In the morning Konstantin Levin left Moscow, and towards evening he reached home. On the journey in the train he talked to his neighbors about politics and the new railways, and, just as in Moscow, he was overcome by a sense of confusion of ideas, dissatisfaction with himself, shame of something or other. But when he got out at his own station, when he saw his one-eyed coachman, Ignat, with the collar of his coat turned up; when, in the dim light reflected by the station fires, he saw his own sledge, his own horses with their tails tied up, in their harness trimmed with rings and tassels; when the coachman Ignat, as he put in his luggage, told him the village news, that the contractor had arrived, and that Pava had calved,—he felt that little by little the confusion was clearing up, and the shame and self-dissatisfaction were passing away. He felt this at the mere sight of Ignat and the horses; but when he had put on the sheepskin brought for him, had sat down...
A Tale of 1852It was one of those wonderful evenings that occur only in the Caucasus. The sun had sunk behind the mountains but it was still light. The evening glow had spread over a third of the sky, and against its brilliancy the dull white immensity of the mountains was sharply defined. The air was rarefied, motionless, and full of sound. The shadow of the mountains reached for several miles over the steppe. The steppe, the opposite side of the river, and the roads, were all deserted. If very occasionally mounted men appeared, the Cossacks in the cordon and the Chechens in their aouls (villages) watched them with surprised curiosity and tried to guess who those questionable men could be. At nightfall people from fear of one another flock to their dwellings, and only birds and beasts fearless of man prowl in those deserted spaces. Talking merrily, the women who have been tying up the vines hurry away from the gardens before sunset. The vineyards, like all the surrounding district, are deserte...
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
Simon’s wife had everything ready early that day. She had cut wood, brought water, fed the children, eaten her own meal, and now she sat thinking. She wondered when she ought to make bread: now or tomorrow? There was still a large piece left. “If Simon has had some dinner in town,” thought she, “and does not eat much for supper, the bread will last out another day.” She weighed the piece of bread in her hand again and again, and thought: “I won’t make any more today. We have only enough flour left to bake one batch; We can manage to make this last out till Friday.” So Matryona put away the bread, and sat down at the table to patch her husband’s shirt. While she worked she thought how her husband was buying skins for a winter coat. “If only the dealer does not cheat him. My good man is much too simple; he cheats nobody, but any child can take him in. Eight rubles is a lot of money—he s...