Browsing By Tag "stage"
Written: August 1874; Source: Bakunin on Anarchy, translated and edited by Sam Dolgoff, 1971. Bakunin was above all preoccupied with the theory and practice of revolution and wrote very little about how the everyday practical problems of social reconstruction would be handled immediately following a successful revolution. Nevertheless, these problems were intensively discussed in Bakunin’s circle and among the anti-authoritarian sections of the International. In “Ideas on Social Organization”, Guillaume discusses the transition from capitalism to anarchism – a synthesis of “Bakuninist” ideas on how this transition could be effected without the restoration of authoritarian institutions.” Its value li... (From : Marxists.org.)
THE SCANDINAVIAN DRAMA: HENRIK IBSEN AN ENEMY OF SOCIETY Dr. Thomas Stockmann is called to the position of medical adviser to the management of the "Baths," the main resource of his native town. A sincere man of high ideals, Dr. Stockmann returns home after an absence of many years, full of the spirit of enterprise and progressive innovation. For as he says to his brother Peter, the town Burgomaster, "I am so glad and content. I feel so unspeakably happy in the midst of all this growing, germinating life. After all, what a glorious time we do live in. It is as if a new world were springing up around us." Burgomaster. Do you really think so? Dr. Stockmann. Well, of course, you can't see this as clearly as I do. You've spent all your life in this place, and so your perceptions have been dulled. But I, who had to live up there in that small hole in the north all those...
A Critical Essay on ShakespeareSuch is this celebrated drama. However absurd it may appear in my rendering (which I have endeavored to make as impartial as possible), I may confidently say that in the original it is yet more absurd. For any man of our time—if he were not under the hypnotic suggestion that this drama is the height of perfection—it would be enough to read it to its end (were he to have sufficient patience for this) to be convinced that far from being the height of perfection, it is a very bad, carelessly composed production, which, if it could have been of interest to a certain public at a certain time, can not evoke among us anything but aversion and weariness. Every reader of our time, who is free from the influence of suggestion, will also receive exactly the same impression from all the other extolled dramas of Shakespeare, not to mention the senseless, dramatized tales, "Pericles," "Twelfth Night," "The Tempest," "Cymbeline," "Troilus and Cressida." But such free-minded i...