In the morning Konstantin Levin left Moscow, and towards evening he reached home. On the journey in the train he talked to his neighbors about politics and the new railways, and, just as in Moscow, he was overcome by a sense of confusion of ideas, dissatisfaction with himself, shame of something or other. But when he got out at his own station, when he saw his one-eyed coachman, Ignat, with the collar of his coat turned up; when, in the dim light reflected by the station fires, he saw his own sledge, his own horses with their tails tied up, in their harness trimmed with rings and tassels; when the coachman Ignat, as he put in his luggage, told him the village news, that the contractor had arrived, and that Pava had calved,—he felt that little by little the confusion was clearing up, and the shame and self-dissatisfaction were passing away. He felt this at the mere sight of Ignat and the horses; but when he had put on the sheepskin brought for him, had sat down...
The ResurrectionAt the time when Maslova, exhausted by the long walk, was approaching with the armed convoy the building in which court was held, the same nephew of the ladies that brought her up, Prince Dmitri Ivanovitch Nekhludoff, who deceived her, lay on his high, soft, spring feather-bed, in spotless Holland linen, smoking a cigarette. He was gazing before him, contemplating the events of the previous day and considering what he had before him for that day. As he thought of the previous evening, spent at the Korchagins, a wealthy and influential family, whose daughter, rumor had it, he was to marry, he sighed, and throwing away the butt of his cigarette, he was on the point of taking another from the silver cigarette holder, but changed his mind. Half rising, he slipped his smooth, white feet into the slippers, threw a silk morning gown over his broad shoulders, and with quick and heavy stride, walked into the adjoining dressing-room, which was permeated with the artificial...
Boyhood, by Leo Tolstoy
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
THE ANT AND THE DOVE An Ant came down to the brook: he wanted to drink. A wave washed him down and almost drowned him. A Dove was carrying a branch; she saw the Ant was drowning, so she cast the branch down to him in the brook. The Ant got up on the branch and was saved. Then a hunter placed a snare for the Dove, and was on the point of drawing it in. The Ant crawled up to the hunter and bit him on the leg; the hunter groaned and dropped the snare. The Dove fluttered upwards and flew away. THE TURTLE AND THE EAGLE A Turtle asked an Eagle to teach her how to fly. The Eagle advised her not to try, as she was not fit for it; but she insisted. The Eagle took her in his claws, raised her up, and dropped her: she fell on stones and broke to pieces. THE POLECAT A Polecat entered a smithy and began to lick the filings. Blood began to flow from the Polecat's mouth, but he was glad and continued to lick; he thought that the blood was comin...
The soldiers were bearing the wounded on stretchers, and supporting them by their arms. It was completely dark in the streets; now and then, a rare light flashed in the hospital or from the spot where the officers were seated. The same thunder of cannon and exchange of rifle-shots was borne from the bastions, and the same fires flashed against the dark heavens. Now and then, you could hear the trampling hoofs of an orderly's horse, the groan of a wounded man, the footsteps and voices of the stretcher-bearers, or the conversation of some of the frightened female inhabitants, who had come out on their porches to view the cannonade. Among the latter were our acquaintances Nikita, the old sailor's widow, with whom he had already made his peace, and her ten-year-old daughter. “Lord, Most Holy Mother of God!” whispered the old woman to herself with a sigh, as she watched the bombs, which, like balls of fire, sailed incessantly from one side to the other. “What...
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
Its Nature, Object, and Destiny
The Revolution of February raised two leading questions: one economic, the question of labor and property; the other political, the question of government or the State. On the first of these questions the socialistic democracy is substantially in accord. They admit that it is not a question of the seizure and division of property, or even of its repurchase. Neither is it a question of dishonorably levying additional taxes on the wealthy and property-holding classes, which, while violating the principle of property recognized in the constitution, would serve only to overturn the general economy and aggravate the situation of the proletariat. The economic reform consists, on the one hand, in opening usurious credit to competition and thereby ... (From : proudhonlibrary.org.)
A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...
A shoemaker named Simon, who had neither house nor land of his own, lived with his wife and children in a peasant’s hut, and earned his living by his work. Work was cheap, but bread was dear, and what he earned he spent for food. The man and his wife had but one sheepskin coat between them for winter wear, and even that was torn to tatters, and this was the second year he had been wanting to buy sheep-skins for a new coat. Before winter Simon saved up a little money: a three-ruble note lay hidden in his wife’s box, and five rubles and twenty kopecks were owed him by customers in the village. So one morning he prepared to go to the village to buy the sheep-skins. He put on over his shirt his wife’s wadded nankeen jacket, and over that he put his own cloth coat. He took the three-ruble note in his pocket, cut himself a stick to serve as a staff, and started off after breakfast. “I’ll collect the five rubles that are due to me,” thought he,...