“All of us, men and women, are brought up in these aberrations of feeling that we call love. I from childhood had prepared myself for this thing, and I loved, and I loved during all my youth, and I was joyous in loving. It had been put into my head that it was the noblest and highest occupation in the world. But when this expected feeling came at last, and I, a man, abandoned myself to it, the lie was pierced through and through. Theoretically a lofty love is conceivable; practically it is an ignoble and degrading thing, which it is equally disgusting to talk about and to remember. It is not in vain that nature has made ceremonies, but people pretend that the ignoble and the shameful is beautiful and lofty. “I will tell you brutally and briefly what were the first signs of my love. I abandoned myself to beastly excesses, not only not ashamed of them, but proud of them, giving no thought to the intellectual life of my wife. And not only did I not think of her in...
Published Essays and Pamphlets Samuel Gompers by Emma Goldman [Published in The Road to Freedom (New York), Vol. 1, March 1925.] The numerous tributes paid to the late President of the American Federation of Labor, emphasized his great leadership. "Gompers was a leader of men," they said. One would have expected that the disaster brought upon the world by leadership would have proven that to be a leader of men is far from a virtue. Rather is it a vise for which those who are being led are usually made to pay very heavily. The last fifteen years are replete with examples of what the leaders of men have done to the peoples of the world. The Lenins, Clemenceaus, the Lloyd Georges and Wilson, have all posed as great leaders. Yet they have broug... (From : Anarchy Archives.)
A Critical Essay on ShakespeareBut it is not enough that Shakespeare's characters are placed in tragic positions which are impossible, do not flow from the course of events, are inappropriate to time and space—these personages, besides this, act in a way which is out of keeping with their definite character, and is quite arbitrary. It is generally asserted that in Shakespeare's dramas the characters are specially well expressed, that, notwithstanding their vividness, they are many-sided, like those of living people; that, while exhibiting the characteristics of a given individual, they at the same time wear the features of man in general; it is usual to say that the delineation of character in Shakespeare is the height of perfection. This is asserted with such confidence and repeated by all as indisputable truth; but however much I endeavored to find confirmation of this in Shakespeare's dramas, I always found the opposite. In reading any of Shakespeare's dramas whatever, I was, from the very firs...
On the outskirts of a great city, A street of fashionable mansions well withdrawn from all the noise and bustle; And in the street--the only figure there--in the middle of the road, in the bitter wind -- Red-nosed thin-shawled, with ankles bare and old boots-- A woman bent and haggard, croaking a dismal song. And the great windows stare upon her wretchedness, and stare across the road upon each other, With big fool eyes; But not a door is opened, not a face is seen, Nor form of life down all the dreary street, To certify the existence of humanity,-- Other than hers. Freedom: A Journal of Anarchist Socialism Vol. 1 -- No. 1, OCTOBER, 1886 Source: http://dwardmac.pitzer.edu/anarchist_archives/journals/freedom/freedom1_1.html... (From : AnarchyArchives.)