Sergey Ivanovitch Koznishev wanted a rest from mental work, and instead of going abroad as he usually did, he came towards the end of May to stay in the country with his brother. In his judgment the best sort of life was a country life. He had come now to enjoy such a life at his brother’s. Konstantin Levin was very glad to have him, especially as he did not expect his brother Nikolay that summer. But in spite of his affection and respect for Sergey Ivanovitch, Konstantin Levin was uncomfortable with his brother in the country. It made him uncomfortable, and it positively annoyed him to see his brother’s attitude to the country. To Konstantin Levin the country was the background of life, that is of pleasures, endeavors, labor. To Sergey Ivanovitch the country meant on one hand rest from work, on the other a valuable antidote to the corrupt influences of town, which he took with satisfaction and a sense of its utility. To Konstantin Levin the country was...
The autobiographies which we owe to great minds have in former times generally been of one of three types: 'So far I went astray, thus I found the true Path' (St Augustine); or, 'So bad was I, but who dares to consider himself better!" (Rousseau); or, 'This is the way a genius has slowly been evolved from within and by favorable surroundings'(Goethe). In these forms of self-representation the author is thus mainly pre-occupied with himself. In the nineteenth century the a autobiographies of men of mark are more often shaped on lines such as these: 'So full of talent and attractive was I; such appreciation and admiration I won!' (Johanne Louise Heiberg, 'A Life lived once more in Reminiscence'); or, 'I was full of talent and worthy of being loved, but yet I was unappreciated, and these were the hard struggles I went through before I won the crown of fame' (Hans Christian Andersen, 'The Tale of a Life'). The main Pre-occupation of the writer, in these two classes of...