The pastor of a Congregational church writes to us: "I find in your issue of this mouth you say in your article on Reason-Worship: 'Christian theology and pessimist philosophy are agreed in condemning the nature of man as essentially evil.' As a regular reader of your paper, I was sorry to find such a mistake. This may be some people's impression of the teaching of theology, or it may actually be taught by some ignorant preachers. It is not the doctrine of theology, but on the contrary has been specially condemned, and I believe never revived. Theology teaches that sin is in the will but not in the essential nature of man. These views are distinct. Man is created in the image of God: this is the teaching of the Bible and of theology. The em... (From : AnarchyArchives.)
Of a member of the Berlin Community against the Publication to the 57 Clergymen: "The Christian Sunday Celebration(Mass), A Word of Love to Our Congregation." Dear Brothers and Sisters! A word of love was directed at us; we are not permitted to close our ears. On the first day of this year, a pamphlet will be handed out, in the church, to the church-goers of Berlin; it carries the title: "The Christian Sunday Celebration. A word of love to our congregation," and it concerns us all deeply. Before we later take him to heart in the particular, we include the same content written together in the few words of the second page: "Given that it is undeniable, that the corruption of the church itself is most outwardly apparent by the desecration of t... (From : Anarchy Archives.)
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...