"Kitty writes to me that there’s nothing she longs for so much as quiet and solitude," Dolly said after the silence that had followed. "And how is she—better?" Levin asked in agitation. "Thank God, she’s quite well again. I never believed her lungs were affected." "Oh, I’m very glad!" said Levin, and Dolly fancied she saw something touching, helpless, in his face as he said this and looked silently into her face. "Let me ask you, Konstantin Dmitrievitch," said Darya Alexandrovna, smiling her kindly and rather mocking smile, "why is it you are angry with Kitty?" "I? I’m not angry with her," said Levin. "Yes, you are angry. Why was it you did not come to see us nor them when you were in Moscow?" "Darya Alexandrovna," he said, blushing up to the roots of his hair, "I wonder really that with your kind heart you don’t feel this. How it is you feel no pity for me, if nothing else, when...
A Tale of 1852The next day Olenin went alone to the spot where he and the old man startled the stag. Instead of passing round through the gate he climbed over the prickly hedge, as everybody else did, and before he had had time to pull out the thorns that had caught in his coat, his dog, which had run on in front, started two pheasants. He had hardly stepped among the briers when the pheasants began to rise at every step (the old man had not shown him that place the day before as he meant to keep it for shooting from behind the screen). Olenin fired twelve times and killed five pheasants, but clambering after them through the briers he got so fatigued that he was drenched with perspiration. He called off his dog, uncocked his gun, put in a bullet above the small shot, and brushing away the mosquitoes with the wide sleeve of his Circassian coat he went slowly to the spot where they had been the day before. It was however impossible to keep back the dog, who found trails on the very path, and Ole...
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
We know that we have passed out of death into life, because we love the brethren. He that loveth not abideth in death. —1 Epistle St. John iii. 14. Whoso hath the world’s goods, and beholdeth his brother in need, and shutteth up his compassion from him, how doth the love of God abide in him? My little children, let us not love in word, neither with the tongue; but in deed and truth. —iii. 17-18. Love is of God; and every one that loveth is begotten of God, and knoweth God. He that loveth not knoweth not God; for God is love. —iv. 7-8. No man hath beheld God at any time; if we love one another, God abideth in us. —iv. 12. God is love; and he that abideth in love abideth in God, and God abideth in him. —iv. 16. If a man say, I love God, and hateth his brother, he is a liar; for he that loveth not his brother whom he hath seen, how can he love God whom he hath not seen? —iv. 20.