The whole time he was lying in the gutter Stepan saw continually before his eyes the thin, kindly, and frightened face of Maria Semenovna, and seemed to hear her voice. “How can you?” she went on saying in his imagination, with her peculiar lisping voice. Stepan saw over again and over again before him all he had done to her. In horror he shut his eyes, and shook his hairy head, to drive away these thoughts and recollections. For a moment he would get rid of them, but in their place horrid black faces with red eyes appeared and frightened him continuously. They grinned at him, and kept repeating, “Now you have done away with her you must do away with yourself, or we will not leave you alone.” He opened his eyes, and again he saw HER and heard her voice; and felt an immense pity for her and a deep horror and disgust with himself. Once more he shut his eyes, and the black faces reappeared. Towards the evening of the next day he rose and went, with hardly any...
1896 January 23. Moscow. Just a month that I made no entries. During this time I wrote a letter about patriotism and a letter to Crosby and here now for two weeks I have been writing the drama. I wrote three acts abominably. I thought to make an outline so as to form a charpente. I have little hope of success. Chertkov and Kenworthy went away the 7th. Sonya went to Tver to Andrusha. To-day Nagornov died. I am again a little indisposed. I jotted down during this time: 1) A true work of art—a contagious one—is produced only when the artist seeks, strives. In poetry this passion for representing that which is, comes from the fact that the artist hopes that having seen clearly and having fixed that which is, he will understand the mean...