Or - Humanism And Realism
The False Principle of Our Education Or - Humanism And Realism By Max Stirner Because our time is struggling toward the word with which it may express its spirit, many names come to the fore and all make claim to being the right name. On all sides our present time reveals the most chaotic partisan tumult and the eagles of the moment gather around the decaying legacy of the past. There is everywhere a great abundance of political, social, ecclesiastical, scientific, artistic, moral and other corpses, and until they are all consumed, the air will not be clean and the breath of living beings will be oppressed. Without our assistance, time will not bring the right word to light; we must all work together on it. If, however, so much depends upon... (From : Anarchy Archives.)
FREEDOM IS IT A CRIME? The Strange Case of the Tree Anarchists Jailed at the Old Bailey, April 1945 Two Speeches by HERBERT READ FORWARD by E. SILVERMAN FREEDOM PRESS DEFENSE COMMITTEE 2d. First Published by The Freedom Press Defense Committee, 17, St. George Street, London, W.1. June, 1945 And printed by Express Printers, London. The Publishers have asked me to write a foreword to this pamphlet. As an individual who cares about freedom of speech and freedom of the press I accept with pleasure the opportunity to say a word to the public. Three decent, useful and respectable citizens, who Mr. Justice Birkett said were of the highest character and who he was quite prepared to believe were actuated by the highest motives, are in prison. Their ... (From : Anarchy Archives.)
A Comedy in Four ActsLEONÍD FYÓDORITCH ZVEZDÍNTSEF. A retired Lieutenant of the Horse Guards. Owner of more than 60,000 acres of land in various provinces. A fresh-looking, bland, agreeable gentleman of 60. Believes in Spiritualism, and likes to astonish people with his wonderful stories. ANNA PÁVLOVNA ZVEZDÍNTSEVA. Wife of Leoníd. Stout; pretends to be young; quite taken up with the conventionalities of life; despises her husband, and blindly believes in her doctor. Very irritable. BETSY. Their daughter. A young woman of 20, fast, tries to be mannish, wears a pince-nez, flirts and giggles. Speaks very quickly and distinctly. VASÍLY LEONÍDITCH ZVEZDÍNTSEF. Their son, aged 25; has studied law, but has no definite occupation. Member of the Cycling Club, Jockey Club, and of the Society for Promoting the Breeding of Hounds. Enjoys perfect health, and has imperturbable self-assurance. Speaks loud...
THE HERALD OF LITERATURE. [PRICE TWO SHILLINGS.] THE HERALD OF LITERATURE; OR, A REVIEW OF THE MOST CONSIDERABLE PUBLICATIONS THAT WILL BE MADE IN THE COURSE OF THE ENSUING WINTER: WITH EXTRACTS. LONDON: PRINTED FOR J. MURRAY, NO. 32, FLEET-STREET. M DCC LXXXIV. TO THE... (From : Gutenberg.org.)
"How did she die?" inquired Nekhliudof, somewhat skeptically. "She died of hard work, as God knows, benefactor. We brought her last year from Baburin," she continued, suddenly changing her wrathful expression to one of tearfulness and grief. "Well, the woman was young, fresh, obliging, good stuff. As a girl, she lived at home with her father in clover, never knew want; and when she came to us, then she learned to do our work,—for the estate and at home and everywhere.... She and I—that was all to do it. What was it to me? I was used to it. She was going to have a baby, good father; and she began to suffer pain; and all because she worked beyond her strength. Well, she did herself harm, the poor little sweetheart. Last summer, about the time of the feast of Peter and Paul, she had a poor little boy born. But there was no bread. We ate whatever we could get, my father. She went to work too soon: her milk all dried up. The baby was her first-born...
When later the staff-captain crossed the threshold of his quarters, entirely different thoughts entered his mind. He looked around his little chamber, with its uneven earth floor, and saw the windows all awry, pasted over with paper, his old bed, with a rug nailed over it, upon which was depicted a lady on horseback, and over which hung two Tula pistols, the dirty couch of a cadet who lived with him, and which was covered with a chintz coverlet; he saw his Nikita, who, with untidy, tallowed hair, rose from the floor, scratching his head; he saw his ancient cloak, his extra pair of boots, and a little bundle, from which peeped a bit of cheese and the neck of a porter bottle filled with vodka, which had been prepared for his use on the bastion, and all at once he remembered that he was obliged to go with his company that night to the fortifications. “It is certainly foreordained that I am to be killed to-night,” thought the captain.... “I feel it. And the p...
Night in a prison cell! A chair, a bed, a small washstand, four blank walls, ghastly in the dim light from the corridor without, a narrow window, barred and sunken in the stone, a grated door! Beyond its hideous iron latticework, within the ghastly walls, -a man! An old man, gray-haired and wrinkled, lame and suffering. There he sits, in his great loneliness, shut in front all the earth. There he walks, to and fro, within his measured space, apart from all he loves! 'There, for every night in five long years to come, he will walk alone, while the white age-flakes drop upon his head, while the last years of the winter of life gather and pass, and his body draws near the ashes. Every night, for five long years to come, he will sit alone, this... (From : Anarchy Archives.)
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
Kutúzov fell back toward Vienna, destroying behind him the bridges over the rivers Inn (at Braunau) and Traun (near Linz). On October 23 the Russian troops were crossing the river Enns. At midday the Russian baggage train, the artillery, and columns of troops were defiling through the town of Enns on both sides of the bridge. It was a warm, rainy, autumnal day. The wide expanse that opened out before the heights on which the Russian batteries stood guarding the bridge was at times veiled by a diaphanous curtain of slanting rain, and then, suddenly spread out in the sunlight, far-distant objects could be clearly seen glittering as though freshly varnished. Down below, the little town could be seen with its white, red-roofed houses, its cathedral, and its bridge, on both sides of which streamed jostling masses of Russian troops. At the bend of the Danube, vessels, an island, and a castle with a park surrounded by the waters of the confluence of...