Ambush, by Herbert Read
Criterion Miscellany - No 16. Ambush, Herbert Read, Faber & Faber First Blood Snow falling all night: in the morning the world will be white. The earth will be covered with a nice new coat of paint, to hide the scars and pockmarks. For the earth is in a bad way-a battered old scarecrow, blackened, ragged, her fingers and toes all splintered. Oh such a mess! Sanctuary Wood: the god of this sacred place is Moloch, and he is a very fierce old god, and people say that to seek sanctuary in his arms is to say goodbye to your beloved's. His sanctuary a wood, a dark gloomy glade, full of caves and ditches. If you wait till daylight you will find that the trees have no branches, but are whiskered with splinters. Tatterdemalion trees, you might s... (From : Anarchy Archives.)
ACKNOWLEDGMENT WHEN I WENT BACK to work in a dress factory early in 1942 I set out to write a book on my years afield as a labor organizer. During that period I had accumulated a great mass of memoranda÷letters, articles written for the labor press, leaflets, pamphlets, copies of special publications used in organization drives, statistical reports, diaries. I had the material and the urge, but soon realized that I was not equal to the task before me. Fortunately, at that stage, my friend John Nicholas Beffel came to my aid. Though he has kept modestly in the background, claiming credit only as editor on the title page, it was largely his collaboration that made this book possible. Mere words cannot express my deep appreciation for his energy and endurance, his ability to get at firstÄhand sources of data, and his painstaking accuracy with regard to names, dates, and historical facts. In...
In my search for answers to life's questions I experienced just what is felt by a man lost in a forest. He reaches a glade, climbs a tree, and clearly sees the limitless distance, but sees that his home is not and cannot be there; then he goes into the dark wood and sees the darkness, but there also his home is not. So I wandered n that wood of human knowledge, amid the gleams of mathematical and experimental science which showed me clear horizons but in a direction where there could be no home, and also amid the darkness of the abstract sciences where I was immersed in deeper gloom the further I went, and where I finally convinced myself that there was, and could be, no exit. Yielding myself to the bright side of knowledge, I understood that I was only diverting my gaze from the question. However alluringly clear those horizons which opened out before me might be, however alluring it might be to immerse oneself in the limitless expanse of thos...
Translated from the French by Robert Helms "La Justice de Paix" first appeared in La France on July 24, 1885, and was later anthologized in Lettres de ma Chaumiere, dedicated to Guy de Maupassant. The Justice of the Peace occupied a ground floor hearing room in the village's town hall that looked out onto the square. The stark, tiled room was divided in the middle by a sort of railing made of wh... (From : Mid-Atlantic Infoshop.)
English translation by Charlotte Anheier Erinnerungen eines Proletariers aus der (Memoirs of a proletarian from the revolutionary labor movement) Josef Peukert From My Youth The memories of my youth are depressing images of the proletariat which exists in different forms in all modern societies. A bitter longing and deprivation surrounded the untimely death of my mother from the awful proletarian's illness, which has affected a fifth of the civilization of my hometown. Although the whole district in the Isergebirge, had become somewhat of a health resort for "Schwindsuechtige". The glass industry, which provided work for a tenth of the civlization in the mountains and valleys surrounding my home town, divided the workers into those who blew... (From : Anarchy Archives.)
THE FRENCH DRAMA MAETERLINCK To those who are conversant with the works of Maeterlinck it may seem rather far-fetched to discuss him from the point of view of revolutionary and social significance. Above all, MaEterlinck is the portrayer of the remote, the poet of symbols; therefore it may seem out of place to bring him down to earth, to simplify him, or to interpret his revolutionary spirit. To some extent these objections have considerable weight; but on the other hand, if one keeps in mind that only those who go to the remote are capable of understanding the obvious, one will readily see how very significant Maeterlinck is as a revolutionizing factor. Besides, we have Maeterlinck's own conception of the significance of the revolutionary spirit In a very masterly article called "The Social Revolution," he discusses the objection on the part of the conservative section of society to the introduction of revolutionary methods. He says that they would l...