The house was big and old-fashioned, and Levin, though he lived alone, had the whole house heated and used. He knew that this was stupid, he knew that it was positively not right, and contrary to his present new plans, but this house was a whole world to Levin. It was the world in which his father and mother had lived and died. They had lived just the life that to Levin seemed the ideal of perfection, and that he had dreamed of beginning with his wife, his family. Levin scarcely remembered his mother. His conception of her was for him a sacred memory, and his future wife was bound to be in his imagination a repetition of that exquisite, holy ideal of a woman that his mother had been. He was so far from conceiving of love for woman apart from marriage that he positively pictured to himself first the family, and only secondarily the woman who would give him a family. His ideas of marriage were, consequently, quite unlike those of the great majority of h...
A Tale of 1852The sun had already set and the shades of night were rapidly spreading from the edge of the wood. The Cossacks finished their task round the cordon and gathered in the hut for supper. Only the old man still stayed under the plane tree watching for the vulture and pulling the string tied to the falcon's leg, but though a vulture was really perching on the plane tree it declined to swoop down on the lure. Lukashka, singing one song after another, was leisurely placing nets among the very thickest brambles to trap pheasants. In spite of his tall stature and big hands every kind of work, both rough and delicate, prospered under Lukashka's fingers. 'Halloo, Luke!' came Nazarka's shrill, sharp voice calling him from the thicket close by. 'The Cossacks have gone in to supper.' Nazarka, with a live pheasant under his arm, forced his way through the brambles and emerged on the footpath. 'Oh!' said Lukashka, breaking off in his song, 'where did you get that cock phea...
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
We know that we have passed out of death into life, because we love the brethren. He that loveth not abideth in death. —1 Epistle St. John iii. 14. Whoso hath the world’s goods, and beholdeth his brother in need, and shutteth up his compassion from him, how doth the love of God abide in him? My little children, let us not love in word, neither with the tongue; but in deed and truth. —iii. 17-18. Love is of God; and every one that loveth is begotten of God, and knoweth God. He that loveth not knoweth not God; for God is love. —iv. 7-8. No man hath beheld God at any time; if we love one another, God abideth in us. —iv. 12. God is love; and he that abideth in love abideth in God, and God abideth in him. —iv. 16. If a man say, I love God, and hateth his brother, he is a liar; for he that loveth not his brother whom he hath seen, how can he love God whom he hath not seen? —iv. 20.