The ResurrectionWhen the reading of the indictment was finished, the justiciary, having consulted with his associates, turned to Kartinkin with an expression on his face which plainly betokened confidence in his ability to bring forth all the truth. "Simon Kartinkin," he called, leaning to the left. Simon Kartinkin rose, put out his chest, incessantly moving his cheeks. "You are charged, together with Euphemia Bochkova and Katherine Maslova, with stealing from the trunk of the merchant Smelkoff money belonging to him, and subsequently brought arsenic and induced Maslova to administer it to Smelkoff, by reason of which he came to his death. Are you guilty or not guilty?" he said, leaning to the right. "It is impossible, because our business is to attend the guests——" "You will speak afterwards. Are you guilty or not?" "No, indeed. I only——" "You can speak later. Do you admit that you are guilty?" ca...
FERENZ RENYI, Hungary, 1848 This is the story of Renyi - And when you have heard it through, Pray, God be send no trial like his To try the faith of you. And if his doom be upon you, Then may God grant you this: To fight as good a fight as he, And win a crown like his. He was strong and handsome and happy, Beloved and loving and young, 'With eyes that men set their trust in, And the fire of his soul on his tongue. He loved the spirit of Freedom, He hated his country's wrongs, He told the patriots' stories, He sang the patriot's songs. With mother and sister and sweetheart His safe glad days went by, Till Hungary called on her children To arm--to fight--and to die. "Goodbye to mother and sister, Goodbye to m... (From : AnarchyArchives.)
A Tale of 1852All is quiet in Moscow. The squeak of wheels is seldom heard in the snow-covered street. There are no lights left in the windows and the street lamps have been extinguished. Only the sound of bells, borne over the city from the church towers, suggests the approach of morning. The streets are deserted. At rare intervals a night-cabman's sledge kneads up the snow and sand in the street as the driver makes his way to another corner where he falls asleep while waiting for a fare. An old woman passes by on her way to church, where a few wax candles burn with a red light reflected on the gilt mountings of the icons. Workmen are already getting up after the long winter night and going to their work—but for the gentlefolk it is still evening. From a window in Chevalier's Restaurant a light—illegal at that hour—is still to be seen through a chink in the shutter. At the entrance a carriage, a sledge, and a cabman's sledge, stand close together with their backs to t...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...