The ResurrectionHaving breakfasted, Nekhludoff went to the cabinet to see for what hour he was summoned to appear at court, and to answer the Princess' note. In the work-room stood an easel with a half-finished painting turned face downward, and on the wall hung studies in drawing. On seeing that painting, on which he had worked two years, and those drawings, he called to mind the feeling of impotence, which he experienced of late with greatest force, to make further advance in the art. He explained this feeling by the development of a fine esthetic taste, and yet this consciousness caused him unpleasant sensations. Seven years before he had retired from active service he decided that his true vocation in life was painting, and from the height of his artistic activity he looked down upon all other occupations. And now it appeared that he had no right to do so, and every recollection of it was disagreeable to him. He looked on all the luxurious appointments of the work-room...
Youth, by Leo Tolstoy
Papa was seldom at home that spring. Yet, whenever he was so, he seemed extraordinarily cheerful as he either strummed his favorite pieces on the piano or looked roguishly at us and made jokes about us all, not excluding even Mimi. For instance, he would say that the Tsarevitch himself had seen Mimi at the rink, and fallen so much in love with her that he had presented a petition to the Synod for divorce; or else that I had been granted an appointment as secretary to the Austrian ambassador—a piece of news which he imparted to us with a perfectly grave face. Next, he would frighten Katenka with some spiders (of which she was very much afraid), engage in an animated conversation with our friends Dubkoff and Nechludoff, and tell us and our guests, over and over again, his plans for the year. Although these plans changed almost from day to day, and were for ever contradicting one another, they seemed so attractive that we were always glad to listen to them, and Lubotshka, in pa...