A Tale of 1852The farther Olenin traveled from Central Russia the farther he left his memories behind, and the nearer he drew to the Caucasus the lighter his heart became. "I'll stay away for good and never return to show myself in society," was a thought that sometimes occurred to him. "These people whom I see here are NOT people. None of them know me and none of them can ever enter the Moscow society I was in or find out about my past. And no one in that society will ever know what I am doing, living among these people." And quite a new feeling of freedom from his whole past came over him among the rough beings he met on the road whom he did not consider to be PEOPLE in the sense that his Moscow acquaintances were. The rougher the people and the fewer the signs of civilization the freer he felt. Stavropol, through which he had to pass, irked him. The signboards, some of them even in French, ladies in carriages, cabs in the marketplace, and a gentleman wearing a fur cloak and tall hat who was...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
When I was a little fellow, we used to study every day, and only on Sundays and holidays went out and played with our brothers. Once my father said: "The children must learn to ride. Send them to the riding-school!" I was the youngest of the brothers, and I asked: "May I, too, learn to ride?" My father said: "You will fall down." I began to beg him to let me learn, and almost cried. My father said: "All right, you may go, too. Only look out! Don't cry when you fall off. He who does not once fall down from a horse will not learn to ride." When Wednesday came, all three of us were taken to the riding-school. We entered by a large porch, and from the large porch went to a smaller one. Beyond the porch was a very large room: instead of a floor it had sand. And in this room were gentlemen and ladies and just such boys as we. That was the riding-school. The riding-school was not very light, and there was a smell of horses,...
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER III AT the usual age I entered myself of the university of Oxford. I felt no strong propensity to this change; but I submitted to it, as to a thing in the regular order of proceeding, and to which it would be useless to object. I was so much accustomed to self-conversation as to have little inclination to mix in the world; and was to such a degree satisfied with my abilities, and progress, and capacity of directing my own studies and conduct, as not to look with any eager craving for the advice and assistance of professors and doctors. In setting out for the university, I was to part with my father and my preceptor. The first of these was a bitter pang to me: I had scarcely, from the earliest of my remembrance, ever been a...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. BOOK THE SECOND THUNDER STORM.--THE RAPE OF IMOGEN.--EDWIN ARRIVES AT THE GROTTO OF ELWY.--CHARACTER OF THE MAGICIAN.--THE END OF THE FIRST DAY. THE song of Llewelyn was heard by the shepherds with reverence and mute attention. Their blameless hearts were lifted to the skies with the sentiment of gratitude; their honest bosoms overflowed with the fervor of devotion. They proved their sympathy with the feelings of the bard, not by licentious shouts and wild huzzahes, but by the composure of their spirits, the serenity of their countenances' and the deep and unutterable silence which universally prevailed. And now the hoary minstrel rose from the little eminence, beneath the aged oak, from whose branches depended the ivy and the honeysuckle, on which the veneration of the multitude had placed him. He came into the midst of the plain, and the sons and the daughters...
The good stallion took the sledge along at a brisk pace over the smooth-frozen road through the village, the runners squeaking slightly as they went. ‘Look at him hanging on there! Hand me the whip, Nikita!’ shouted Vasili Andreevich, evidently enjoying the sight of his ‘heir,’ who standing on the runners was hanging on at the back of the sledge. ‘I’ll give it you! Be off to mama, you dog!’ The boy jumped down. The horse increased his amble and, suddenly changing foot, broke into a fast trot. The Crosses, the village where Vasili Andreevich lived, consisted of six houses. As soon as they had passed the blacksmith’s hut, the last in the village, they realized that the wind was much stronger than they had thought. The road could hardly be seen. The tracks left by the sledge-runners were immediately covered by snow and the road was only distinguished by the fact that it was higher than the rest of the ground. The...
THE SCANDINAVIAN DRAMA: AUGUST STRINDBERG THE FATHER The Father portrays the tragedy of a man and a woman struggling for the possession of their child. The father, a cavalry captain, is intellectual, a freethinker, a man of ideas. His wife is narrow, selfish, and unscrupulous in her methods when her antagonism is wakened. Other members of the family are the wife's mother, a Spiritualist, and the Captain's old nurse, Margret, ignorant and superstitious. The father feels that the child would be poisoned in such an atmosphere: The Captain. This house is full of women who all want to have their say about my child. My mother-inlaw wants to make a Spiritualist of her. Laura wants her to be an artist; the governess wants her to be a Methodist, old Margret a Baptist, and the servant-girls want her to join the Salvation Army! It won't do to try to make a soul in patches like that. I, who have the chie...
A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...