The ResurrectionNekhludoff left the house early. A peasant was driving along a side alley, shouting in a strange voice: "Milk! milk! milk!" The first warm, spring rain had fallen the evening before. Wherever there was a patch of unpaved ground the green grass burst forth; the lindens were covered with green nap; the fowl-cherry and poplar unfolded their long, fragrant leaves. In the market-place, through which Nekhludoff had to pass, dense crowds in rags swarmed before the tents, some carrying boots under their arms, others smoothly pressed trousers and vests on their shoulders. The working people were already crowding near the traktirs (tea-houses), the men in clean, long coats gathered in folds in the back of the waist, and in shining boots; the women in bright-colored silk shawls and cloaks with glass-bead trimmings. Policemen, with pistols attached to yellow cords fastened around their waists, stood at their posts. Children and dogs played on the grass-plots, a...
FERENZ RENYI, Hungary, 1848 This is the story of Renyi - And when you have heard it through, Pray, God be send no trial like his To try the faith of you. And if his doom be upon you, Then may God grant you this: To fight as good a fight as he, And win a crown like his. He was strong and handsome and happy, Beloved and loving and young, 'With eyes that men set their trust in, And the fire of his soul on his tongue. He loved the spirit of Freedom, He hated his country's wrongs, He told the patriots' stories, He sang the patriot's songs. With mother and sister and sweetheart His safe glad days went by, Till Hungary called on her children To arm--to fight--and to die. "Goodbye to mother and sister, Goodbye to m... (From : AnarchyArchives.)
A Tale of 1852From Eroshka's hut Lukashka went home. As he returned, the dewy mists were rising from the ground and enveloped the village. In various places the cattle, though out of sight, could be heard beginning to stir. The cocks called to one another with increasing frequency and insistence. The air was becoming more transparent, and the villagers were getting up. Not till he was close to it could Lukishka discern the fence of his yard, all wet with dew, the porch of the hut, and the open shed. From the misty yard he heard the sound of an ax chopping wood. Lukashka entered the hut. His mother was up, and stood at the oven throwing wood into it. His little sister was still lying in bed asleep. 'Well, Lukashka, had enough holiday-making?' asked his mother softly. 'Where did you spend the night?' 'I was in the village,' replied her son reluctantly, reaching for his musket, which he drew from its cover and examined carefully. His mother swayed her head.
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...