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Anarchism means man living free and working constructively. It means the destruction of everything that is directed against man's natural, healthy aspirations. Anarchism is not exclusively a theoretical teaching emanating from programs artificially conceived with an eye to the regulation of life: it is a teaching derived from life across all its wholesome manifestations, skipping over all artificial criteria. The social and political visage of anarchism is a free, anti-authoritarian society, one that enshrines freedom, equality and solidarity between all its members. In anarchism, Right means the responsibility of the individual, the sort of responsibility that brings with it an authentic guarantee of freedom and social justice for each and... (From : NestorMakhno.info.)


We must get rid of the Anarchists! They are a menace to society. Does not Hearst say so? Do not the M. & M. and the gentlemen of the Chamber of Commerce, who have also declared war on Labor, assure us that the Anarchists are dangerous and that they are responsible for all our troubles? Does not every skinner of Labor and every grafting politician shout against the Anarchists? Isn't that enough to prove that the Anarchists are dangerous? But why are all the money bags and their hirelings so unanimous in condemning the Anarchists? Generally they disagree on many questions and they bitterly fight each other in their business and social life. But on TWO questions they are always in accord. Smash the Labor Unions! Hang the Anarchists! WHY? B... (From : Anarchy Archives.)

I. A certain gentleman was serving as an officer in the Caucasus. His name was Zhilín. One day he received a letter from home. His old mother wrote to him: "I have grown old, and I should like to see my darling son before my death. Come to bid me farewell and bury me, and then, with God's aid, return to the service. I have also found a bride for you: she is bright and pretty and has property. If you take a liking to her, you can marry her, and stay here for good." Zhilín reflected: "Indeed, my old mother has grown feeble; perhaps I shall never see her again. I must go; and if the bride is a good girl, I may marry her." He went to the colonel, got a furlough, bade his companions good-bye, treated his soldiers to four buckets of vódka, and got himself ready to go. At that time there was a war in the Caucasus. Neither in the daytime, nor at night, was it safe to travel on the roads. The moment a Russian walked o...

Travelers left and entered our car at every stopping of the train. Three persons, however, remained, bound, like myself, for the farthest station: a lady neither young nor pretty, smoking cigarettes, with a thin face, a cap on her head, and wearing a semi-masculine outer garment; then her companion, a very loquacious gentleman of about forty years, with baggage entirely new and arranged in an orderly manner; then a gentleman who held himself entirely aloof, short in stature, very nervous, of uncertain age, with bright eyes, not pronounced in color, but extremely attractive,—eyes that darted with rapidity from one object to another. This gentleman, during almost all the journey thus far, had entered into conversation with no fellow-traveler, as if he carefully avoided all acquaintance. When spoken to, he answered curtly and decisively, and began to look out of the car window obstinately. Yet it seemed to me that the solitude weighed upon him. He seemed to perc...


II.--HOW THEY WERE ESTABLISHED--1172-1319. Henry's work in Ireland, referred to in the first section, was brought to an untimely close by a peremptory summons to answer for his share in Archbishop Becket's murder before all ecclesiastical council in Normandy. A summons to which he dared not reply, as he (lid in former years, with " By God's eye, I care not an egg for your councils." He feared to offend the Pope and thereby lose the clerical support in Ireland. He had therefore to rely on the colonists' instincts of self-preservation for the maintenance of their footing, and on their rapacity for the extension of their borders, As might be expected, the ships that bore him and his " ironclads " from Waterford harbor were scarce out of sight ... (From : AnarchyArchives.)

In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...

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