“Do you know,” suddenly continued Posdnicheff, “that this power of women from which the world suffers arises solely from what I have just spoken of?” “What do you mean by the power of women?” I said. “Everybody, on the contrary, complains that women have not sufficient rights, that they are in subjection.” “That’s it; that’s it exactly,” said he, vivaciously. “That is just what I mean, and that is the explanation of this extraordinary phenomenon, that on the one hand woman is reduced to the lowest degree of humiliation and on the other hand she reigns over everything. See the Jews: with their power of money, they avenge their subjection, just as the women do. ‘Ah! you wish us to be only merchants? All right; remaining merchants, we will get possession of you,’ say the Jews. ‘Ah! you wish us to be only objects of sensuality? All right; by the aid of sensuality we will ben...
The autobiographies which we owe to great minds have in former times generally been of one of three types: 'So far I went astray, thus I found the true Path' (St Augustine); or, 'So bad was I, but who dares to consider himself better!" (Rousseau); or, 'This is the way a genius has slowly been evolved from within and by favorable surroundings'(Goethe). In these forms of self-representation the author is thus mainly pre-occupied with himself. In the nineteenth century the a autobiographies of men of mark are more often shaped on lines such as these: 'So full of talent and attractive was I; such appreciation and admiration I won!' (Johanne Louise Heiberg, 'A Life lived once more in Reminiscence'); or, 'I was full of talent and worthy of being loved, but yet I was unappreciated, and these were the hard struggles I went through before I won the crown of fame' (Hans Christian Andersen, 'The Tale of a Life'). The main Pre-occupation of the writer, in these two classes of...