A Tale of 1852On the third day after the events above described, two companies of a Caucasian infantry regiment arrived at the Cossack village of Novomlinsk. The horses had been unharnessed and the companies' wagons were standing in the square. The cooks had dug a pit, and with logs gathered from various yards (where they had not been sufficiently securely stored) were now cooking the food; the pay-sergeants were settling accounts with the soldiers. The Service Corps men were driving piles in the ground to which to tie the horses, and the quartermasters were going about the streets just as if they were at home, showing officers and men to their quarters. Here were green ammunition boxes in a line, the company's carts, horses, and cauldrons in which buckwheat porridge was being cooked. Here were the captain and the lieutenant and the sergeant-major, Onisim Mikhaylovich, and all this was in the Cossack village where it was reported that the companies were ordered to take up their quarters: theref...
THE ANT AND THE DOVE An Ant came down to the brook: he wanted to drink. A wave washed him down and almost drowned him. A Dove was carrying a branch; she saw the Ant was drowning, so she cast the branch down to him in the brook. The Ant got up on the branch and was saved. Then a hunter placed a snare for the Dove, and was on the point of drawing it in. The Ant crawled up to the hunter and bit him on the leg; the hunter groaned and dropped the snare. The Dove fluttered upwards and flew away. THE TURTLE AND THE EAGLE A Turtle asked an Eagle to teach her how to fly. The Eagle advised her not to try, as she was not fit for it; but she insisted. The Eagle took her in his claws, raised her up, and dropped her: she fell on stones and broke to pieces. THE POLECAT A Polecat entered a smithy and began to lick the filings. Blood began to flow from the Polecat's mouth, but he was glad and continued to lick; he thought that the blood was comin...
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
The good stallion took the sledge along at a brisk pace over the smooth-frozen road through the village, the runners squeaking slightly as they went. ‘Look at him hanging on there! Hand me the whip, Nikita!’ shouted Vasili Andreevich, evidently enjoying the sight of his ‘heir,’ who standing on the runners was hanging on at the back of the sledge. ‘I’ll give it you! Be off to mama, you dog!’ The boy jumped down. The horse increased his amble and, suddenly changing foot, broke into a fast trot. The Crosses, the village where Vasili Andreevich lived, consisted of six houses. As soon as they had passed the blacksmith’s hut, the last in the village, they realized that the wind was much stronger than they had thought. The road could hardly be seen. The tracks left by the sledge-runners were immediately covered by snow and the road was only distinguished by the fact that it was higher than the rest of the ground. The...
EVENTS in Moscow, quickly following each other, were full of interest. I wanted to remain in that vital city, but as I had left all my effects in Petrograd I decided to return there and then come back to Moscow to join Lunacharsky in his work. A few days before my departure a young woman, an Anarchist, came to visit me. She was from the Petrograd Museum of the Revolution and she called to inquire whether I would take charge of the Museum branch work in Moscow. She explained that the original idea of the Museum was due to the famous old revolutionist Vera Nikolaievna Figner, and that it had recently been organized by nonpartizan elements. The majority of the men and women who worked in the Museum were not Communists, she said; but they were devoted to the Revolution and anxious to create something which could in the future serve as a source of information and inspiration to earnest students of the great Russian Revolution. When my caller was informed that I...