“So we lived in the city. In the city the wretched feel less sad. One can live there a hundred years without being noticed, and be dead a long time before anybody will notice it. People have no time to inquire into your life. All are absorbed. Business, social relations, art, the health of children, their education. And there are visits that must be received and made; it is necessary to see this one, it is necessary to hear that one or the other one. In the city there are always one, two, or three celebrities that it is indispensable that one should visit. “Now one must care for himself, or care for such or such a little one, now it is the professor, the private tutor, the governesses, . . . and life is absolutely empty. In this activity we were less conscious of the sufferings of our cohabitation. Moreover, in the first of it, we had a superb occupation,—the arrangement of the new dwelling, and then, too, the moving from the city to the country, and from...
The autobiographies which we owe to great minds have in former times generally been of one of three types: 'So far I went astray, thus I found the true Path' (St Augustine); or, 'So bad was I, but who dares to consider himself better!" (Rousseau); or, 'This is the way a genius has slowly been evolved from within and by favorable surroundings'(Goethe). In these forms of self-representation the author is thus mainly pre-occupied with himself. In the nineteenth century the a autobiographies of men of mark are more often shaped on lines such as these: 'So full of talent and attractive was I; such appreciation and admiration I won!' (Johanne Louise Heiberg, 'A Life lived once more in Reminiscence'); or, 'I was full of talent and worthy of being loved, but yet I was unappreciated, and these were the hard struggles I went through before I won the crown of fame' (Hans Christian Andersen, 'The Tale of a Life'). The main Pre-occupation of the writer, in these two classes of...