Or - Humanism And Realism
The False Principle of Our Education Or - Humanism And Realism By Max Stirner Because our time is struggling toward the word with which it may express its spirit, many names come to the fore and all make claim to being the right name. On all sides our present time reveals the most chaotic partisan tumult and the eagles of the moment gather around the decaying legacy of the past. There is everywhere a great abundance of political, social, ecclesiastical, scientific, artistic, moral and other corpses, and until they are all consumed, the air will not be clean and the breath of living beings will be oppressed. Without our assistance, time will not bring the right word to light; we must all work together on it. If, however, so much depends upon... (From : Anarchy Archives.)
FREEDOM IS IT A CRIME? The Strange Case of the Tree Anarchists Jailed at the Old Bailey, April 1945 Two Speeches by HERBERT READ FORWARD by E. SILVERMAN FREEDOM PRESS DEFENSE COMMITTEE 2d. First Published by The Freedom Press Defense Committee, 17, St. George Street, London, W.1. June, 1945 And printed by Express Printers, London. The Publishers have asked me to write a foreword to this pamphlet. As an individual who cares about freedom of speech and freedom of the press I accept with pleasure the opportunity to say a word to the public. Three decent, useful and respectable citizens, who Mr. Justice Birkett said were of the highest character and who he was quite prepared to believe were actuated by the highest motives, are in prison. Their ... (From : Anarchy Archives.)
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
THE HERALD OF LITERATURE. [PRICE TWO SHILLINGS.] THE HERALD OF LITERATURE; OR, A REVIEW OF THE MOST CONSIDERABLE PUBLICATIONS THAT WILL BE MADE IN THE COURSE OF THE ENSUING WINTER: WITH EXTRACTS. LONDON: PRINTED FOR J. MURRAY, NO. 32, FLEET-STREET. M DCC LXXXIV. TO THE... (From : Gutenberg.org.)
CONTENTS. PAGE A Russian Proprietor 1 Lucerne 87 Recollections of a Scorer 123 Albert 148 Two Hussars 190 Three Deaths 286 A Prisoner in the Caucasus 308...
Prince Galtsin, Lieutenant-Colonel Neferdoff, and Praskukhin, whom no one had invited, to whom no one spoke, but who never left them, all went to drink tea with Adjutant Kalugin. “Well, you did not finish telling me about Vaska Mendel,” said Kalugin, as he took off his cloak, seated himself by the window in a soft lounging-chair, and unbuttoned the collar of his fresh, stiffly starched cambric shirt: “How did he come to marry?” “That's a joke, my dear fellow! There was a time, I assure you, when nothing else was talked of in Petersburg,” said Prince Galtsin, with a laugh, as he sprang up from the piano, and seated himself on the window beside Kalugin. “It is simply ludicrous, and I know all the details of the affair.” And he began to relate—in a merry, and skillful manner—a love story, which we will omit, because it possesses no interest for us. But it is worthy of note that not only Prince Galtsin...
Night in a prison cell! A chair, a bed, a small washstand, four blank walls, ghastly in the dim light from the corridor without, a narrow window, barred and sunken in the stone, a grated door! Beyond its hideous iron latticework, within the ghastly walls, -a man! An old man, gray-haired and wrinkled, lame and suffering. There he sits, in his great loneliness, shut in front all the earth. There he walks, to and fro, within his measured space, apart from all he loves! 'There, for every night in five long years to come, he will walk alone, while the white age-flakes drop upon his head, while the last years of the winter of life gather and pass, and his body draws near the ashes. Every night, for five long years to come, he will sit alone, this... (From : Anarchy Archives.)
THE SCANDINAVIAN DRAMA In a letter to George Brandes, shortly after the Paris Commune, Henrik Ibsen wrote concerning the State and political liberty: "The State is the curse of the individual. How has the national strength of Prussia been purchased? By the sinking of the individual in a political and geographical formula. . . . The State must go! That will be a revolution which will find me on its side. Undermine the idea of the State, set up in its place spontaneous action, and the idea that spiritual relationship is the only thing that makes for unity, and you will start the elements of a liberty which will be something worth possessing." The State was not the only bête noire of Henrik Ibsen. Every other institution which, like the State, rests upon a lie, was an iniquity to him. Uncompromising demolisher of all false idols and dynamiter of all social shams and hypocrisy, Ibsen consistently strove to uproot every stone of our so...
When Borís and Anna Pávlovna returned to the others Prince Hippolyte had the ear of the company. Bending forward in his armchair he said: “Le Roi de Prusse!” and having said this laughed. Everyone turned toward him. “Le Roi de Prusse?” Hippolyte said interrogatively, again laughing, and then calmly and seriously sat back in his chair. Anna Pávlovna waited for him to go on, but as he seemed quite decided to say no more she began to tell of how at Potsdam the impious Bonaparte had stolen the sword of Frederick the Great. “It is the sword of Frederick the Great which I...” she began, but Hippolyte interrupted her with the words: “Le Roi de Prusse...” and again, as soon as all turned toward him, excused himself and said no more. Anna Pávlovna frowned. Mortemart, Hippolyte’s friend, addressed him firmly. “Come now, what a...