We propose banning private cars from Manhattan Island. Permitted motor vehicles would be busses, small taxis, vehicles for essential services (doctor, police, sanitation, vans, etc.), and the trucking used in light industry. Present congestion and parking are unworkable, and other proposed solutions are uneconomic, disruptive, unhealthy, nonurban, or impractical. It is hardly necessary to prove that the actual situation is intolerable. “Motor trucks average less than six miles per hour in traffic, as against eleven miles per hour for horse drawn vehicles in 1911.” “During the ban on nonessential vehicles during the heavy snowstorm of February 1961, air pollution dropped 66 percent.” (New York Times, March 13, 1961.) The ... (From : bopsecrets.org.)
I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful “antiwar” films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they attach themselves to quite ... (From : http://www.bopsecrets.org/CF/goodman.htm.)
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER XIV "DIJON was so capital a city, that I thought I might venture here to change my piece of gold, the parting present of my treacherous uncle. But I was mistaken. I hated the clothes I wore, since they had led the wagoner to discover the situation to which I belonged. I went into a clothier's shop with a determination to change them. Unfortunately I plunged headlong into the house of a man of rugged temper and a hard-favored countenance. The moment I looked at him I trembled. But it was too late to draw back. "'What is your pleasure, my lad?' said he. "'I want some clothes.' "'Where do you live? Who is to pay for them? Where shall I send them?' &n...
THE HERALD OF LITERATURE. [PRICE TWO SHILLINGS.] THE HERALD OF LITERATURE; OR, A REVIEW OF THE MOST CONSIDERABLE PUBLICATIONS THAT WILL BE MADE IN THE COURSE OF THE ENSUING WINTER: WITH EXTRACTS. LONDON: PRINTED FOR J. MURRAY, NO. 32, FLEET-STREET. M DCC LXXXIV. TO THE... (From : Gutenberg.org.)
Little Russia-Nights on a Farm near Dikónka, and Mírgorod-Village life and humor-How Iván Ivánovitch quarreled with Iván Nikíforytch-Historical novel, Tarás Búlba- The Cloak-Drama, The Inspector-General-Its influence- Dead Souls: main types-realism in the Russian novel. With Gógol begins a new period of Russian literature. which is called by Russian literary critics "the Gógol period," which lasts to the present date. Gógol was not a Great Russian. He was born in 1809, in a Little Russian or Ukraïnian nobleman's family. His father had already dispayed some literary talent and wrote a few comedies in Little Russian, but Gógol lost him at an early age. The boy was educatcd in a small provincial town, which he left, however, while still young, and when he was only n...