Fedor Mihailovich Smokovnikov, the president of the local Income Tax Department, a man of unswerving honesty—and proud of it, too—a gloomy Liberal, a free-thinker, and an enemy to every manifestation of religious feeling, which he thought a relic of superstition, came home from his office feeling very much annoyed. The Governor of the province had sent him an extraordinarily stupid minute, almost assuming that his dealings had been dishonest. Fedor Mihailovich felt embittered, and wrote at once a sharp answer. On his return home everything seemed to go contrary to his wishes. It was five minutes to five, and he expected the dinner to be served at once, but he was told it was not ready. He banged the door and went to his study. Somebody knocked at the door. “Who the devil is that?” he thought; and shouted,—“Who is there?” The door opened and a boy of fifteen came in, the son of Fedor Mihailovich, a pupil of the fifth...
1896 January 23. Moscow. Just a month that I made no entries. During this time I wrote a letter about patriotism and a letter to Crosby and here now for two weeks I have been writing the drama. I wrote three acts abominably. I thought to make an outline so as to form a charpente. I have little hope of success. Chertkov and Kenworthy went away the 7th. Sonya went to Tver to Andrusha. To-day Nagornov died. I am again a little indisposed. I jotted down during this time: 1) A true work of art—a contagious one—is produced only when the artist seeks, strives. In poetry this passion for representing that which is, comes from the fact that the artist hopes that having seen clearly and having fixed that which is, he will understand the mean...