Or - Humanism And Realism
The False Principle of Our Education Or - Humanism And Realism By Max Stirner Because our time is struggling toward the word with which it may express its spirit, many names come to the fore and all make claim to being the right name. On all sides our present time reveals the most chaotic partisan tumult and the eagles of the moment gather around the decaying legacy of the past. There is everywhere a great abundance of political, social, ecclesiastical, scientific, artistic, moral and other corpses, and until they are all consumed, the air will not be clean and the breath of living beings will be oppressed. Without our assistance, time will not bring the right word to light; we must all work together on it. If, however, so much depends upon... (From : Anarchy Archives.)
FREEDOM IS IT A CRIME? The Strange Case of the Tree Anarchists Jailed at the Old Bailey, April 1945 Two Speeches by HERBERT READ FORWARD by E. SILVERMAN FREEDOM PRESS DEFENSE COMMITTEE 2d. First Published by The Freedom Press Defense Committee, 17, St. George Street, London, W.1. June, 1945 And printed by Express Printers, London. The Publishers have asked me to write a foreword to this pamphlet. As an individual who cares about freedom of speech and freedom of the press I accept with pleasure the opportunity to say a word to the public. Three decent, useful and respectable citizens, who Mr. Justice Birkett said were of the highest character and who he was quite prepared to believe were actuated by the highest motives, are in prison. Their ... (From : Anarchy Archives.)
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
THE HERALD OF LITERATURE. [PRICE TWO SHILLINGS.] THE HERALD OF LITERATURE; OR, A REVIEW OF THE MOST CONSIDERABLE PUBLICATIONS THAT WILL BE MADE IN THE COURSE OF THE ENSUING WINTER: WITH EXTRACTS. LONDON: PRINTED FOR J. MURRAY, NO. 32, FLEET-STREET. M DCC LXXXIV. TO THE... (From : Gutenberg.org.)
The young proprietor evidently desired to ask some more questions of the peasants. He did not move from the bench; and he glanced irresolutely, now at Churis, now at the empty, unlighted stove. "Well, have you had dinner yet?" he asked at last. A mocking smile arose to Churis's lips, as though it were ridiculous to him for his master to ask such foolish questions; he made no reply. "What do you mean,—dinner, benefactor?" said the old woman, sighing deeply. "We've eaten a little bread; that's our dinner. We couldn't get any vegetables to-day so as to boil some soup, but we had a little kvas,—enough for the children." "To-day was a fast-day for us, your excellency," remarked Churis sarcastically, taking up his wife's words. "Bread and onions; that's the way we peasants live. Howsomever, praise be to the Lord, I have a little grain yet, thanks to your kindness; it's lasted till now; but there's plenty of our peasants as ain...
Prince Galtsin met more and more wounded men, in stretchers and on foot, supporting each other, and talking loudly. “When they rushed up, brothers,” said one tall soldier, who had two guns on his shoulder, in a bass voice, “when they rushed up and shouted, ‘Allah, Allah!’[G] they pressed each other on. You kill one, and another takes his place—you can do nothing. You never saw such numbers as there were of them....” But at this point in his story Galtsin interrupted him. “You come from the bastion?” “Just so, Your Honor!” “Well, what has been going on there? Tell me.” “Why, what has been going on? They attacked in force, Your Honor; they climbed over the wall, and that's the end of it. They conquered completely, Your Honor.” “How conquered? You repulsed them, surely?” “How could we repulse...
Night in a prison cell! A chair, a bed, a small washstand, four blank walls, ghastly in the dim light from the corridor without, a narrow window, barred and sunken in the stone, a grated door! Beyond its hideous iron latticework, within the ghastly walls, -a man! An old man, gray-haired and wrinkled, lame and suffering. There he sits, in his great loneliness, shut in front all the earth. There he walks, to and fro, within his measured space, apart from all he loves! 'There, for every night in five long years to come, he will walk alone, while the white age-flakes drop upon his head, while the last years of the winter of life gather and pass, and his body draws near the ashes. Every night, for five long years to come, he will sit alone, this... (From : Anarchy Archives.)
THE SCANDINAVIAN DRAMA: AUGUST STRINDBERG COMRADES Although comrades was written in 1888, it is in a measure the most up-to-date play of Strindberg,-so thoroughly modern that one at all conversant with the milieu that inspired " Comrades " could easily point out the type of character portrayed in the play. It is a four-act comedy of marriage - the kind of marriage that lacks social and legal security in the form of a ceremony, but retains all the petty. conventions of the marriage institution. The results of such an anomaly are indeed ludicrous when viewed from a distance, but very tragic for those who play a part in it. Axel Alberg and his wife Bertha are Swedish artists residing in Paris. They are both painters. Of course they share the same living quarters, and although each has a separate room, the arrangement does not hinder them from trying to regulate each other's movements. Thus when Bertha does n...
After all that Napoleon had said to him—those bursts of anger and the last dryly spoken words: “I will detain you no longer, General; you shall receive my letter,” Balashëv felt convinced that Napoleon would not wish to see him, and would even avoid another meeting with him—an insulted envoy—especially as he had witnessed his unseemly anger. But, to his surprise, Balashëv received, through Duroc, an invitation to dine with the Emperor that day. Bessières, Caulaincourt, and Berthier were present at that dinner. Napoleon met Balashëv cheerfully and amiably. He not only showed no sign of constraint or self-reproach on account of his outburst that morning, but, on the contrary, tried to reassure Balashëv. It was evident that he had long been convinced that it was impossible for him to make a mistake, and that in his perception whatever he did was right, not because it harmonized with any ide...