The ResurrectionHaving breakfasted, Nekhludoff went to the cabinet to see for what hour he was summoned to appear at court, and to answer the Princess' note. In the work-room stood an easel with a half-finished painting turned face downward, and on the wall hung studies in drawing. On seeing that painting, on which he had worked two years, and those drawings, he called to mind the feeling of impotence, which he experienced of late with greatest force, to make further advance in the art. He explained this feeling by the development of a fine esthetic taste, and yet this consciousness caused him unpleasant sensations. Seven years before he had retired from active service he decided that his true vocation in life was painting, and from the height of his artistic activity he looked down upon all other occupations. And now it appeared that he had no right to do so, and every recollection of it was disagreeable to him. He looked on all the luxurious appointments of the work-room...
FERENZ RENYI, Hungary, 1848 This is the story of Renyi - And when you have heard it through, Pray, God be send no trial like his To try the faith of you. And if his doom be upon you, Then may God grant you this: To fight as good a fight as he, And win a crown like his. He was strong and handsome and happy, Beloved and loving and young, 'With eyes that men set their trust in, And the fire of his soul on his tongue. He loved the spirit of Freedom, He hated his country's wrongs, He told the patriots' stories, He sang the patriot's songs. With mother and sister and sweetheart His safe glad days went by, Till Hungary called on her children To arm--to fight--and to die. "Goodbye to mother and sister, Goodbye to m... (From : AnarchyArchives.)
A Tale of 1852The male population of the village spend their time on military expeditions and in the cordon—or 'at their posts', as the Cossacks say. Towards evening, that same Lukashka the Snatcher, about whom the old women had been talking, was standing on a watch-tower of the Nizhni-Prototsk post situated on the very banks of the Terek. Leaning on the railing of the tower and screwing up his eyes, he looked now far into the distance beyond the Terek, now down at his fellow Cossacks, and occasionally he addressed the latter. The sun was already approaching the snowy range that gleamed white above the fleecy clouds. The clouds undulating at the base of the mountains grew darker and darker. The clearness of evening was noticeable in the air. A sense of freshness came from the woods, though round the post it was still hot. The voices of the talking Cossacks vibrated more sonorously than before. The moving mass of the Terek's rapid brown waters contrasted more vividly with its motionless ba...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...