Next day at eleven o’clock in the morning Vronsky drove to the station of the Petersburg railway to meet his mother, and the first person he came across on the great flight of steps was Oblonsky, who was expecting his sister by the same train. "Ah! your excellency!" cried Oblonsky, "whom are you meeting?" "My mother," Vronsky responded, smiling, as everyone did who met Oblonsky. He shook hands with him, and together they ascended the steps. "She is to be here from Petersburg today." "I was looking out for you till two o’clock last night. Where did you go after the Shtcherbatskys’?" "Home," answered Vronsky. "I must own I felt so well content yesterday after the Shtcherbatskys’ that I didn’t care to go anywhere." "I know a gallant steed by tokens sure, And by his eyes I know a youth in love," declaimed Stepan Arkadyevitch, just as he had d...
The ResurrectionFinally Matvei Nikitich arrived, and the usher, a long-necked and lean man, with a sideling gait and protruding lower lip, entered the jury-room. The usher was an honest man, with a university education, but he could not hold any employment on account of his tippling habit. A countess, his wife's patroness, had obtained him his present position three months ago; he still retained it, and was exceedingly glad. "Are you all here, gentlemen?" he asked, putting on his pince-nez and looking through it. "I think so," said the cheerful merchant. "Let us see," said the usher, and drawing a sheet of paper from his pocket, began to call the names of the jury, looking at those that responded to their names now through his pince-nez, now over it. "Counsilor of State E. M. Nikiforoff." "Here," said the portly gentleman, who was familiar with all the litigations. "Retired Colonel Ivan Semionovich Ivanoff." "Present,...
Boyhood, by Leo Tolstoy
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
From the Cossack village I did not travel directly to Russia, but first to Pyatigórsk, where I stayed two months. Milton I gave away to a Cossack hunter, and Búlka I took along with me to Pyatigórsk. Pyatigórsk [in English, Five-Mountains] is called so because it is situated on Mount Besh-tau. And besh means in Tartar "five," and tau "mountain." From this mountain flows a hot sulfur stream. It is as hot as boiling water, and over the spot where the water flows from the mountain there is always a steam as from a samovár. The whole place, on which the city stands, is very cheerful. From the mountain flow the hot springs, and at the foot of the mountain is the river Podkúmok. On the slopes of the mountain are forests; all around the city are fields, and in the distance are seen the mountains of the Caucasus. On these the snow never melts, and they are always as white as sugar. One large mountain, Elbrus, is like a white loaf o...
He went, first of all, to the pavilion, near which were standing the musicians, for whom other soldiers of the same regiment were holding the notes, in the absence of stands, and about whom a ring of cadets, nurses, and children had formed, intent rather on seeing than on hearing. Around the pavilion stood, sat, or walked sailors, adjutants, and officers in white gloves. Along the grand avenue of the boulevard paced officers of every sort, and women of every description, rarely in bonnets, mostly with kerchiefs on their heads (some had neither bonnets nor kerchiefs), but no one was old, and it was worthy of note that all were gay young creatures. Beyond, in the shady and fragrant alleys of white acacia, isolated groups walked and sat. No one was especially delighted to encounter Captain Mikhaïloff on the boulevard, with the exception, possibly, of the captain of his regiment, Obzhogoff, and Captain Suslikoff, who pressed his hand warmly; but the former was dressed in...
THE SCANDINAVIAN DRAMA: HENRIK IBSEN GHOSTS The social and revolutionary significance of Henrik Ibsen is brought out with even greater force in "Ghosts" than in his preceding works. Not only does this pioneer of modern dramatic art undermine in "Ghosts" the Social Lie and the paralyzing effect of Duty, but the uselessness and evil of Sacrifice, the dreary Lack of Joy and of Purpose in Work are brought to light as most pernicious and destructive elements in life. Mrs. Alving, having made what her family called a most admirable match, discovers shortly after her marriage that her husband is a drunkard and a roué. In her despair she flees to her young friend, the divinity student Manders. But he, preparing to save souls, even though they be encased in rotten bodies, sends Mrs. Alving back to her husband and her duties toward her home. Helen Alving is young and immature. Besides, she l...
Its Nature, Object, and Destiny
The Revolution of February raised two leading questions: one economic, the question of labor and property; the other political, the question of government or the State. On the first of these questions the socialistic democracy is substantially in accord. They admit that it is not a question of the seizure and division of property, or even of its repurchase. Neither is it a question of dishonorably levying additional taxes on the wealthy and property-holding classes, which, while violating the principle of property recognized in the constitution, would serve only to overturn the general economy and aggravate the situation of the proletariat. The economic reform consists, on the one hand, in opening usurious credit to competition and thereby ... (From : proudhonlibrary.org.)
A Critical Essay on ShakespeareSuch is this celebrated drama. However absurd it may appear in my rendering (which I have endeavored to make as impartial as possible), I may confidently say that in the original it is yet more absurd. For any man of our time—if he were not under the hypnotic suggestion that this drama is the height of perfection—it would be enough to read it to its end (were he to have sufficient patience for this) to be convinced that far from being the height of perfection, it is a very bad, carelessly composed production, which, if it could have been of interest to a certain public at a certain time, can not evoke among us anything but aversion and weariness. Every reader of our time, who is free from the influence of suggestion, will also receive exactly the same impression from all the other extolled dramas of Shakespeare, not to mention the senseless, dramatized tales, "Pericles," "Twelfth Night," "The Tempest," "Cymbeline," "Troilus and Cressida." But such free-minded i...
We know that we have passed out of death into life, because we love the brethren. He that loveth not abideth in death. —1 Epistle St. John iii. 14. Whoso hath the world’s goods, and beholdeth his brother in need, and shutteth up his compassion from him, how doth the love of God abide in him? My little children, let us not love in word, neither with the tongue; but in deed and truth. —iii. 17-18. Love is of God; and every one that loveth is begotten of God, and knoweth God. He that loveth not knoweth not God; for God is love. —iv. 7-8. No man hath beheld God at any time; if we love one another, God abideth in us. —iv. 12. God is love; and he that abideth in love abideth in God, and God abideth in him. —iv. 16. If a man say, I love God, and hateth his brother, he is a liar; for he that loveth not his brother whom he hath seen, how can he love God whom he hath not seen? —iv. 20.