Browsing By Tag "horses"
A Tale of 1852The Captain and the head of the village rode away, and Olenin, to please Lukashka as well as to avoid going back alone through the dark forest, asked the corporal to give Lukashka leave, and the corporal did so. Olenin thought that Lukashka wanted to see Maryanka and he was also glad of the companionship of such a pleasant-looking and sociable Cossack. Lukashka and Maryanka he involuntarily united in his mind, and he found pleasure in thinking about them. 'He loves Maryanka,' thought Olenin, 'and I could love her,' and a new and powerful emotion of tenderness overcame him as they walked homeward together through the dark forest. Lukashka too felt happy; something akin to love made itself felt between these two very different young men. Every time they glanced at one another they wanted to laugh. 'By which gate do you enter?' asked Olenin. 'By the middle one. But I'll see you as far as the marsh. After that you have nothing to fear.' Olenin laughed.
ECLOGUES This is the ninth book issued by the Beaumont Press and the fifth printed by hand 30 copies have been printed on Japanese vellum signed by the author and artist and numbered i to 30 50 copies on cartridge paper numbered 31 to 80 and 120 copies on hand-made paper numbered 81 to 200 ECLOGUES A BOOK OF POEMS HERBERT READ CONTENTS THE MEDITATION OF A LOVER I can just see the distant trees ... 9 WOODLANDS Pine needles cover the silent ground: . 10 PASTURELANDS We scurry over the pastures . . . 11 THE POND Shrill green weeds . . . . . 12 THE ORCHARD Grotesque patterns of blue-gray mold . 1 3 APRIL To the fresh wet fields . . , . 14 THE WOODMAN His russet coat and gleaming ax . . 15 HARVEST HOME The wagons loom like blue caravans . (From : Anarchy Archives.)
The card tables were drawn out, sets made up for boston, and the count’s visitors settled themselves, some in the two drawing rooms, some in the sitting room, some in the library. The count, holding his cards fanwise, kept himself with difficulty from dropping into his usual after-dinner nap, and laughed at everything. The young people, at the countess’ instigation, gathered round the clavichord and harp. Julie by general request played first. After she had played a little air with variations on the harp, she joined the other young ladies in begging Natásha and Nicholas, who were noted for their musical talent, to sing something. Natásha, who was treated as though she were grown up, was evidently very proud of this but at the same time felt shy. “What shall we sing?” she said. “‘The Brook,’” suggested Nicholas. “Well, then, let’s be quick. Borís, come...