A Tale of 1852Lukasha returned to the cordon and at the same time Daddy Eroshka whistled to his dogs and, climbing over his wattle fence, went to Olenin's lodging, passing by the back of the houses (he disliked meeting women before going out hunting or shooting). He found Olenin still asleep, and even Vanyusha, though awake, was still in bed and looking round the room considering whether it was not time to get up, when Daddy Eroshka, gun on shoulder and in full hunter's trappings, opened the door. 'A cudgel!' he shouted in his deep voice. 'An alarm! The Chechens are upon us! Ivan! get the samovar ready for your master, and get up yourself—quick,' cried the old man. 'That's our way, my good man! Why even the girls are already up! Look out of the window. See, she's going for water and you're still sleeping!' Olenin awoke and jumped up, feeling fresh and lighthearted at the sight of the old man and at the sound of his voice. 'Quick, Vanyusha, quick!' he cried.
Translated from the French by Robert Helms "L'Oiseau Sacri" first appeared in the literary supplement of the Paris anarchist paper La Rivolte #3 (Sept. 27, 1890), reprinted from L'Echo de Paris. A few leagues from my cottage, in one of the most fertile areas in France, there lies a certain immense property. For only the past ten years the place has belonged to a well-known banker, but it isn't used for hunting parties. The chateau was partly demolished during the first revolution. Nothing remains of it but an uncrowned brick tower and some charred walls that invade the weeds, which grow into trees, and the moss. The banker considered rebuilding it according to its original design, but then abandoned the idea because of the expense involved.... (From : Mid-Atlantic Infoshop.)