIOT VI PREPARATIONS FOR THE CHASE VII THE HUNT VIII WE PLAY GAMES IX A FIRST ESSAY IN LOVE X THE SORT OF MAN MY FATHER WAS XI IN THE DRAWING-ROOM AND THE STUDY XII GRISHA XIII NATALIA SAVISHNA XIV THE PARTING XV &n... (From : Gutenberg.org.)
THE CONQUEST OF BREAD by P. Kropotkin CHAPTER I Our Riches I THE human race has traveled far since, those bygone ages when men used to fashion their rude implements of flint, and lived on the precarious spoils of the chase, leaving to their children for their only heritage a shelter beneath the rocks, some poor utensils--and Nature, vast, ununderstood, and terrific, with whom they had to fight for their wretched existence. During the agitated times which have elapsed since, and which have lasted for many thousand years, mankind has nevertheless amassed untold treasures. It has cleared the land, dried the marshes, pierced the forests, made roads; it has been building, inventing, observing, reasoning; it has created a complex machinery, wrested her secrets from Nature, and finally it has made a servant of steam. And the result is, that now t...
A Tale of 1852It was quite dark when Uncle Eroshka and the three Cossacks, in their cloaks and shouldering their guns, left the cordon and went towards the place on the Terek where they were to lie in ambush. Nazarka did not want to go at all, but Lukashka shouted at him and they soon started. After they had gone a few steps in silence the Cossacks turned aside from the ditch and went along a path almost hidden by reeds till they reached the river. On its bank lay a thick black log cast up by the water. The reeds around it had been recently beaten down. 'Shall we lie here?' asked Nazarka. 'Why not?' answered Lukashka. 'Sit down here and I'll be back in a minute. I'll only show Daddy where to go.' 'This is the best place; here we can see and not be seen,' said Ergushov, 'so it's here we'll lie. It's a first-rate place!' Nazarka and Ergushov spread out their cloaks and settled down behind the log, while Lukashka went on with Uncle Eroshka. 'It's no...
We must get rid of the Anarchists! They are a menace to society. Does not Hearst say so? Do not the M. & M. and the gentlemen of the Chamber of Commerce, who have also declared war on Labor, assure us that the Anarchists are dangerous and that they are responsible for all our troubles? Does not every skinner of Labor and every grafting politician shout against the Anarchists? Isn't that enough to prove that the Anarchists are dangerous? But why are all the money bags and their hirelings so unanimous in condemning the Anarchists? Generally they disagree on many questions and they bitterly fight each other in their business and social life. But on TWO questions they are always in accord. Smash the Labor Unions! Hang the Anarchists! WHY? B... (From : Anarchy Archives.)
To the Editor of The Open Court: Possessed of rather more than ordinary interest in the sex question, and agreeing with Professor Cope that any proposition for the amelioration of the condition of women should be discussed and decided by women, I am moved to certain remarks suggested by his article on “The Material Relations of Sex” in the first number of The Monist. All through its perusal I was impressed by his unconscious recognition of an underlying question, which, apart from woman’s inferiority, determines the relations of the sexes. This is plainly apparent in the paragraph alluding to the communistic system of wealth production and distribution, in which he admits the possibility of promiscuous sex-relations. While... (From : TheAnarchistLibrary.org.)
Translated by Robert Helms "Des ilections" first appeared in La France (Paris), Aug.12, 1885. What's going to happen? Where will we flee? Already the election campaigns are infected by a terrible leprosy. The cabarets roar, rolling over with drunken eyes. Looming above the intersections, the red, blue, and yellow posters explode across the walls of solitary houses. The peasants hurry to gather their wheat and oats before the political whirlwind blows in, like a devastating sirocco. The bad smell of spilled wine is hanging in the air, and the deafening clamor of committees comes from everywhere, left, right, and center, calling for an encore, and marking time on the bass drum of alcoholic frenzy. People walk by, cross themselves, don't recog... (From : Mid-Atlantic Infoshop.)
A Bas-Relief
A haggard old woman, with a countenance of iron and a dull fixed stare, is striding steadily forward with Ion- steps, driving before her with her withered arm a second female figure. This second figure is of majestic stature and well nourished, with herculean muscles and massive head upon her strong neck. But, alas! she is blind. Before her she is driving a lovely maiden. The maiden has bright and sparkling eyes. She resists, turns back, raises her delicate hands. Impatience and courage are marked upon her countenance. She hates to obey, hates to go whither the other is driving her; and nevertheless she is compelled to yield, and she goes onward. Necessitas-Vis-Libertas. Let him translate who cares to do so. Translated from Ivan Tourgenieff... (From : AnarchyArchives.)
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. IN TWO VOLUMES. Vol. I New York: PRINTED FOR I. RILEY & Co. BOOK-SELLERS, NO. I, CITY HOTEL. 1805. CHAPTER I. I WAS the only son of my father. I was very young at the period of the death of my mother, and have retained scarcely any recollection of her. My father was so much affected by the loss of the amiable and affectionate partner of his days, that he resolved to withdraw forever from those scenes, where every object he saw was ssociated with the ideas of her kindness, her accomplishments, and her virtues: and, being habitually a lover of the sublime and romantic features of nature, he fixed upon a spot in Merionethshire, near the foot of Cader Idr...
The text is from my copy of Emma Goldman's Anarchism and Other Essays. Second Revised Edition. New York & London: Mother Earth Publishing Association, 1911. pp. 151-172. FRANCISCO FERRER AND THE MODERN SCHOOL EXPERIENCE has come to be considered the best school of life. The man or woman who does not learn some vital lesson in that school is looked upon as a dunce indeed. Yet strange to say, that though organized institutions continue perpetuating errors, though they learn nothing from experience, we acquiesce, as a matter of course. There lived and worked in Barcelona a man by the name of Francisco Ferrer. A teacher of children he was, known and loved by his people. Outside of Spain only the cultured few knew of Francisco Ferrer's work.... (From : Anarchy Archives.)
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
This article appears in Anarchy Archives with the permission of the International Institute for Social History Speech by William D. Haywood at Meeting Held for the Benefit of the Buccafori Defense, at Progress Assembly Rooms, New York, March 16, 1911. Comrades and Fellow Workers: I am here to-night with a heavy heart. I can see in that Raymond Street jail our comrade and fellow-worker Buccafori in a cell, a miserable cell, perhaps 4 1/2 feet wide, 7 feet long, sleeping on an iron shelf, wrapped up in a dirty blanket, vermin-infested perhaps; surrounded by human wolves, those who are willing to tear him limb from limb, those who will not feel that their duty to the political state is entirely fulfilled until Buccafori's heart ceases to beat.... (From : Anarchy Archives.)
by Voltairine de Cleyre What have you done, O skies, That the millions should kneel to you? Why should they lift wet eyes, Grateful with human dew? Why should they clasp their hands, And bow at thy shrines, O heaven, Thanking thy high commands For the mercies that thou hast given? What have those mercies been, O thou who art called the Good? Who trod through a world of sin, And stood where the felon stood What is that wondrous peace Vouchsafed to the child of dust For whom all doubt shall cease In the light of thy perfect trust? How hast Thou heard their prayers Smoking up from the bleeding sod, Who, crushed by their weight of cares, Cried up to thee, Most High God ... ... .... ... ... ... ... ... ... Where the swamps of Humanity sicken Rea... (From : Anarchy Archives.)
On the 5th of May last the celebration of the centenary of the French Revolution began by the commemoration of the opening of the States-General at Versailles, at the same date, in the memorable year of 1789. And Paris—that city which in January last so clearly manifested its dissatisfaction with Parliamentary rule—heartily joined in the festivities organized to celebrate a day when parliamentary institutions, crossing the Channel, went to take firm root on the Continent. Must we see in the enthusiasm of the Parisians one of those seeming contradictions which are so common in the complicated life of large human agglomerations? Or was it the irresistible attraction of a spring festival which induced the Parisians to rush in flock... (From : Anarchy Archives.)
Speaking of Puritanism in relation to American art, Mr. Gutzon Borglum said: "Puritanism has made us self-centered and hypocritical for so long, that sincerity and reverence for what is natural in our impulses have been fairly bred out of us, with the result that there can be neither truth nor individualility in our art." Mr. Borglum might have added that Puritanism has made life itself impossible. More than art, more than estheticism, life represents beauty in a thousand variations; it is indeed, a gigantic panorama of eternal change. Puritanism, on the other hand, rests on a fixed and immovable conception of life; it is based on the Calvinistic idea that life is a curse, imposed upon man by the wrath of God. In order to redeem himself man... (From : Anarchy Archives.)
INTRODUCTION "A person is strong only when he stands upon his own truth, when he speaks and acts with his deepest convictions. Then, whatever the situation he may be in, he always knows what he must say and do. He may fall, but he cannot bring shame upon himself or his cause. If we seek the liberation of the people by means of a lie, we will surely grow confused, go astray, and loose sight of our objective, and if we have any influence at all on the people we will lead them astray as well -- in other words, we will be acting in the spirit of reaction and to its benefit." (Michael Bakunin -- Statism and Anarchy, 1873) Two tactics of Communism (Marxist and Anarchist) have existed ever since Marx and Bakunin clashed in the First International of the 1860s, over the question of the State. Both agreed that the goal of Communism should be a classless society which had no need of the state; their differences were only on how to reach it. The Bakuninists...
The Russian Language--Early folk literature: Folklore-- Songs-Sagas-Lay of Igor's Raid-Annals-The Mongol Invasion; its consequences-Correspondence between John IV. and Kúrbiskíy-Split in the Church-Avvakúm's Memoirs- The eighteenth century: Peter I. and his contemporaries-Tretiakóvsky-Lomonósoff-Sumarókoff-The times of Catherine II.-Derzhávin-Von Wízin-The Freemasons: Novikóff; Radíscheff-Early nineteenth century: Karamzín and Zhukóvskiy-The Decembrists-Ryléeff. One of the last messages which Turguéneff addressed to Russian writers from his death-bed was to implore them to keep in its purity "that precious inheritance of ours.-the Russian Language." He who knew in perfection most...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. BOOK THE FIRST CHARACTER OF THE SHEPHERDESS AND HER LOVER. -FEAST OF RUTHYN.-SONGS OF THE BARDS. LISTEN, O man! to the voice of wisdom. The world thou inhabitest was not intended for a theater of fruition, nor destined for a scene of repose. False and treacherous is that happiness, which has been preceded by no trial, and is connected with no desert. It is like the gilded poison that undermines the human frame. It is like the hoarse murmur of the winds that announces the brewing tempest. Virtue, for such is the decree of the Most High, is evermore obliged to pass through the ordeal of temptation, and the thorny paths of adversity. If, in this day of her trial, no foul blot obscure her luster, no irresolution and instability tarnish the clearness of her spirit, then may she rejoice in the view of her approaching reward, and receive with an open heart the...
No one at all capable of an intense conscious inner life need ever hope to escape mental anguish and suffering. Sorrow and often despair over the so-called eternal fitness of things are the most persistent companions of our life. But they do not come upon us from the outside, through the evil deeds of particularly evil people. They are conditioned in our very being; indeed, they are interwoven through a thousand tender and coarse threads with our existence. It is absolutely necessary that we realize this fact, because people who never get away from the notion that their misfortune is due to the wickedness of their fellows never can outgrow the petty hatred and malice which constantly blames, condemns, and hounds others for something that is... (From : Anarchy Archives.)
Translated from the French by Robert Helms "La Justice de Paix" first appeared in La France on July 24, 1885, and was later anthologized in Lettres de ma Chaumiere, dedicated to Guy de Maupassant. The Justice of the Peace occupied a ground floor hearing room in the village's town hall that looked out onto the square. The stark, tiled room was divided in the middle by a sort of railing made of wh... (From : Mid-Atlantic Infoshop.)
“And it was very easy to capture me, since I was brought up under artificial conditions, like cucumbers in a hothouse. Our too abundant nourishment, together with complete physical idleness, is nothing but systematic excitement of the imagination. The men of our society are fed and kept like reproductive stallions. It is sufficient to close the valve,—that is, for a young man to live a quiet life for some time,—to produce as an immediate result a restlessness, which, becoming exaggerated by reflection through the prism of our unnatural life, provokes the illusion of love. “All our idyls and marriage, all, are the result for the most part of our eating. Does that astonish you? For my part, I am astonished that we do not see it. Not far from my estate this spring some moujiks were working on a railway embankment. You know what a peasant’s food is,—bread, kvass, onions. With this frugal nourishment he lives, he is alert, he makes light wor...
Living My Life by Emma Goldman Volume One New York: Alfred A Knopf Inc., 1931. Chapter 18 America had declared war with Spain. The news was not unexpected. For several months preceding, press and pulpit were filled with the call to arms in defense of the victims of Spanish atrocities in Cuba. I was profoundly in sympathy with the Cuban and Philippine rebels who were striving to throw off the Spanish yoke. In fact, I had worked with some of the members of the Junta engaged in underground activities to secure freedom for the Philippine Islands. But I had no faith whatever in the patriotic protestations of America as a disinterested and noble agency to help the Cubans. It did not require much political wisdom to see that America's concern was a matter of sugar and had nothing to do with humanitarian feelings. Of course there were plenty of credulous people, not only in the country at large, but even in libe...
EVENTS in Moscow, quickly following each other, were full of interest. I wanted to remain in that vital city, but as I had left all my effects in Petrograd I decided to return there and then come back to Moscow to join Lunacharsky in his work. A few days before my departure a young woman, an Anarchist, came to visit me. She was from the Petrograd Museum of the Revolution and she called to inquire whether I would take charge of the Museum branch work in Moscow. She explained that the original idea of the Museum was due to the famous old revolutionist Vera Nikolaievna Figner, and that it had recently been organized by nonpartizan elements. The majority of the men and women who worked in the Museum were not Communists, she said; but they were devoted to the Revolution and anxious to create something which could in the future serve as a source of information and inspiration to earnest students of the great Russian Revolution. When my caller was informed that I...
TO ANALYZE the psychology of political violence is not only extremely difficult, but also very dangerous. If such acts are treated with understanding, one is immediately accused of eulogizing them. If, on the other hand, human sympathy is expressed with the Attentäter, 1 one risks being considered a possible accomplice. Yet it is only intelligence and sympathy that can bring us closer to the source of human suffering, and teach us the ultimate way out of it. The primitive man, ignorant of natural forces, dreaded their approach, hiding from the perils they threatened. As man learned to understand Nature's phenomena, he realized that though these may destroy life and cause great loss, they also bring relief. To the earnest student it mus... (From : Anarchy Archives.)
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
There are periods in human existence when the inevitability of a great upheaval, of a cataclysm that shakes society to its very roots, imposes itself on every area of our relationships. At such epochs, all men of good will begin to realize that things cannot go on as they are; that we need me great events that roughly break the thread of history, shake humanity out of the ruts in which it is stuck, and propel it towards new ways, towards the unknown, towards the search for the ideal. One feels the inevitability of a revolution, vast, implacable, whose role will be not merely to overthrow an economic machine based on cold exploitation, on speculation and fraud, not merely to throw down the political ladder that sustains the rule of the few through cunning, intrigue and lies, but also to stir up the intellectual and moral life of society, shake it out of its torpor, reshape our moral life, and set blowing in the midst of the low and paltry passions that occupy us now the li...