Most Irishmen, in and out of Ireland, seem unanimous in condemning the brutality of the British government toward the leaders of the unsuccessful revolt. There is no need to recite here the atrocious measures of repression practiced by England toward her subject races. The arrogant and irresponsible tyranny of the British government in this relation is a matter of history. The point of interest just now is, what did the Irish people, or at least the Sinn Feiners, expect England to do in the given circumstances? I am not interested in the weak-kneed editors of Irish-American papers who bemoan, with all due decorum, Great Britain's "lack of generosity" in dealing with the captured Sinn Feiners, or who hide their cowardice by arguments about t... (From : Spunk.org.)
THE ENGLISH DRAMA: JOHN GALSWORTHY THE PIGEON John Galsworthy calls this play a fantasy. To me it seems cruelly real: it demonstrates that the best human material is crushed in the fatal mechanism of our life. "The Pigeon" also discloses to us the inadequacy of charity, individual and organized, to cope with poverty, as well as the absurdity of reformers and experimenters who attempt to patch up effects while they ignore the causes. Christopher Wellwyn, an artist, a man deeply in sympathy with all human sorrow and failings, generously shares his meager means with everyone who applies to him for help. His daughter Ann is of a more practical turn of mind. She cannot understand that giving is as natural and necessary to her father as light and air; indeed, the greatest joy in life. Perhaps Ann is actuated by anxiety for her father who is so utterly "hopeless" that he would give away his "last pair of trousers." From her point of view "peop...