The Impulse to Power introduction to the book "Power" by Bertrand Russell . Between man and other animals there are various differences, some intellectual, some emotional. One of the chief emotional differences is that some human desires, unlike those of- animals, are essentially boundless and incapable of complete satisfaction. The boa constrictor, when he has had his meal, sleeps until appetite revives; if other animals do not do likewise, it is because their meals are less adequate or because they fear enemies. The activities of animals, with few exceptions, are inspired by the primary needs of survival and reproduction, and do not exceed what these needs make imperative. With men, the matter is... (From : http://www.geocities.com/Athens/Oracle/2528/br_pow....)
CONTENTS I APPEARANCE AND REALITY II THE EXISTENCE OR MATTER III THE NATURE OF MATTER IV IDEALISM V KNOWLEDGE BY ACQUAINTANCE AND KNOWLEDGE BY DESCRIPTION VI ON INDUCTION VII ON OUR KNOWLEDGE OF GENERAL PRINCIPLES VIII HOW A PRIORI KNOWLEDGE IS POSSIBLE IX THE WORLD OF UNIVERSALS X ON OUR KNOWLEDGE OF UNIVERSALS XI ON INTUITIVE KNOWLEDGE XII TRUTH AND FALSEHOOD XIII KNOWLEDGE, ERROR, AND PROBABLE OPINION XIV THE LIMITS OF PHILOSOPHICAL KNOWLEDGE XV THE VALUE OF PHILOSOPHY BIBLIOGRAPHICAL NOTE INDEX...
A Critical Essay on ShakespeareBut it is not enough that Shakespeare's characters are placed in tragic positions which are impossible, do not flow from the course of events, are inappropriate to time and space—these personages, besides this, act in a way which is out of keeping with their definite character, and is quite arbitrary. It is generally asserted that in Shakespeare's dramas the characters are specially well expressed, that, notwithstanding their vividness, they are many-sided, like those of living people; that, while exhibiting the characteristics of a given individual, they at the same time wear the features of man in general; it is usual to say that the delineation of character in Shakespeare is the height of perfection. This is asserted with such confidence and repeated by all as indisputable truth; but however much I endeavored to find confirmation of this in Shakespeare's dramas, I always found the opposite. In reading any of Shakespeare's dramas whatever, I was, from the very firs...