In spite of Vronsky’s apparently frivolous life in society, he was a man who hated irregularity. In early youth in the Corps of Pages, he had experienced the humiliation of a refusal, when he had tried, being in difficulties, to borrow money, and since then he had never once put himself in the same position again. In order to keep his affairs in some sort of order, he used about five times a year (more or less frequently, according to circumstances) to shut himself up alone and put all his affairs into definite shape. This he used to call his day of reckoning or faire la lessive. On waking up the day after the races, Vronsky put on a white linen coat, and without shaving or taking his bath, he distributed about the table moneys, bills, and letters, and set to work. Petritsky, who knew he was ill-tempered on such occasions, on waking up and seeing his comrade at the writing-table, quietly dressed and went out without getting in his way.
The ResurrectionPrincess Sophia Vasilievna had finished her meal of choice and nourishing dishes, which she always took alone, that no one might see her performing that unpoetical function. A cup of coffee stood on a small table near her couch, and she was smoking a cigarette. Princess Sophia Vasilievna was a lean and tall brunet, with long teeth and large black eyes, who desired to pass for a young woman. People were making unpleasant remarks about her relations with the doctor. Formerly Nekhludoff had paid no attention to them. But to-day, the sight of the doctor, with his oily, sleek head, which was parted in the middle, sitting near her couch, was repulsive to him. Beside the Princess sat Kolosoff, stirring the coffee. A glass of liquor was on the table. Missy entered, together with Nekhludoff, but she did not remain in the room. "When mama gets tired of you and drives you away, come to my room," she said, turning to Nekhludoff, as if nothing had...
Boyhood, by Leo Tolstoy
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
A poor woman had a daughter by the name of Másha. Másha went in the morning to fetch water, and saw at the door something wrapped in rags. When she touched the rags, there came from it the sound of "Ooah, ooah, ooah!" Másha bent down and saw that it was a tiny, red-skinned baby. It was crying aloud: "Ooah, ooah!" Másha took it into her arms and carried it into the house, and gave it milk with a spoon. Her mother said: "What have you brought?" "A baby. I found it at our door." The mother said: "We are poor as it is; we have nothing to feed the baby with; I will go to the chief and tell him to take the baby." Másha began to cry, and said: "Mother, the child will not eat much; leave it here! See what red, wrinkled little hands and fingers it has!" Her mother looked at them, and she felt pity for the child. She did not take the baby away. Másha fed and swathed the child, and sang...
Mikhaïloff, on catching sight of the bomb, fell to the earth, and, like Praskukhin, he went over in thought and feeling an incredible amount in those two seconds while the bomb lay there unexploded. He prayed to God mentally, and kept repeating: “Thy will be done!” “And why did I enter the military service?” he thought at the same time; “and why, again, did I exchange into the infantry, in order to take part in this campaign? Would it not have been better for me to remain in the regiment of Uhlans, in the town of T., and pass the time with my friend Natasha? And now this is what has come of it.” And he began to count, “One, two, three, four,” guessing that if it burst on the even number, he would live, but if on the uneven number, then he should be killed. “All is over; killed,” he thought, when the bomb burst (he did not remember whether it was on the even or the uneven number), and he felt a blow, a...
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
Its Nature, Object, and Destiny
The Revolution of February raised two leading questions: one economic, the question of labor and property; the other political, the question of government or the State. On the first of these questions the socialistic democracy is substantially in accord. They admit that it is not a question of the seizure and division of property, or even of its repurchase. Neither is it a question of dishonorably levying additional taxes on the wealthy and property-holding classes, which, while violating the principle of property recognized in the constitution, would serve only to overturn the general economy and aggravate the situation of the proletariat. The economic reform consists, on the one hand, in opening usurious credit to competition and thereby ... (From : proudhonlibrary.org.)
A Critical Essay on ShakespeareThe drama of "Lear" begins with a scene giving the conversation between two courtiers, Kent and Gloucester. Kent, pointing to a young man present, asks Gloucester whether that is not his son. Gloucester says that he has often blushed to acknowledge the young man as his son, but has now ceased doing so. Kent says he "can not conceive him." Then Gloucester in the presence of this son of his says: "The fellow's mother could, and grew round-wombed, and had a son for her cradle ere she had a husband for her bed." "I have another, a legitimate son," continues Gloucester, "but although this one came into the world before he was sent for, his mother was fair and there was good sport at his making, and therefore I acknowledge this one also." Such is the introduction. Not to mention the coarseness of these words of Gloucester, they are, farther, out of place in the mouth of a person intended to represent a noble character. One can not agree with the opinion of some critics that thes...
“I’m quite warm,” said he, “though I have no sheep-skin coat. I’ve had a drop, and it runs through all my veins. I need no sheep-skins. I go along and don’t worry about anything. That’s the sort of man I am! What do I care? I can live without sheep-skins. I don’t need them. My wife will fret, to be sure. And, true enough, it is a shame; one works all day long, and then does not get paid. Stop a bit! If you don’t bring that money along, sure enough I’ll skin you, blessed if I don’t. How’s that? He pays twenty kopecks at a time! What can I do with twenty kopecks? Drink it-that’s all one can do! Hard up, he says he is! So he may be—but what about me? You have a house, and cattle, and everything; I’ve only what I stand up in! You have corn of your own growing; I have to buy every grain. Do what I will, I must spend three rubles every week for bread alone. I come home and find the bread all used u...