FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER XI I HAD for about three months frequented the lessons of my instructors, when one morning the elder of Vaublanc's sons came to my bed-side at about six o'clock, and bade me rise immediately, for his father wanted to speak to me. I obeyed. " ' My little lad,' said Vaublanc, 'you are not to go to school to-day.' No, sir? What, is it red-letter day ?' Your uncle has written to me to put you into a different berth.' " ' Ah, I am very sorry ! Ours is a sweet school, and I like the masters and every body that belongs to it." "' William Mouchard,' said my host, ' I know very little of you or your uncle either; but that is nothing to me. While he requires of me nothing that it is contrary to my notions, or out of my way to do, I intend to be his fair and punctual correspondent. All that he said to me, wh...
It would not perhaps be thought, ordinarily, that the man whom physical disabilities have made so helpless that he is unable to move around among his fellows can bear his lot more happily, even though he suffer pain, and face life with a more cheerful and contented spirit, than can the man whose deformities are merely enough to mark him out from the rest of his fellows without preventing him from entering with them into most of their common affairs and experiences. But the fact is that the former's very helplessness makes him content to rest and not to strive. I know a young man so helplessly deformed that he has to be carried about, who is happy in reading a little, playing chess, taking a course or two in college, and all with the sunnies... (From : RaggedEdgemagazine.com.)
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...