The vast, dark, lofty hall, lighted only by the four or five candles, which the doctors were carrying about to inspect the wounded, was literally full. The stretcher-bearers brought in the wounded, ranged them one beside another on the floor, which was already so crowded that the unfortunate wretches hustled each other and sprinkled each other with their blood, and then went forth for more. The pools of blood which were visible on the unoccupied places, the hot breaths of several hundred men, and the steam which rose from those who were toiling with the stretchers produced a peculiar, thick, heavy, offensive atmosphere, in which the candles burned dimly in the different parts of the room. The dull murmur of diverse groans, sighs, death-rattles, broken now and again by a shriek, was borne throughout the apartment. Sisters of charity, with tranquil faces, and with an expression not of empty, feminine, tearfully sickly compassion, but of active, practical sympathy, flitted hither and...
The card tables were drawn out, sets made up for boston, and the count’s visitors settled themselves, some in the two drawing rooms, some in the sitting room, some in the library. The count, holding his cards fanwise, kept himself with difficulty from dropping into his usual after-dinner nap, and laughed at everything. The young people, at the countess’ instigation, gathered round the clavichord and harp. Julie by general request played first. After she had played a little air with variations on the harp, she joined the other young ladies in begging Natásha and Nicholas, who were noted for their musical talent, to sing something. Natásha, who was treated as though she were grown up, was evidently very proud of this but at the same time felt shy. “What shall we sing?” she said. “‘The Brook,’” suggested Nicholas. “Well, then, let’s be quick. Borís, come...