FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER IV IN this place I feel inclined to relate one of those stories of ingenious intellectual victory, as they considered them, of dull and unfeeling brutality, as they really were, in which too many of my college contemporaries prided themselves. A young man, during my residence at the university, entered himself of our college, who was judged by the gayer Oxonians singularly weir formed to be the butt of their ridicule. The dress in which he made his appearance among us was ungainly and ludicrous: the flaps of his waistcoat extended to his knees, and those of his coat almost to his heels: his black, coarse, shining hair, parted on the forehead, was every where of equal length, and entirely buried his ears beneath its impervious canopy. He had hitherto been brought up in solitude under the sole direction of his father, a c...
It would not perhaps be thought, ordinarily, that the man whom physical disabilities have made so helpless that he is unable to move around among his fellows can bear his lot more happily, even though he suffer pain, and face life with a more cheerful and contented spirit, than can the man whose deformities are merely enough to mark him out from the rest of his fellows without preventing him from entering with them into most of their common affairs and experiences. But the fact is that the former's very helplessness makes him content to rest and not to strive. I know a young man so helplessly deformed that he has to be carried about, who is happy in reading a little, playing chess, taking a course or two in college, and all with the sunnies... (From : RaggedEdgemagazine.com.)
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...