Ethics: Origin and Development By Peter Kropotkin CHAPTER III THE MORAL PRINCIPLE IN NATURE THE work of Darwin was not limited to biology only. Already in 1837, when he had just written a rough outline of his theory of the origin of species, he entered in his notebook this significant remark: "My theory will lead to a new philosophy." And so it did in reality. By introducing the idea of evolution into the study of organic life he opened a new era in philosophy,1 and his later sketch of the development of the moral sense, turned a new page in ethics. In this sketch Darwin presented in a new light the true origin of the moral sense, and placed the whole subject on such a firm scientific basis, that although his leading ideas may be considered as a further development of those of Shaftesbury and Hutcheson, he must be, nevertheless, credited with opening a new path for science in the direction faintly indi...
Or - Humanism And Realism
The False Principle of Our Education Or - Humanism And Realism By Max Stirner Because our time is struggling toward the word with which it may express its spirit, many names come to the fore and all make claim to being the right name. On all sides our present time reveals the most chaotic partisan tumult and the eagles of the moment gather around the decaying legacy of the past. There is everywhere a great abundance of political, social, ecclesiastical, scientific, artistic, moral and other corpses, and until they are all consumed, the air will not be clean and the breath of living beings will be oppressed. Without our assistance, time will not bring the right word to light; we must all work together on it. If, however, so much depends upon... (From : Anarchy Archives.)
CHAPTER III THE NATURE OF MATTER IN the preceding chapter we agreed, though without being able to find demonstrative reasons, that it is rational to believe that our sense-data -- for example, those which we regard as associated with my table -- are really signs of the existence of something independent of us and our perceptions. That is to say, over and above the sensations of color, hardness, noise, and so on, which make up the appearance of the table to me, I assume that there is something else, of which these things are appearances. The color ceases to exist if I shut my eyes, the sensation of hardness ceases to exist if I remove my arm from contact with the table, the sound ceases to exist if I cease to rap the table with my knuckles. But I do not believe that when all these things cease the table ceases. On the contrary, I believe that it is because the table exists continuously that all these sense-data will reappear when I open...