“At the station before the last, when the conductor came to take the tickets, I took my baggage and went out on the car platform, and the consciousness that the climax was near at hand only added to my agitation. I was cold, my jaw trembled so that my teeth chattered. Mechanically I left the station with the crowd, I took a tchik, and I started. I looked at the few people passing in the streets and at the dvorniks. I read the signs, without thinking of anything. After going half a verst my feet began to feel cold, and I remembered that in the car I had taken off my woolen socks, and had put them in my traveling bag. Where had I put the bag? Was it with me? Yes, and the basket? “I bethought myself that I had totally forgotten my baggage. I took out my check, and then decided it was not worth while to return. I continued on my way. In spite of all my efforts to remember, I cannot at this moment make out why I was in such a hurry. I know only that I was conscious...
Published Essays and Pamphlets Samuel Gompers by Emma Goldman [Published in The Road to Freedom (New York), Vol. 1, March 1925.] The numerous tributes paid to the late President of the American Federation of Labor, emphasized his great leadership. "Gompers was a leader of men," they said. One would have expected that the disaster brought upon the world by leadership would have proven that to be a leader of men is far from a virtue. Rather is it a vise for which those who are being led are usually made to pay very heavily. The last fifteen years are replete with examples of what the leaders of men have done to the peoples of the world. The Lenins, Clemenceaus, the Lloyd Georges and Wilson, have all posed as great leaders. Yet they have broug... (From : Anarchy Archives.)
A Critical Essay on ShakespeareBut it is not enough that Shakespeare's characters are placed in tragic positions which are impossible, do not flow from the course of events, are inappropriate to time and space—these personages, besides this, act in a way which is out of keeping with their definite character, and is quite arbitrary. It is generally asserted that in Shakespeare's dramas the characters are specially well expressed, that, notwithstanding their vividness, they are many-sided, like those of living people; that, while exhibiting the characteristics of a given individual, they at the same time wear the features of man in general; it is usual to say that the delineation of character in Shakespeare is the height of perfection. This is asserted with such confidence and repeated by all as indisputable truth; but however much I endeavored to find confirmation of this in Shakespeare's dramas, I always found the opposite. In reading any of Shakespeare's dramas whatever, I was, from the very firs...
On the outskirts of a great city, A street of fashionable mansions well withdrawn from all the noise and bustle; And in the street--the only figure there--in the middle of the road, in the bitter wind -- Red-nosed thin-shawled, with ankles bare and old boots-- A woman bent and haggard, croaking a dismal song. And the great windows stare upon her wretchedness, and stare across the road upon each other, With big fool eyes; But not a door is opened, not a face is seen, Nor form of life down all the dreary street, To certify the existence of humanity,-- Other than hers. Freedom: A Journal of Anarchist Socialism Vol. 1 -- No. 1, OCTOBER, 1886 Source: http://dwardmac.pitzer.edu/anarchist_archives/journals/freedom/freedom1_1.html... (From : AnarchyArchives.)