Ambush, by Herbert Read
Criterion Miscellany - No 16. Ambush, Herbert Read, Faber & Faber First Blood Snow falling all night: in the morning the world will be white. The earth will be covered with a nice new coat of paint, to hide the scars and pockmarks. For the earth is in a bad way-a battered old scarecrow, blackened, ragged, her fingers and toes all splintered. Oh such a mess! Sanctuary Wood: the god of this sacred place is Moloch, and he is a very fierce old god, and people say that to seek sanctuary in his arms is to say goodbye to your beloved's. His sanctuary a wood, a dark gloomy glade, full of caves and ditches. If you wait till daylight you will find that the trees have no branches, but are whiskered with splinters. Tatterdemalion trees, you might s... (From : Anarchy Archives.)
CHAPTER 3 Mexican Girls Stand Their Ground EARLY IN OCTOBER the dress manufacturers were firing workers right and left, on flimsy pretexts, and especially ousting individuals known to be active in the union. Several shops locked out their employes. By Monday, the 9th, hundreds were on the streets with no jobs. A strike was clearly being forced upon us. Carrying out the mandate of the dressmakers' mass meeting, the union leadership agreed upon Thursday, the 12th, as the date for the walkout, and the organization committee was called to meet after work Wednesday. Meanwhile the union issued leaflets asking all Los Angeles dressmakers to "get ready for the general strike," saying we wanted to make it short and effective through 100 per cent unity. We cautioned them against the danger of being stampeded by the tactics of the opposition union, which had been sn...
In my search for answers to life's questions I experienced just what is felt by a man lost in a forest. He reaches a glade, climbs a tree, and clearly sees the limitless distance, but sees that his home is not and cannot be there; then he goes into the dark wood and sees the darkness, but there also his home is not. So I wandered n that wood of human knowledge, amid the gleams of mathematical and experimental science which showed me clear horizons but in a direction where there could be no home, and also amid the darkness of the abstract sciences where I was immersed in deeper gloom the further I went, and where I finally convinced myself that there was, and could be, no exit. Yielding myself to the bright side of knowledge, I understood that I was only diverting my gaze from the question. However alluringly clear those horizons which opened out before me might be, however alluring it might be to immerse oneself in the limitless expanse of thos...
Translated from the French by Robert Helms "La Justice de Paix" first appeared in La France on July 24, 1885, and was later anthologized in Lettres de ma Chaumiere, dedicated to Guy de Maupassant. The Justice of the Peace occupied a ground floor hearing room in the village's town hall that looked out onto the square. The stark, tiled room was divided in the middle by a sort of railing made of wh... (From : Mid-Atlantic Infoshop.)
English translation by Charlotte Anheier Erinnerungen eines Proletariers aus der (Memoirs of a proletarian from the revolutionary labor movement) Josef Peukert From My Youth The memories of my youth are depressing images of the proletariat which exists in different forms in all modern societies. A bitter longing and deprivation surrounded the untimely death of my mother from the awful proletarian's illness, which has affected a fifth of the civilization of my hometown. Although the whole district in the Isergebirge, had become somewhat of a health resort for "Schwindsuechtige". The glass industry, which provided work for a tenth of the civlization in the mountains and valleys surrounding my home town, divided the workers into those who blew... (From : Anarchy Archives.)
THE GERMAN DRAMA: GERHART HAUPTMANN LONELY LIVES Gerhart Hauptmann is the dramatist of whom it may be justly said that he revolutionized the spirit of dramatic art in Germany: the last Mohican of a group of four-Ibsen, Strindberg, Tolstoy, and Hauptmann-who illumined the horizon of the nineteenth century. Of these Hauptmann, undoubtedly the most human, is also the most universal. It is unnecessary to make comparisons between great artists: life is sufficiently complex to give each his place in the great scheme of things. If, then, I consider Hauptmann more human, it is because of his deep kinship with every stratum of life. While Ibsen deals exclusively with one attitude, Hauptmann embraces all, understands all, and portrays all, because nothing human is alien to him. Whether it be the struggle of the transition stage in " Lonely Lives," or the conflict between the Ideal and the Real in " The Sunken Bell," or the brutal background of poverty in...