Mahin was his schoolfellow, his senior, a grown-up young man with a mustache. He gambled, had a large feminine acquaintance, and always had ready cash. He lived with his aunt. Mitia quite realized that Mahin was not a respectable fellow, but when he was in his company he could not help doing what he wished. Mahin was in when Mitia called, and was just preparing to go to the theater. His untidy room smelt of scented soap and eau-de-Cologne. “That’s awful, old chap,” said Mahin, when Mitia telling him about his troubles, showed the coupon and the fifty kopecks, and added that he wanted nine rubles more. “We might, of course, go and pawn your watch. But we might do something far better.” And Mahin winked an eye. “What’s that?” “Something quite simple.” Mahin took the coupon in his hand. “Put ONE before the 2.50 and it will be 12.50.” “But do such coupons exist?”...
1896 January 23. Moscow. Just a month that I made no entries. During this time I wrote a letter about patriotism and a letter to Crosby and here now for two weeks I have been writing the drama. I wrote three acts abominably. I thought to make an outline so as to form a charpente. I have little hope of success. Chertkov and Kenworthy went away the 7th. Sonya went to Tver to Andrusha. To-day Nagornov died. I am again a little indisposed. I jotted down during this time: 1) A true work of art—a contagious one—is produced only when the artist seeks, strives. In poetry this passion for representing that which is, comes from the fact that the artist hopes that having seen clearly and having fixed that which is, he will understand the mean...