“All marry in this way. And I did like the rest. If the young people who dream of the honeymoon only knew what a disillusion it is, and always a disillusion! I really do not know why all think it necessary to conceal it. “One day I was walking among the shows in Paris, when, attracted by a sign, I entered an establishment to see a bearded woman and a water-dog. The woman was a man in disguise, and the dog was an ordinary dog, covered with a sealskin, and swimming in a bath. It was not in the least interesting, but the Barnum accompanied me to the exit very courteously, and, in addressing the people who were coming in, made an appeal to my testimony. ‘Ask the gentleman if it is not worth seeing! Come in, come in! It only costs a franc!’ And in my confusion I did not dare to answer that there was nothing curious to be seen, and it was upon my false shame that the Barnum must have counted. “It must be the same with the persons who have pa...
The autobiographies which we owe to great minds have in former times generally been of one of three types: 'So far I went astray, thus I found the true Path' (St Augustine); or, 'So bad was I, but who dares to consider himself better!" (Rousseau); or, 'This is the way a genius has slowly been evolved from within and by favorable surroundings'(Goethe). In these forms of self-representation the author is thus mainly pre-occupied with himself. In the nineteenth century the a autobiographies of men of mark are more often shaped on lines such as these: 'So full of talent and attractive was I; such appreciation and admiration I won!' (Johanne Louise Heiberg, 'A Life lived once more in Reminiscence'); or, 'I was full of talent and worthy of being loved, but yet I was unappreciated, and these were the hard struggles I went through before I won the crown of fame' (Hans Christian Andersen, 'The Tale of a Life'). The main Pre-occupation of the writer, in these two classes of...