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Alan Moore (born 18 November 1953) is an English writer known primarily for his work in comic books including Watchmen, V for Vendetta, The Ballad of Halo Jones, Swamp Thing, Batman: The Killing Joke and From Hell. Regarded by some as the best comics writer in the English language, he is widely recognized among his peers and critics. He has occasionally used such pseudonyms as Curt Vile, Jill de Ray, and Translucia Baboon; also, reprints of some of his work have been credited to The Original Writer when Moore requested that his name be removed. (From: Wikipedia.org.)
Book 2, Chapter 5
Reginald James Fowler was the beautifully-written name upon the only two certificates he’d ever been awarded, which were the same two that everyone got, just for turning up.
He’d been called Reggie Bowler ever since Miss Tibbs had got his name wrong, reading out the register on his first day at school. The actual hat had come much later, and he’d only started wearing it to fit in with the name. He’d found it, with his much-too-big, perpetually-damp overcoat, among the rubbish on the burial ground near Doddridge Church, when he’d been sleeping there just after his twelfth birthday. He’d already had the dream by then, of Miss Tibbs holding up a book called The Dead Dead Gang with an overcoat-and-bowler-sporting urchin in gold inlay on its front, but when he’d come across those articles of clothing in real life this premonition was forgotten and was quite the furthest thing from Reggie’s mind. He’d just been overjoyed to find the free apparel, the first bit of luck he’d had since losing both his parents.
At the time he’d tried to jolly himself up by looking on the hat and coat as presents, kidding himself that his dad had come back and had left them there for him, hung on the brambles growing in the crook of a stone wall already peppered green with age. If he was honest with himself he knew the garments were more likely those of an old man named Mallard, who’d lived in Long Gardens off Chalk Lane and who had killed himself in a depression. Probably his son, who’d very soon thereafter taken up employment as a slaughter-man in London, had got sick of looking at the suicide’s old clothes and thrown them out. That would have been, by Reggie’s reckoning, around ’Seventy-one or two, about a year before the bad frost that had finally seen Reggie off.
There’d been a lot of people do away with themselves in the Boroughs down the years. Old Mallard only stuck in Reggie’s memory because he’d been a man, when nearly all the others had been female. It was harder for the women, or at least that’s what he’d heard their husbands tell each other over beer in a pub garden, if the subject should arise.
“It’s something that’s in them old houses,” was the general opinion. “For the chaps it’s not so bad, because they’re out to work. The women, though, they’re left indoors with it and they can’t get away.”
He’d often wondered, in his idle moments, what “it” was. If it was something somehow “in” the houses, then it could be damp or dry-rot, some miasmal presence seeping from the beams and brickwork that could make a person so ill that they’d want to take their life, although he’d never heard of such a thing. Besides, the way that grown-up fellows talked about the matter, nodding solemnly over their pints of watery pale ale, had given Reggie the impression they’d been speaking of a living creature, something that had wandered in one day to take up residence and then refused to leave. Something so upsetting and so miserable that you’d be better dead than stuck at home with it, trying to do your housework with it sitting in the corner wriggling and clicking, looking at you with its knowing little black eyes. Reggie always pictured “it” as a giant earwig, although part of him knew full well it was only ordinary despair.
This was the nesting horror that had done for Reggie’s mother, so he thought about it quite a lot. She’d tried to kill herself so many times that by her third try even she could see the funny side. Her first attempt had been at drowning, in the Nene where it ran through Foot Meadow, but the river wasn’t deep enough at that point to accommodate her and she’d given up. Next she’d jumped from the bedroom window of their house in Gas Street, which resulted only in a pair of broken ankles. On the third occasion she’d tried kneeling with her head inside the oven, but the gas ran out before she’d finished and she didn’t have a penny for the meter. It was that, being too poor to even gas herself, which in the end made Reggie’s mother laugh about her troubles. So surprised were Reggie and his dad to see her chuckling again that they’d joined in, laughing along with her there in the freezing kitchen, with its windows open to dispel the rubbery and acrid fumes. Reggie himself had giggled most, although he hadn’t really understood the situation and was only laughing because everybody else was. Also, he supposed that he’d guffawed out of relief and gratitude, convinced that a dark chapter of his family’s story was now over.
In a sense, of course, he’d been quite right: some few weeks after the hilarity in the cold, smelly kitchen, Reggie’s mother once more threw herself out of the upstairs window, this time managing to hit the ancient and indifferent paving stones of Gas Street with her head, which finally seemed to do the trick. A chapter certainly had been concluded, but the ones that followed it were even darker, even worse.
Following his wife’s successful fourth and final stab at self-destruction, Reggie’s dad had started drinking heavily, chucking the ale back for dear life, and then had started fights. Night after night he’d carried on like that, blood jetting from smashed noses up against a privy wall, teeth spat into the Gas Street drains like miniature bone rockets with a shower of red sparks behind them, and inevitably the constabulary would be called. His first offense, they beat him up. His second one, they locked him up and Reggie hadn’t even known which jail his dad was in. Abandoned, Reggie had lived in the Gas Street house alone for getting on a week, eating and sleeping in his parents’ big bed for the luxury of it, not answering the door the first time that the rent-man called. On his next visit, though, the rent-man had a bailiff with him, who had simply kicked the door in, by which time Reggie was scarpering through an untended back yard, hurdling the bottom wall and making off along the alleyway.
His subsequent address had been the wasteland that they called the burial ground, opposite Doddridge Church. He’d been pleased with himself about the little house he’d built there, up against the bounding wall that overlooked Chalk Lane. Even though it had only been a plywood packing crate, Reggie was proud of his own ingenuity in turning it into a home. He’d tipped it on its side, swept out the snails and tacked someone’s discarded curtain up across the opening as a sort of door. He camouflaged it with dead branches, thinking that this sounded like the sort of thing an Indian scout would do, and made a spear with which he could defend himself by sharpening a long stick with his rusty penknife, before realizing the knife itself would make a better weapon. He’d been a bit dim back then, but then, he’d only been eleven.
That said, finding food and getting by, which in the circumstances you might well expect to be a hardship, these were things that Reggie found he took to naturally. He’d haunt the edges of the square on market night and find squashed fruit and veg thrown out among the tissue paper, straw and empty boxes. The back doors of baker’s shops at closing time would often yield a loaf that was no longer salable though not entirely stale, and from the butcher’s there were sometimes bones for soup.
He’d realized, after trudging through the streets with a bowed head for one long afternoon, how many small coins people lose, especially in the larger shops. Other than what he found, Reggie would sometimes beg a ha’penny or two, and had once tossed off an old tramp who’d promised him a thrupenny bit but then reneged. That had been in the jungle of unused riverside land between Victoria Park and Paddy’s Meadow, inaccessible except by paddling under Spencer Bridge, a wilderness where the damp-scented vagrant had a modest campfire made from bits of cardboard, wood and cutoff ends of carpet. Reggie still remembered with a shudder how the whiskery chap’s spunk had sizzled, following a slippery liquid arc into the yellow flames, and all for nothing, not a farthing. Still, despite such disappointments, Reggie managed to survive. He wasn’t hapless, wasn’t weak, not in his body or his mind. It hadn’t been a lack of sustenance that killed him, it had been an English winter, and however strong or clever or resourceful Reggie was there’d been no getting round it. When they’d found him curled up in his packing crate after a day or two, one of his eyelids was still frozen shut and sticking to the ball. That had been that, the end of Reggie’s life, though obviously not of his existence.
To be honest, he’d turned out to be better at death than he had ever been at life, taking to the new medium like a duck to water. Even so, he still remembered how surprised and lost he’d been, those first few hours after he’d passed on. It had been on a Sunday morning when it happened. He had woken to the sound of oddly-muffled church bells and the somehow worrying realization that he was no longer cold. He’d tried to pull the curtain remnant serving as his door aside, but something puzzling had happened and he’d found himself crouching on hands and knees outside his makeshift crate-house, where the rags tacked up above its entrance were still hanging motionless and undisturbed.
The first thing that had struck him, thinking back, was that the grass upon which he was kneeling was now oyster-gray instead of green, although its rime of frost remained a granulated white. On climbing to his feet and looking round he’d seen that everything was black and white and gray, including the faint floral pattern on his tacked-up curtain, which he’d known should actually be an insipid blue. It made him smile now to recall how, with the subdued chiming of the bells, the black and white of everything had led him to the frightening conclusion that at some point in the night he’d been sent deaf and colorblind, as if those were the worst things that could happen to you on a winter’s evening. It was only when he’d noticed all the pictures of himself that he was leaving every time he moved that Reggie had suspected there was something badly wrong, wrong in a way that spectacles or hearing trumpets would not remedy.
Of course, soon after that he’d started to experiment with touching things, discovering that he no longer could. Attempting to draw back the curtain from the mouth of his crude shelter, he’d found that his hand now passed through the material as if it wasn’t there and disappeared from sight until he’d pulled it out again. At that point Reggie had decided that to see inside the crate he’d have to push his face in through the fabric of the entrance, in the same way that he’d just done with his fingers.
He’d been pitiful, the little boy inside the box. Frozen into the same position in which he’d fallen asleep, bald knees drawn up and one hand welded to a flattened ear, his eyebrows had been frosted white. A crystal dusting glinted off the fine hairs of his freckled cheek and from one nostril there depended a gray icicle of snot. Unlike a lot of ghost-seam residents that he had subsequently met, Reggie had recognized his own corpse straight away. For one thing, the dead child was dressed in a long coat and bowler hat identical to those that he himself appeared to still be wearing. For another, it had Reggie’s tea-stain birthmark, roughly shaped like Ireland, on the left calf above the stiffened folds of its refrigerated ankle-sock. The leaping commas that he’d glimpsed out of the corner of his eye had turned out to be sober and pragmatic fleas abandoning their host. He’d screamed, a curiously flat sound that had little resonance, and jerked his head back through the hanging curtain, which had not so much as trembled as he’d done so.
Reggie had then sobbed for some time, the unsalted globs of ectoplasm rolling down his face, more like the memory of tears than tears themselves. At last, when it became apparent that however much he wept no one was going to come and make it better, he’d sniffed loudly and had stood up straight, resolving to be brave. His lower lip and chin thrust out, he’d marched determinedly across the burial ground heading for Doddridge Church, with the frost-hardened soil feeling somehow springy and giving underneath his insubstantial tread, like sphagnum moss. Gray replicas peeled from his back, pursuing him in single file over the January wasteland, hindmost figures fading out as more were added to the front end of the queue.
It having been a Sunday, Reggie had seen a few individuals and couples making their way through the slanting Boroughs streets towards the church, although since it was also perishingly cold these were less numerous than they might otherwise have been. Striding across the burial ground towards the old church and its gathering congregation, he’d become aware that no one else was shedding pictures of themselves behind them in a trail the way that he was. He’d had an uneasy intimation as to what this meant, but had tried calling out to the churchgoers anyway, bidding them a good morning. This had come out as “God mourning” by mistake, although he didn’t think it would have made a difference to the pious throng’s response, however he’d pronounced it. They’d ignored him as they exchanged pleasantries with one another, bundled in their winter clothes and shuffling towards the building’s worn iron gates. Even when he’d danced round in front of them and called them names – queer jumbled-up names that had sounded wrong even to Reggie – they just looked straight through him. One of them, a tubby girl, had even walked straight through him, giving him a brief unwelcome glimpse of squirting veins and bones and flickering stuff that he’d thought might be her brains. Reggie had been at last convinced of his condition by this incident, had finally accepted that these people neither saw nor heard him, being still among the living whereas he was now apparently among the dead.
It had been while he’d stood there by the gate allowing this dire fact to sink in that he’d heard the tiny, chirping voices from above him and looked up towards the eaves of Doddridge Church.
Since he’d passed over Reggie must have had the whole phenomenon explained to him a thousand times, how all of it made sense according to some special version of geometry, but for the life of him he couldn’t get to grips with it. He’d never really fathomed ordinary geometry, which meant this new variety was bound to be beyond his grasp. He doubted he would ever truly understand what he had seen when he’d glanced upwards at the higher reaches of the humble structure.
All the buttresses and things that you’d expect to poke out from the upper walls had looked instead like they were poking in, as if they’d all turned inside out. In the apparent cavities and indentations caused by this effect there had been little people perching, no more than three inches high, all waving frantically at Reggie as they called down to him with their twittering bat-like voices.
Back then, at the age of twelve, he would have probably been just about prepared to accept that they might be pixies, if they hadn’t been so drab and scruffy in their dress or homely in their features. In minute flat caps and baggy trousers hoisted by minuscule braces, wearing aprons and black bonnets, they’d milled back and forth along miniature balconies formed from inverted recesses. They’d beckoned and gesticulated, mouthed at him through lips that were infinitesimal, their faces marked by all the warts and lazy eyes and strawberry noses that you’d find in any ordinary pauper crowd on market day. The women’s coats had microscopic brooches, cheap and tarnished, pinned to the lapels. The fellows’ waistcoat buttons, those that weren’t already missing, verged on the invisible. These hadn’t been the sharp-eared fairies from the picture-books in all their gaudy finery, but had instead been normal folk in all their plainness and their ugliness, somehow shrunk to the size of horrid, chittering beetles.
As he’d stood and gaped in mingled fascination and revulsion at the capering homunculi, he’d noticed that nobody else among the scattering of worshipers converging on the church was doing so. No one had looked up at the strangely concave ledges where the slum-imps gestured, trilled and whistled, and it had occurred to Reggie that live people could not see them. He’d concluded that only the dead could do that, displaced souls like him who left gray pictures in their wakes rather than the faint puffs of fogging breath that marked the living on that bitter January day.
He’d not known what the creatures were and, back then, hadn’t wanted to find out. It had been slowly dawning on him, ever since he’d seen what was inside the crate, that he was dead yet didn’t seem to be in heaven. That, in Reggie’s limited grasp of theology, left only one or two more places that this ghostly realm might be, and neither of them sounded very nice. In mounting panic he had backed away, passing between or through oblivious Boroughs residents arriving at their place of worship, all the while keeping his eyes fixed firmly on the scuttling apparitions in the eaves, in case the rat-like men and women suddenly teemed skittering down the church walls and surged towards him.
Finally he’d turned and run away with his pursuing trail of after-pictures hurrying to keep up, haring around the left side of the church and into Castle Terrace, where an even more bewildering sight awaited. It had been that old door, halfway up the western face of Doddridge Church. In life he’d often puzzled over this and tried to guess its purpose, but as he’d dashed round the corner and stopped dead with all his phantom doubles piling up behind him, Reggie had at last been furnished with an answer, even if he had no way of understanding it.
Although he looked back with amusement now at his uncomprehending first glimpse of the Ultraduct, if he was honest Reggie wasn’t that much clearer as to what it was or how it functioned even after all these years, whatever meaningless immeasurable number that might be. He just recalled the breathless awe with which he’d reeled, dazed, through the spaces of its marvelous white pilastrade, his head tipped back to goggle at the glassy underside of the impossibly-constructed pier above him. Beyond the translucent alabaster of its planking, phosphorescent patches had moved purposefully back and forth, over his head and over Castle Terrace, fugitive light falling through the chiseled struts to settle on his upturned features like the snow that everyone had said it was too cold for.
Passing underneath the glorious eye-straining structure in a dazzled trance he had eventually stumbled out the other side, with his evaporating replicas all stumbling after him. Freed from the Ultraduct’s transfixing glamour, Reggie had let out a great moan of perplexity at the sheer overwhelming strangeness of his situation. Without looking back he’d raced off in a funk down Bristol Street, his ghost-hat clapped tight to his head, his spectral greatcoat flapping around his bare knees. Blindly he’d charged deeper into the sallow echo of the Boroughs that had seemed, then, to be his new home for all eternity, the awful place he’d been condemned to. He’d roared down the colorless coal-chute of Bath Street like a steam-train, towing look-alikes instead of carriages and tenders. Down there in the district’s pallid guts he’d trickled to a halt, then sat down in the middle of the road and taken stock of things.
Of course, it hadn’t been long after that when he had come across his first rough sleepers: a small crowd of what had looked and talked like drinking men from several different centuries. They’d put him straight about the nature of the ghost-seam or, as they had called it, purgatory. Like many of the Boroughs’ wraiths they’d been at heart a sentimental crew and taken him beneath their wing, instructing him in a variety of useful skills. They’d taught him how to scrape away accumulated circumstance and dig through time, then told him where to find the sweetest Bedlam Jennies, growing in the higher crevices that people with a heartbeat couldn’t see. They’d even found the ghost of an old football for him, although his first kick-around had underscored the limitations of the game, or at least this posthumous version of it: for one thing, the football didn’t bounce so high, in much the same way as sound didn’t resonate so clearly. For another, being insubstantial, the ghost-ball would be forever sailing through the house-walls of the living. Constantly retrieving it from underneath the table or inside the armchair of a family eating dinner unaware had rapidly become far too much of a bother.
Reggie had been grateful for the old revenants’ help and camaraderie, and yet with hindsight he could see they hadn’t really done him any favors. While they’d helped him to adjust to his new state they’d also fostered in him the belief that this bleak half-world, this unsettling ink-wash purgatory, was all that he deserved. He’d taken on their disappointed, self-defeating outlook as his own and looked to them for all his cues. They’d told him he could have his life over again if that was what he wanted, although there was something in the way they’d said it which implied that this would be a very bad idea. Back then, he’d been inclined to share this view, and in a sense was still of that opinion. Living through his mother’s suicide attempts again was nothing he looked forward to, and neither was the prospect of reprising his dad’s drunken rages. Nor did a repeat of wanking off the tramp or being once again frozen to death inside a packing crate seem to provide much real incentive. Now he was outside his life he could at last admit to himself what a nightmare and a torment it had been. The thought of going through it all again, a thousand times or even just the once, was more than he could bear.
The broken-hearted mob of ghosts who had been Reggie’s mentors in the afterlife had also counseled against going “Upstairs” to a place they called “Mansoul”. That, they’d explained, was for a better class of dead folk who had led respectable and carefree lives, not for the sorry likes of Reggie and his new-found friends. Their poor opinion of themselves had chimed with his own faltered self-esteem, and it occurred to Reggie that he might still be one of their company, to this day shambling through the joyless alleys of the ghost-seam with them, listening to their complaints and their regrets there in that muted landscape where each sound and every hope fell flat. He’d almost certainly still be among that wretched fellowship, he realized soberly, if it had not been for the great ghost-storm of 1913.
That had been like the Almighty trumping, in that it was deafening and unexpected. It had been much worse than the comparatively minor squall that Reggie and the Dead Dead Gang had just affected their escape from, down in 1959. Both had been caused, though, by the same phenomenon: by the violent activity of higher supernatural forces in the region of Mansoul that corresponded to the Mayorhold, where there was a place they called the Works. In 1913 these superior powers, be they the builders or the former builders who had been reclassified as devils, were in uproar over something that was said to be connected with the coming war. Their outraged flailings had provoked a wind of terrible ferocity that had torn through the phantom neighborhood and had blown all of Reggie’s fatalistic chums away to Delapre. That was the reason it had put the wind up Reggie, so to speak, when him and all the other kids had heard Black Charley say there was a ghost-storm on its way: Reggie had been through one before.
There’d not been any warning, just a sudden rush of phantom dust and debris bowling down the middle of St. Mary’s Street, and then a ghostly rubbish bin had come careening out of nowhere and hit Reggie smack between the shoulder blades, so that he fell flat on his face. That, looking back, had been what saved him. Toppling forward, with his bowler somehow landing pinned and flattened underneath him, he’d instinctively put out both hands to break the fall and found himself embedded past his elbows in the ancient and thus partially substantial Boroughs soil. His scrabbling spectral fingers, out of sight a foot or two beneath the ground, happened upon a tree root that was also of sufficient age to get a grip on, and he’d thus been anchored more or less securely when the main sledgehammer blow of the ghost-gale had hit them only instants later.
Old Ralph Peters, a bankrupted grocer from 1750-something who’d looked like John Bull, had voiced a startled and despairing cry when he’d been lifted up into the air, as weightless as a feather, and had been sent soaring off in the direction of St. Peter’s Church. They’d all been rummaging about among the trees and overgrowth between the burial ground where Reggie had passed over (and had subsequently been interred), and Marefair. As the fierce north-easterly had torn poor Ralph into the sky he’d clutched in desperation at the topmost branches of an elm in hope of finding purchase, but the twigs had been new growth and had passed through the portly spirit’s hands like they weren’t there. Ralph had been snatched away ass-first towards the south horizon with the frightening velocity and dreadful noise of a deflating gray balloon, the after-pictures of his shocked face spiraling behind him like a hundred John Bull posters gushing from a printing press.
While Reggie had sprawled there screaming inaudibly above the tempest, clinging to the buried tree root for dear death, he’d watched as one by one the rest of the threadbare assembly – Maxie Mullins, Ron Case, Cadger Plowright, Burton Turner – had careened away into the clouds, passing through factory chimneys, fences made of rusty tin and the brick walls of people’s houses as they went. He’d heard Ron Case’s shriek of agony as the stooped little ghost with the perpetual sniffle had collided at high speed with the nine-hundred-year-old spire of Peter’s Church, a building venerable enough to have accumulated solid presence even in the ghost-seam. From what Reggie had been told a few years later, Ron had hit the church tower and been bent around it, caught upon it like an airborne ribbon hooked upon a nail. The raging winds had pulled his insubstantial body out as if it were a paper streamer, with the outcome being that by all accounts he’d ended up as something twice the height and much too thin to look at without shuddering. As for the others, Reggie didn’t have the first idea where they’d eventually been set down: from that appalling day to this, he’d never met with any of the kindly but dejected bunch again. For all that he knew they might still be up there, moaning and complaining as they twirled and flapped, caught in the planet’s jet-streams for eternity.
He’d been alone, then, in the spiritual hurricane, face down and shoulder-deep in Boroughs rock with his feet lifted off the ground and trailing in the churning air behind him, a whole football team of after-image boots and darned socks kicking helplessly. As he recalled he’d been debating whether to keep clutching at the root until the storm abated, if it ever did, or whether to let go and join his colleagues. He had just about decided on the latter of these options when he’d noticed that something peculiar was happening to the wasteland turf about a yard in front of him. There’d been concentric bands of black and white that seemed to ripple outwards from a dark spot in the middle, and it had been from this shimmering central point that Reggie had seen what he’d at first taken to be plump and ghastly worms but had then understood were a child’s fingers, wriggling up from underneath the earth. As there were at least thirty digits visible at one point, he had realized that the owner of the hands must be a ghost-child like himself, which had provided cause for cautious optimism.
Scraping back the wavering Licorice Allsort stripes to either side with movements like the shoveling front paws of a mole, the mystery hands had very quickly made the portal wide enough for larger body-parts to be pushed through. Thus it had been that he had found himself with arms sunk in the earth, cheeks fluttering and eyes watering in the fierce wind as he’d stared disbelievingly at the small girl whose head and shoulders had suddenly poked up from the waste-ground a few feet in front of him. Around her neck had been a ruff of rabbit skins that made it look like she was surfacing out of a barrel of dead animals. Her bowl-cut hair had whipped about all round her head in the still-raging tempest, every loose strand dragging after-image curtains of itself to veil her scowling features in a mask of matted steam. That had been his first meeting with ferocious, mouthy, brave, infuriating Phyllis Painter.
Verbally abusing him throughout and treating him as if he were an idiot, Phyllis had managed to reach out and grab him by the wrist once he’d unearthed one of his arms. With what had turned out to be her kid Bill holding her ankles from below, she’d somehow hauled both Reggie and his squashed hat through the opening she’d dug, yanking him down into the glittering see-through darkness of a tunnel that had run from Peter’s Church up to St. Sepulcher’s, or at least had done in the thirteen-hundreds, which was the time period that Phyllis had been digging her way up from when she’d happened upon Reggie. They’d all landed in a heap on top of Bill, struggling on the packed dirt floor amid dropped Saxon coins and Norman dog-bones, giggling and yelling as if the whole dire predicament had been enormous fun. After the untold years of his association with resigned old men who hadn’t even had death to look forward to, Reggie had known once more the spirit-lifting thrill of being a daft little lad unburdened by regret. They’d finally stopped laughing and sat up, there in the fourteenth-century gloom, to shake hands and make proper introductions.
Him and Bill and Phyllis had been more or less inseparable from then on, organizing games of hide and seek in heaven, playing ghost-tag, sliding on their bottoms down the dusty decades. As he’d got to know them better, Reggie had picked up the odd fact here and there, such as how they were both from the same family and had both lived and died a good while after he had. He’d found out that Phyllis’s last name was Painter, which was more than Reggie knew about his other young pals. He assumed that Bill must be a Painter too, but he’d got no idea as to the surnames of Drowned Marjorie or John, whom Reggie and the Painters had encountered some time after the three of them had first met, in medieval times, beneath the burial ground. As with living kids, dead ones preferred to deal almost exclusively in Christian names, or so it seemed to Reggie.
Bill and Phyllis had before long disabused him with regard to the forlorn philosophy he’d picked up secondhand from Maxie Mullins, Cadger Plowright and the rest. They’d taken him up to Mansoul, up to the Second Borough on the floor above the mortal realm, where the reverberant sound and overwhelming color had brought Reggie to his knees, as had the smell of Phyllis’s dead-rabbit scarf once they’d climbed from the odorless dominion of the ghost-seam. Having met the down-at-heel but glorious individuals who resided mostly in that upper world, people like Mrs. Gibbs, old Sheriff Perrit or Black Charley, Reggie had revised his idea of himself. The afterlife – which was in some ways also the before-and-during life – had not turned out to be the snooty and judgmental place that Burton Turner and the others had described. It had instead been both a wonder and a terror, the most thrilling playground for a child that Reggie could imagine, and he’d understood that all its shining residents were only people who had lived their lives and done the things they’d had to do, the same as Reggie had. All the disheartened spirits that he’d previously knocked about with, he had realized, were not condemned to purgatory by anything except their own shame and a mercilessly low opinion of themselves.
It had been at some point during the early days of their association, possibly just after the Adventure of the Phantom Cow and just before the Mystery of Snow Town, that the three of them had first decided that they were now an official gang. This would have been about the time that Reggie had remembered his old dream about Miss Tibbs and had suggested that they call themselves the Dead Dead Gang, which everybody had seemed tickled by. They’d stuck together ever since then, although Reggie had got no idea how long ago the founding of their happy throng had been, nor even how you’d calculate a thing like that on the time-free plane of Mansoul.
Time being what it was up in the Second Borough, Reggie kept things straight by reckoning events in the same order he’d experienced them, the way most people did. He had a notion that the builders and the devils saw things differently, but that was somehow tied up with the business about special geometry and mathematics and dimensions, so he tended not to dwell upon it very much. For Reggie, keeping track of years and dates had always been a headache, and the best that he could manage was to maintain an internal list of big occasions in their proper sequence. For example, following the naming of the gang they’d pretty soon embarked upon the Snow Town business, when the three of them had gone exploring in the twenty-fifties, and right after that there’d been the Case of the Five Chimneys. Their next exploit, The Dead Dead Gang Versus the Nene Hag, had been the one where they’d picked up Drowned Marjorie, and eight or nine adventures later they’d encountered John, with his boy’s-paper hero looks, during the Subterranean Airplane Affair. Though weeks, years, decades or possibly centuries had passed since then, to Reggie it seemed like one endless afternoon in much the way that children think of their school summer holidays, measured in games played or best-friendships forged.
That period, with its Riddle of the Crawling Arm and Incident of the Delirious Blackshirt and the rest, had been a largely calm and happy one for Reggie. Now, though, with their current operation (“The Enigma of the Soppy Little Kid”), he wondered if those carefree times were drawing to a close, the way his days with the rough sleepers had done. First there’d been that trouble with the devil, the first really famous fiend that Reggie had bumped into in his time Upstairs, and then there’d been that stuff about this nipper kicking off a scrap between the Master Builders. Throw in the unsettling ghost-storm and in Reggie’s estimation this whole latest escapade was turning into a complete disaster. He had previously thought that having died inside a packing crate would be the worst thing that could ever happen to him, and that relatively speaking the remainder of eternity would be a pushover. This Michael Warren business, though, with all its demons and its dangers, made that notion look too optimistic. Privately, he was of the opinion that the sooner they dumped the new blond kid down the scarlet well and into the fifth century, the better.
Look at the fuss he’d made just now, when he’d turned round and noticed that his house and street had gone, Reggie thought scornfully. The lucky little beggar had already found out he’d be coming back to life again, and then he goes and throws a fit about some buildings that had been demolished. He should try freezing to death inside a crate. As Reggie saw things, all these sissy little modern kids should try freezing to death inside a crate. It’d be good for them.
Reggie stood with his comrades and the new boy at the junction of Bath Street and Scarletwell, sometime in nothing-five or nothing-six, up in the twenty-somethings. Michael Warren was still blubbering and pointing to the place his home had been while big John tried consoling him and Phyllis told him not to be so daft. Contemptuously, Reggie hawked some ectoplasm up and spat it out into the gutter. Tilting down his bowler’s brim to what he thought might be more of a tough chap’s angle, he looked off downhill towards St. Andrew’s Road and the lone house, there near the corner, that they’d just escaped from. In all fairness to the wailing toddler, Reggie didn’t much like being this far up the ladder of the decades either. His own century, the nineteenth, was all right, despite it having treated him so poorly, and he thought the first half of the twentieth was reasonably presentable if you ignored the wars. Time periods much after that, though, and it all went funny. This one that they were in now, the twenty-first, was somewhere that he’d kept away from ever since the Snow Town episode. Despite the fact that Reggie was a ghost, this present century gave him the willies.
What was worst were all the houses they had here: the flats. Where Reggie could remember tangled lanes crowded with individual homes now there were only great big ugly blocks, a hundred residences crushed into a cube, like when they squash old cars in a machine. And naturally, having to live a new way had made everybody different. These days families were all divided up like eggs in cartons, one to a compartment, and folk didn’t hang together in the way they’d done when their untidy streets and their untidy lives had all been knotted up in one big ball. It was as if society had finally caught up with Reggie Bowler, so that now the vast majority of people were content to live and die alone, inside a box. Aimlessly gazing at the single red-brick structure jutting from the night grass near the junction with St. Andrew’s Road, he realized with a start that up here in the twenty-somethings, this peculiar relic was the only proper house still standing in the Boroughs. All the rest had been replaced by concrete lumps.
Behind him, Michael Warren was berating Phyllis, between sobs and gulps for breath, over the way she’d brought him here to this upsetting place. He said he didn’t think that she was really looking after him at all, and that she was just doing what she wanted to and being selfish – which from Reggie’s point of view there may have been some truth in, but he knew it was a bad idea for the new kid to point it out to Phyllis like that. Sure enough, the Dead Dead Gang’s girl boss immediately got on her high horse, and then got that to balance on the saddle of an even higher horse as she turned her ferocious approbation on the sniffling little boy, loudly recalling how she’d helped him in the Attics of the Breath and how she’d saved him from the clutches of the devil-king. Letting the whole debate sail past him Reggie spat again into the dark, the wad of ghost-phlegm leaving pale dots on the darkness as it arced towards the pavement, like a perforation line. Returning his attention to the faded ribbon of St. Andrew’s Road as it spooled through the night towards the north and Semilong, Reggie inspected its infrequent motor traffic that passed back and forth beneath the craning streetlamps with their sickly gray coronas.
Cars had frightened Reggie when he’d first encountered them while playing tiggy-through-the-wall with Bill and Phyllis in the 1930s, and had then amazed and fascinated him as he’d become increasingly familiar with them. Reggie fancied that he had turned into something of a connoisseur of motor vehicles across the timeless time since then, being particularly fond of those you came across down in the 1940s and the 1950s. Double-decker busses were his favorite, especially after Phyllis had informed him that as living people saw them, they were a bright red. He liked the transport of the twentieth century’s middle decades largely for its pleasing shapes, its mudguard curves and bumper bulges. Also, Reggie thought the cars you saw around those years had cheerful faces, the arrangement of the headlights, bonnet mascot and the radiator grill that Reggie couldn’t help but see as eyes and nose and mouth.
The intermittent modern cars that hummed and hurtled through the night along St. Andrew’s Road were, like so many of this current era’s trappings, less to Reggie’s liking. They had either the sleek bodies of malicious cats advancing rapidly on something through tall grass, or they resembled trundling military tanks that had been geed-up to go faster. Worst of all, in his opinion, were the cold, mean-spirited expressions of their features, crowded in beneath the forehead of the bonnet like the blunt and vicious masks of fighting fish. The headlamps were now lidded and inscrutable above the radiator’s surly overbite, the entire four-wheeled metal skull now that of a belligerent bull-terrier. He’d once remarked to Phyllis that they looked like they were out hunting for something in the dark, and she’d just sniffed and said “Round ’ere, it’s girls.”
The row between Phyllis and Michael Warren was still going on, back over Reggie’s greatcoat-shrouded shoulder. Phyllis said, “I oughter just abandon yer, if that’s the way yer feel abayt it”, and then Michael Warren said, “Glow on and see a fakir”, which to Reggie’s ear made very little sense. But then, that was the way the newly dead found themselves talking before they were used to the expanded possibilities of language that there were in Mansoul, alongside the richer sounds and colors. Before they had found their “Lucy-lips”, as the expression went. Reggie remembered his own early gibberish tirade at the unwitting members of the congregation filing into Doddridge Church down in the 1870s, and felt a pang of sympathy for the disoriented youngster, though not much of one. As there were no cars passing by at present, Reggie was about to turn back to the other ghost-kids squabbling behind him and resume his part in their discussion when he noticed something odd emerging from the featureless brick wall bounding the enclosed garages belonging to the flats, a little further downhill from where they were standing, nearer to where blacked-out Scarletwell Street joined the sodium-lit ribbon of St. Andrew’s Road.
It was a patterned smear extruded from the high wall of the garages, extending itself down across the dark grass like a line of dribbled paint or, more exactly, like a squirt of that astounding toothpaste with the stripes in that Phyllis had shown him in the novelty-filled reaches of the 1960s, except that the rolling globule here was checked rather than striped. Also, to judge from the subdued sounds that at intervals would issue from it, it was weeping. After a few baffled moments, Reggie saw that it was a rough sleeper, a stout fellow in a loud checked jacket that left a predictably eye-popping streak of after-images behind it. The ghost’s hair was black, as was the pencil mustache on his upper lip, though Reggie thought that both looked dyed, as if the spirit best remembered himself as an older man still trying to look young. He wore a gray bow-tie with a white shirt that bulged out like a flour-sack at his midriff and from his trajectory as he streamed down across the rustling weeds towards St. Andrew’s Road, Reggie suspected that he might have just emerged from Bath Row at some juncture several decades further down into the past, when the constricted cut-through was still standing. Setting his bowler hat more tightly down around his ears because he privately believed this made his thoughts more disciplined, Reggie observed the weeping phantom as it stumbled down the slope and realized belatedly that it was headed for the sole remaining residence that stood near Scarletwell Street’s corner, the same heaven-haunted house they’d just escaped from. He decided that he’d best alert his comrades to this new development, just in case it should turn out to be anything significant. When he spoke, it was in an urgent whisper.
“ ’Ere, look at this chap. ’E’s makin’ fer the corner ’ouse, and ’e looks in a right state.”
Everybody turned to see what Reggie was referring to, then gazed in silence as they watched the tearful specter in the snazzy jacket make his way across the turf that had replaced dozens of houses, lifting chubby hands to hide his face and blubbering more volubly as he approached the lonely edifice that loomed there on the other side of Scarletwell. Presumably able to see despite his ectoplasmic tears and pudgy fingers, the Dead Dead Gang stared as the ghost made a sudden detour in a semi-circle from the straight path that he’d previously been following.
“That’ll be the scarlet well that he’s avoiding. ’E don’t want to fall through a few ’undred years of dirt and find ’imself splashin’ about in bloody-lookin’ dye.”
In grunts and nods, the rest of the dead children quietly concurred with Reggie’s explanation. Only big John actually spoke up.
“You know, I think I know him. I think that’s my uncle. I’ve not seen him since I passed on, and I never dreamed that he’d end up as a rough sleeper, but I’m sure that’s him. I wonder what he’s got to feel so down upon himself about?”
“Why don’t yer ask ’im?”
This was Phyllis, standing at John’s side with her truculent features picked out in the dark in silvery needlepoint. The tall good-looking boy, who Reggie somehow managed to resent, envy and like tremendously at the same time, peered off into the gloom towards the sobbing snappy dresser and declined, shaking his head.
“I wizn’t really close to him back when we were alive. Nothing he’d done, just something in his manner that I never cottoned to. Besides, he looks like he’s got enough on his plate already. When someone’s roaring their eyes out like that, generally all they want wiz to be left alone.”
Still covering his tear-stained face, the checkered wraith slid over Scarletwell towards the doorstep of the street’s single remaining house. Wiping one garish sleeve across his dark-ringed eyes the plump man hesitated for a moment on the threshold, and then melted into the closed front door and was gone.
And when they looked round, so was Michael Warren.
“Oh my giddy aunt, ’e’s run orf! Quick, which way’s ’e gone?”
Reggie was mildly startled at how panicked Phyllis sounded. She was turning round in anxious circles, squinting anxiously into the silvered darkness for some sign of the absconded toddler. Settling his bowler hat to what he thought was a more sympathetic angle, he did his gruff best to reassure her.
“Don’t worry, Phyll. ’E’ll soon be back, and even if ’e’s not, it’s not our business. Everybody says ’e’s going back to life soon, anyway. Why not let all that take care of itself? Then we can just get on with scrumping Puck’s Hats from the madhouses, and our adventuring and everything. What about Bill’s plan to dig a big ’ole all the way down to the Stone Age, so that we can capture a ghost woolly-elephant and tame it for a pet?”
Phyllis just stared at him as if appalled by his stupidity. Reggie adjusted his hat to a more defensive slant as she replied in an explosive shower of double-exposed spirit-spit.
“ ’Ave you gone orf yer ’ead? You ’eard what Mrs. Gibbs an’ old Black Charley said about the builders and their punch-up! And there’s all this to-do with the Vernalls and the Porthimoth di Norhan that we ’aven’t sorted ayt yet! You goo and catch mammoths if yer like, but I’m not gunna be in the Third Borough’s bad books, not if I can ’elp it!”
With that, Phyllis turned and raced towards the gated lower Scarletwell Street entrance of Greyfriars flats, which was about the only place that Michael Warren could have disappeared into while they weren’t looking, rabbit-scarf and pictures of herself trailing behind her in a string of grimy flags. The other members of the Dead Dead Gang stared after her for a stunned instant, shocked as much by Phyllis’s bold reference to the Third Borough – Reggie hardly dared to even think the name – as they were by her desperate flight. Gathering themselves up from their gaping stupor they rushed after her, a clattering mob of four, twelve, sixteen, eighty phantom children pouring down the brief and narrow passage leading to the inner courtyard of Greyfriars, pushing their smoky substance through the black iron railings of a gate that had been there for only a few years and thus provided no impediment. Hot on the multiplying heels of Phyllis Painter they burst out into the lower level of a large two-tier concrete enclosure ringed by silent 1930s flats, where everybody paused to take stock of their suddenly alarming situation.
From the gilt-trimmed shadows of the upper courtyard came the frightened cries of cats and dogs, who were no fools when it came to detecting ghostly presences, and the cross shouting of their human owners, who quite clearly were. Along with his deceased companions, Reggie peered into the gloom of the split-level quadrangle. Down at the lower end where they were, half-dead vegetation rustled on a small patch of neglected ground originally intended as a modest arbor. Up three granite steps, on the top deck of the communal yard, a single pair of lady’s tights dangled forgotten from the washing line and brick dustbin-enclosures guarded black bags, split and spilling the unfathomable prolapsed waste of the twenty-first century, the slimy plastic trays and rinds of unfamiliar fruit. Of Michael Warren there was not the slightest trace.
Seeming to summon fresh resolve out of adversity, a steely and determined look came into Phyllis’s pale eyes.
“Right. ’E’ll ’ave either ’eaded up the ’ill and over Lower Crorse Street to the maisonettes, or ’e’ll ’ave cut along the bottom ’ere and come ayt into Bath Street. We’ll split up in two groups so we’ve got a better chance of findin’ ’im. Marjorie, you and John and me wizzle search through the maisonettes. And as fer you two …”
Phyllis turned a somewhat frosty gaze on Bill and Reggie.
“You two can search Bath Street and Moat Place and all round there … or yer can goo and look fer woolly elephants, fer all I care. Now, ’urry up and piss orf, or there’s no tellin’ ’ow far away the little nuisance might ’ave got.”
With that, Phyllis and John and Marjorie swirled up the stone steps and away into the tinfoil glitter of the Greyfriars darkness, leaving Bill and Reggie on the murky path that cut across the courtyard’s lower reaches from Bath Street to Scarletwell. Bill laughed, the laugh of a much older and much lewder individual, despite the little boy’s high voice.
“The dirty old tart. She just wants to be off in the dark with Johnski, and she’s letting poor old Drowned Marge tag along for cover. So, it looks like it’s just you and me then, Reggie me old mucker. Where d’yer fancy lookin’ first?”
Reggie had always got on well with Bill. The lad had substance but it was a substance with rough edges to it; less intimidating than the burnished aura of nobility that hung around big John in a heraldic sheen. The ginger nipper was approachable and funny, with a repertoire of more rude jokes than Reggie had imagined could exist, and was astonishingly knowledgeable for an eight-year-old, even a dead one. Reggie shrugged.
“I reckon we’d be best to do as Phyllis says fer once, so we’re not in worse trouble with ’er. We can catch that woolly elephant another time. Let’s ’ave a look in them new flats where Moat Street was and see if we can spot the little blighter. Then we can be shot of this whole bloody century and get back down where it’s more comfortable.”
The two of them were walking side by side, their hands deep in their pockets, following the path along the bottom edge of the night-steeped enclosure, wandering unhurriedly towards another gated passage that led out to Bath Street. Bill was nodding in acknowledgment of Reggie’s last remark, the after-images stretching his face into a sort of carrot shape to match his carrot top, albeit only momentarily.
“You’re not wrong, Reg, much as it pains me to admit it to a fuckin’ dead Victorian bugger like yerself. Now, me, I lived into this fuckin’ century we’re in now, lived for a lot longer than I was expecting, and I’ll tell yer, even I think it’s a load o’ shit. Give me the ’Fifties or the ’Sixties any day. I mean, I know places like this wiz run-down even then, but look at all this. This wiz just taking the fuckin’ piss.”
Bill’s sweeping many-handed gesture took in the wide, litter-strewn tarmac expanse upon their left, the patch of dying hedges to their right side and, by implication, the whole devastated neighborhood surrounding them. As they passed through the black bars of the Bath Street gate and left the shadow-crusted yard behind them, Reggie studied Bill appraisingly and wondered if he could confess his ignorance of almost the entire world they existed in without appearing stupid or inviting ridicule. Despite the fact that Bill appeared a great deal younger than did Reggie, Reggie thought he’d very likely lived to be much older and much wiser than Reggie himself had managed, with his wretched twelve years. In a strange way, he looked up to the much shorter boy as if Bill were an adult of considerable experience, and Reggie was reluctant to expose his own humiliating lack of knowledge by bombarding Bill with all the questions that he’d dearly love to know the answers to: the basic details of their puzzling afterlife that he had never had explained to him and had been too embarrassed to inquire about. His policy had always been to maintain a façade of knowing, worldly silence so that no one could make any smart remarks about him being an unschooled and backward half-wit from a backward century, which secretly he feared he was. Still, Bill had never seemed like the judgmental sort and as they ventured out onto the dark incline of Bath Street, Reggie thought he’d chance his arm while they were both alone together and he had the opportunity.
“Wiz you expecting it to be like this once you wiz dead? With all the builders and the black and white, and all the leaving pictures of yourself behind yer?”
Bill just grinned and shook his briefly-multiplying heads as the boys drifted over the benighted street in the direction of the Moat Place flats.
“O’ course I wasn’t. I don’t reckon anybody thought that it’d be like this. None o’ yer main religions sussed it, and I don’t remember any of the Maharishis or whatever talking about after-images, or Bedlam Jennies, or just living the same life time after time, with all yer fuck-ups coming back to ’aunt yer and fuck all that you can do to change ’em.”
They were starting to head down a drive that dipped into a hollow, with the garage doors of the flats’ basement level on their left and on their right a stretch of featureless gray brickwork. Bill was looking thoughtful, as though reconsidering his last remark.
“Mind you, ’avin’ said that, there wiz this bird that I used to knock about with, and fuck me, she knew all sorts of stuff, and she’d go on about it if you let ’er. I remember ’er tellin’ me once ’ow she thought we ’ad the same lives over again. She said it ’ad to do with stuff about the fourth dimension.”
Reggie groaned.
“Oh, not the ruddy fourth dimension! I’ve ’ad everyone try and explain it to me and I’m none the wiser. Phyllis said the fourth dimension was the length of how long things and people last.”
Bill wrinkled up his nose into an amiable sneer.
“She don’t know what she’s on about. I mean, she’s right in one way, but time’s not the fourth dimension. As this bird I knew described it to me, passing time’s just ’ow we see the fourth dimension while we’re still alive.
“She used to talk about these blokes who first went on about the idea of the fourth dimension, chaps from not long after your time. There was this bloke ’Inton, who got in the shit over a threesome with his missus and another bird and ’ad to leave the country. He said what we saw as space and time wiz really one big fuck-off solid block with four dimensions. Then there wiz this other feller, by the name of Abbott. He explained it all with kinda like a children’s story, in this book called Flatland.”
As they floated up the concrete steps to one side of the wall that blocked the hollow’s far end, Reggie wondered if a “threesome” was the racy episode that he imagined it to be, but then forced his mind back with some reluctance to the subject that Bill was discussing. Reggie felt sure that if he was ever going to understand this special geometric business, then an explanation told so that a child could understand it was, in every likelihood, his last, best hope. He did his best to concentrate upon what Bill was saying, listening intently.
“What ’e did, this Abbott geezer, was instead of goin’ on about a fourth dimension nobody could get their ’eads round, Abbott talked about the whole thing as if it was ’appenin’ to little flat things what wiz in a world with two dimensions, as if they wiz livin’ on a sheet o’ paper. How he told it, these flat fuckers, right, they’ve just got length and breadth, and they can’t even picture depth. They’ve got no idea about up and down. It’s all just forwards, backwards, right and left to them. The third dimension what we live in, it makes no more sense to them than what the fourth dimension does to us.”
This was already sounding promising to Reggie. He could easily imagine two-dimensional things, flatter than the wrigglers you could sometimes see if you got right down near a pool of rain and squinted with the vastly improved vision of the dead. He pictured them as shapeless little blobs going about their forwards-backwards-sideways lives on their flat sheet of paper, and the image made him smile. They’d be like drafts maneuvering around a board, though obviously much thinner.
At the top of the stone steps there was a car park, open to the night sky and hemmed in by high black hedges on its southern side, though Reggie had a notion that when him and the Dead Dead Gang had passed through here in the 1970s, while on their way to Snow Town, it had been a queer and ugly playground for the bafflement of children. Now a dozen or so modern cars, snub-nosed and predatory, were hunkered down in darkness as though snoozing between kills. The Warren kid was nowhere to be seen.
The car park had been built where Fitzroy Street was situated, half a century beneath them in the past. Reggie and Bill streamed up its slope beneath the black quilt of a sky patched with gray cloud and a few isolated stars, almost too faint to see. The sprawl of square-cut buildings they were leaving, the drab, peeling blocks of Fort Place and Moat Place with their railed balconies and sunken walkways, had been put up in the 1960s on the rubble of Fort Street and Moat Street, and to Reggie’s eye looked even more disheartening than the neglected 1930s hulk of Greyfriars, which at least had some curves to its concrete. As their likenesses went stuttering up the darkened car park’s exit ramp towards Chalk Lane and the raised hillock at the foot of Castle Street, Reggie could make out lumpy children’s drawings stuck up in the windows of the single-story building on the mound. He had an idea that the place was once a dancing-school of some sort, but across the flickering passage of the years had been transformed into a nursery. Still, there were worse fates. In the silver-threaded murk beside him, Bill continued his description of the little flattened people in their squashed world that they thought was the whole universe.
“So, if a little flat bloke wants to be indoors, away from everybody, all ’e’s gotta do wiz draw a square on ’is flat sheet o’ paper, and then that’s ’is ’ouse, right? Fuck the other flat blokes. If ’e wants to, our chap can just go inside ’is square and then ’e’s shut away so none o’ them can see ’im. Now, ’e don’t know there’s a third dimension up above ’is, where there’s us lot looking down and we can see ’im, sitting there all safe and sound inside ’is four lines what ’e’s got as walls. ’E can’t even imagine nothin’ up above ’im, ’cause ’e can’t even imagine up, just forwards, backwards, right and left.
“Poor little cunt, ’e might be sitting there and we just, like, reach down and pick ’im up, then put ’im down again outside ’is ’ouse. What would ’e make o’ that? To ’im it would be like some fuckin’ weird shape just appearing out o’ nowhere and then draggin’ ’im out through the wall or something. It’d do ’is ’ead in. It’s like us, when we’re up in the Attics of the Breath and lookin’ down into somebody’s gaff. We’re up above ’em in a way what they don’t know about and can’t even imagine, because their world’s flat compared to ours, just like the piece-of-paper world is flat compared to theirs.”
The wraith-boys were emerging onto the deserted roadway at the join of Little Cross Street and Chalk Lane just opposite the nursery, and off in the Northampton night there was a muffled uproar of drunk cheers and angry bellows, startled squeals, the constant wheeze from a catarrh of distant motor traffic or protracted and nerve-shredding bursts from eerie, unfamiliar instruments that Bill said were alarms or phones or sirens, every sound damped into a peculiarly urgent murmur by the dead acoustics of the ghost-seam. It struck Reggie that in nothing-five or nothing-six they had a lot more jangling and unnerving noises and a lot less starlight than in the decades below, where Reggie found the ratio between these two phenomena more to his liking.
As their ambling path began to gradually veer towards the left and Little Cross Street, Bill continued chattering about the fourth dimension and to Reggie’s great surprise he found that he was following the drift of it, despite the bits of slang he didn’t recognize and couldn’t work out for himself. “Bird”, for example, sounded like another way of saying “girl” or “woman”, and Reggie supposed it was a bit like “chickabiddy”, which he’d heard men use while he was still alive, down in the eighteen-hundreds. On the other hand, he’d no idea what a “gaff” was, not unless it was a sort of street fair or the yells and outcries that a fair like that would raise, and Reggie didn’t reckon Bill meant that by it at all. The way he’d used it, it had sounded more like it meant “room” or something like that. Reggie let it go and concentrated on what Bill was saying at that moment.
“Anyway, this bird said ’ow people like Abbott and this ’Inton kicked off all the fuss about the fourth dimension in the 1880s or around then. Come the 1920s, though, and everybody’s into it. All of the artists and the cubists and Picasso and all them, they were just tryin’ to think ’ow it would look if, say, somebody turned their ’ead towards yer and yer could still see ’em side-on. I mean, that’s ’ow us lot see each other all the time.”
To demonstrate, Bill whipped his head around and grinned at Reggie. Reggie didn’t really know what cubists or Picassos were, but he could see what Bill had meant: the after-image of the ginger nipper’s profile was still hanging in the air even though Bill now faced him, a translucent ghost-ear superimposed fleetingly on Bill’s right eye. Perhaps that was the sort of thing that the Picubos painted.
“And it wizn’t just the artists. All the spiritualists and the dodgy séance types wiz celebratin’. They wiz well chuffed, ’cause they thought the fourth dimension would explain all of the weird things ghosts wiz s’posed to do, like seeing inside boxes and all that old bollix. For a time down in the 1920s, even all the boffins and the scientists an’ what-not thought the table-rappers might be onto somethin’ with this fourth dimension business. Then I ’spect they ’ad a war, or summat else come up, and everybody just forgot about it.”
Reggie silently absorbed this. Though he couldn’t say that any of it was the revelation he’d been hoping for, it made at least a bit more sense of Reggie’s circumstances. He’d not realized that the trails of pictures following the dead about were tied up somehow with this fourth dimension, having previously considered the phenomenon merely a random nuisance. Now he knew that it was scientific, it might not be so much of a bother.
As he listened to Bill ramble on – something about a chap called Einstein, probably another painter – Reggie scanned the unlit neighborhood about them, part of his attention still fixed doggedly upon the task of finding the ghost-runaway. Glancing across his shoulder to the right he saw the nursery on the mound and, just across the mouth of Castle Hill, the blunt age-rounded corners on the sandstone mass of Doddridge Church. From where he stood with Bill he couldn’t quite see the queer doorway stranded halfway up the church’s wall, nor the appalling, vision-straining splendor of the Ultraduct that sprouted from it, curving off unfathomably to the south, towards the madhouses on Mansoul’s outskirts and beyond that London, Dover, France, Jerusalem. Although the structure was itself invisible from Reggie’s current angle, he could see the falling chalk-dust light it scattered as it settled on the ragged end of Little Cross Street.
Just across the road, in front of the two phantom boys and to their left, there loomed the gaunt west face of Bath Street flats, their bruise-dark 1930s brickwork glistening like snail slime in the intermittent lamplight. Although Reggie doubted that there had been more than a few years between the raising of their Greyfriars counterparts and these somehow forbidding residences, there was an immense dissimilarity in their respective atmospheres. Greyfriars had seemed no more than miserably disappointed, but the soulless and disinterested windows of the Bath Street buildings wore a genuinely dreadful look, as though they’d seen the worst and were just waiting now to die.
Though in the ghost-seam’s monochrome the flats’ bricks were a charred gray, almost black, Reggie had heard they were the brownish-red of dried blood, each one like a block of corned beef slithered from its tin, with yellowed lard for mortar. At a point halfway along the west wall, double doors more suited to a closed-down swimming-baths stared menacingly from beneath the sagging hat brim of their portico. The only glass pane that remained intact was cracked, the other three replaced by speckled plasterboard. Two low brick walls, on one of which white moss was crawling, bordered a thin concrete passage, running from the hooded doorway and across a grass verge to the paving slabs of Little Cross Street. Unreadable words were scrawled in pale paint on the stout brick end-posts, and accumulated in the angle between wall and turf was a dismaying silt of rubber johnnies, dead birds and dead fag-ends, hinged and gaping square-cut oysters made of plastic foam that hemorrhaged cold chips, a single child-sized buckle shoe, six flimsy beer-tins crushed in rage or boredom, several … Reggie brought himself up short. Moss didn’t crawl. He looked back at the clump of ashen tufts which even now appeared to be progressing slowly, like a great albino caterpillar, as it crawled along the flat top surface of the nearside wall. Except it wasn’t really something fluffy balancing upon the wall, but was instead the blond hair of somebody crouching down and shuffling along behind it.
“Bill! I see ’im! Look, ’e’s over there!”
No sooner had the words left Reggie’s mouth than he regretted them and wished he’d thought to try a subtler approach. Over upon the other side of Little Cross Street, Michael Warren stood up from behind the wall where he’d been hiding and gaped, horrified, at Bill and Reggie as their multiplying images began to blur across the road towards him. Venting a brief yelp of panic, the pajama-clad child whirled around and plunged into the plasterboard and glass of the closed doors, without the least trace of his earlier hesitation with regard to passing through substantial objects. Reggie dashed over the empty roadway in pursuit with Bill swearing beside him, both of them aware that the new kid had only run away because their roughness frightened him. If John or even Phyllis had been present, Michael Warren would have probably just given up the chase and gone along with them, grateful to be no longer lost in this unfriendly century. By shouting out the odds the way that he just had, Reggie had possibly scared off the little boy for good. If he should dig into another time, even a half-hour back or forward, they would very likely never find him and then all the dire consequences everyone had promised if they lost the hapless tot would come to pass.
In this eventuality, he couldn’t bear the thought of facing Phyllis and explaining to her how he’d messed things up. Frantic lest Michael Warren should escape again, the boys and their attendant images charged in a conga-line of hooligans, diagonally across the grass and straight in through the western wall of Bath Street flats, not bothering to enter by the double doors as the blond fugitive had done. Reggie and Bill dived recklessly through the blood-pudding bricks into the startling, unexpected realm beyond.
The first apartment that they rushed through was unlit save for the hissing radiance of a television set tuned to an empty channel. Sitting in the room’s sole chair, a middle-aged man stared into the incoherent static, weeping while he clutched a woman’s straw hat to his face. The two ghost-boys smeared past him, passing through the rear wall and the empty kitchenette beyond into another flat, this one blacked out save for the spidery chrome lines of their nocturnal vision. Picked out as if by metallic thread, Reggie could see a filthy baby sleeping fitfully in its dilapidated cradle, the place otherwise unoccupied save for five underfed cats and their droppings. Him and Bill moved on, a ruffian wind that bowled down passageways and under doors, through hovel after hovel: three excited black men playing cards while in one corner lay a fourth, bloody and whimpering; a plump and vacant-eyed old woman in her underwear, patiently counting and arranging tins of dog-food in a pyramid without the least trace of a dog in sight; a skinny young dark-skinned girl with her hair in plaited stripes, who alternated between sucking smoke out of a dented tin and pasting cutout photographs of a blond woman into an already-bulging book.
At last the pair of junior apparitions flowed through an exterior wall, emerging gratefully into what, if they’d still been capable of breathing, would have been fresh air. They were now in the central avenue that split the flats, effectively, into two halves. A straight path with a strip of lawn to either side, bounded by walls with strange half-crescent arches, Reggie knew that getting on for ninety years beneath them this was the bleak recreation ground known as the Orchard. The whole place was greatly changed since then, of course. In fact the place was greatly changed, at least by night, since Reggie last remembered passing this way, on a short-cut through the 1970s. Although the basic structure of the buildings had not altered, Reggie was amazed to see that every grimy balcony or stairway visible through the brick arches bordering the path was lit up from beneath, so that these features floated in the dark and made the flats seem like some fabulous abandoned city of the future, full of blazing lanterns but devoid of people. At the central path’s south end, before it got to Castle Street, it turned into a broad and brick-walled concrete stairway. On the bottom step towards its middle sat the ghost of Michael Warren, narrow tartan shoulders shaking as he wept into his lifted hands.
This time, Reggie and Bill approached the clearly frightened kid more carefully, moving so slowly that they hardly left a single duplicate behind them. Not wanting the child to glance up suddenly and think that they were creeping up on him, Reggie called out in the most soft and reassuring tone that he could manage.
“Don’t be scared, mate. It’s just us. Yer not in any trouble.”
Michael Warren looked up, startled, and for just a moment you could see he was debating whether to run off again or not. Evidently he finally decided ‘not’, lowering his head again as he resumed his sobbing. Bill and Reggie walked up and sat down on the stone step to either side of him, with Reggie draping one long coat-clad arm around the spectral infant’s heaving shoulders.
“Come on. Blow your nose and pull yerself together, aye? It’s not so bad.”
The little boy looked up at Reggie, ectoplasm glistening on his cheeks.
“I just want to glow home. This wizzn’t the place I leaved in.”
Reggie couldn’t really argue there. The angular black masses with their hovering islands of illumination looming up around them weren’t the place that he had lived in either, or the place he’d left. And what was more, in Reggie’s case the glow of home was some hundred and fifty years beneath them, down there in the Boroughs dirt. He gave the troubled ghost-child’s arm a brief squeeze through the tartan fabric of his ghostly dressing gown.
“I know. Tell yer the truth, me and Bill don’t much like it up here in the nothings either, do we, Bill?”
On Michael’s other side Bill shook his head into a scruffy, momentary hydra. “Nah. It’s pants, mate, and the further up yer go, the worse it gets. I mean, there’s cameras stuck up everywhere around ’ere as it is – that’s why there’s all these lights – but if you go up into nothing-seven or round there, the fuckin’ things start talkin’ to yer. ‘Pick that fuckin’ litter up’. I’m serious. Old Phyllis only dug ’er way up ’ere by accident, to get us out that storm. I bet when we meet up with ’er, she’ll want to tunnel back down to sometime a bit more civilized. So don’t go runnin’ off again, aye? We’re yer mates. We want to get you out of ’ere as much as you do.”
Michael Warren sniffed and wiped a mollusk-trail of ectoplasm on one tartan sleeve.
“Where hag our how’s gone?”
From the note of piping query in the toddler’s voice, it sounded as though he was cautiously prepared to be consoled. Reggie attempted to address the infant’s question sympathetically, putting aside his earlier opinion that the Warren kid should simply grow up and get over it. Everyone had their cross to bear, Reggie supposed, and Michael Warren had been very young when all this happened to him. He deserved a chance.
“Look, Phyllis dug up nearly fifty years, and nothin’ lasts forever, does it? Nearly all the ’ouses what us lot grew up in are pulled down before the twenty-somethings, but they’re all still standing somewhere underneath us in the bygone, so don’t worry. We can dig you back to 1959 again before you can say knife.”
This did not appear to reassure the lad as much as Reggie might have hoped. He shook his blond locks ruefully.
“Blub I don’t want all this to be here. Ebonything’s all nasty, and I used to like it when my mom cut through these flats to take us home. I remumble once when I wiz in my plushchair, and she bumped me down these stairps. It took a long time and my hisster sat on that wall there and read her comet-book. She said it was about forbidden worlds, and there were planets on the letters …”
As if realizing that his ramblings were not conveying his great sense of loss, the ghost-boy let his reminiscences trail off and simply gestured to the dark aisle they were sitting in, its under-lit verandas flaring as they hung suspended in the night to either side.
“I just don’t like what’s magicked all that into this.”
With a deep sigh and a pistol-like report from the ghosts of his knee-joints, Reggie stood up from the step and signaled Bill to do the same. Realizing that the other lads had risen to their feet provoked the Warren kid to follow them. When they were all standing, Bill and Reggie each took Michael by one of his hands, both hoping that they didn’t look like sissies, and proceeded to walk with him down the grass-fringed avenue between the two halves of the flats, heading for Bath Street in a three-strong column of pursuing pictures like a marching band. Reggie looked down towards the little boy.
“None of us like it, mate, the thing what’s made this place the way it is. Soul of the ’ole, that’s what we call it. If we walk down further this way, you’ll see why.”
Having reached the north-most end of the long walkway, they stepped into Bath Street. The two older children paused here, and when Michael Warren looked up questioningly Reggie nodded grimly to a spot a little further down the lamp-lit hill.
It was such an unprecedented sight, a little like one’s first glimpse of the Ultraduct, that Michael Warren wouldn’t know at first what he was looking at, Reggie felt certain from his own experience. Unlike the Ultraduct, however, the phenomenon that hung there swirling in the night air down by Little Cross Street did not inspire overwhelming awe so much as crushing dread.
It was a scorched and blackened hole burned in the supernatural fabric of the ghost-seam. Roughly twenty yards in its diameter it hung there a few feet above the listing and subsided Bath Street paving slabs, spinning unhurriedly. Quite clearly not a thing of the material world, its furthest edges passed straight through the bacon-colored brickwork of the flats’ north side, seeming to make the walls transparent as it did so. Reggie could see through into the inner chambers, where the cindered edges of the gradually revolving discus reached into one of the rooms that he and Bill had passed through a few moments back, in which the dark-skinned woman with her hair in stripes sat sucking smoking melted grains of glass out of her tin and pasting pictures in her scrapbook. The hole’s turning rim cut through the girl’s translucent body like a black circular saw, the charred flakes of its millstone passage fluttering down to settle in her exposed inner workings, all without her knowledge. On the other side of Bath Street the gyrating aperture’s far edge was doing much the same thing to an upper corner of the maisonettes in Crispin Street. A see-through fat man sat upon a see-through toilet, ground unwittingly on the monstrosity’s sooty perimeter as it rotated through his bathroom. A terrible seared cog that had oblivious anatomic specimens caught on its teeth, the horror wheeled with a dire inevitability there at the night-heart of the unsuspecting neighborhood, as though it were the works and movement of some huge and devastating timepiece. Michael Warren gaped at the infernal spectacle for some few moments and then he glanced up, appalled and lost, looking to Bill and Reggie for some explanation.
“What wiz it? It smells cackrid, like old guttercats.”
The kid was right. Even here in the ghost-seam where Phyll Painter’s rotten rabbits had no odor, you could smell the crematorium perfume of the slowly-whirling abyss, biting and unpleasant on the membrane of your phantom throat, behind the cringing spectral nostrils. Tightening their grips on Michael’s hands, Reggie and Bill propelled him swiftly over Bath Street, past the yawning maw of the black nebula languidly spiraling only a dozen paces down the street. They didn’t want him getting scared again and running straight into the bloody thing.
“It’s like the wraith of a big chimney what they ’ad down ’ere for burnin’ all Northampton’s muck. In the three-sided world, the smokestack wiz pulled down seventy years ago, but nobody could put its fires out down ’ere in the ghost-world. It’s been burnin’ ever since, and gettin’ bigger. If you think it looks and smells bad ’ere, you ought to see it from Upstairs. We call it the Destructor.”
Simply to pronounce the word, for Reggie, felt like smashing both fists down upon the keys to the left side of a piano, and appeared to have the same effect upon the trio’s spirits as they soldiered on in silence over Bath Street to the square of army haircut-mown grass on its further side. Michael kept looking back across his dressing gown-clad shoulder at the levitating maelstrom. Reggie knew the nipper would be asking himself the same question everybody did the first time they set eyes on the Destructor: what about the mortal spaces and the living people that it intersected with? What was it doing to them when they didn’t even know that it was there? The simple truth was that nobody knew, although you didn’t have to be a brain-box to conclude that in all probability it wasn’t doing anybody any good. Now, ghosts who accidentally got too close to it, this was another matter. Everybody knew what happened then: they were incinerated and next pulled to pieces, pulverized to atoms by its vortex currents with their residue dragged into the remorseless onyx swirl. For all that anybody knew, the essences of these unfortunates might still be living and aware within that frightful, endless turning. Reggie didn’t want to think about it and urged Michael Warren on across the lightless swathe of lawn.
Just when the older boys were starting to believe that their young charge would never again tear his eyes away from the Destructor, then, as is often the way with smaller children, his attention was seized suddenly by something that he evidently found still more remarkable, the soul-destroying whirlpool hovering in Bath Street there behind them instantly forgotten.
It was the two tower blocks, Claremont Court and Beaumont Court, that had entranced the kid. The twelve floors of each monolith soared up towards the torn cloud and the mostly-absent stars above, postage-stamp rectangles of curtain-filtered light gummed here and there upon the buildings’ tall black pages. Although Reggie smirked a little at how easily impressed the infant was, in fairness he’d had longer to grow blasé with regard to the colossal headstones. The first time he’d chanced upon them he’d been every bit as dumbstruck as was Michael Warren now. They’d been the tallest houses that he’d ever seen, truly gigantic packing crates dumped on a truly vast expanse of scrubland. The big metal letters up towards the top of each huge block, recent additions spelling NEWLIFE, had been put up sideways for some clever modern reason, making the two towers seem to Reggie even more like packaging that had been turned onto its side. Around the concrete base of the dual edifices, scattered scraps of litter shone like funeral lilies in the silver-threaded darkness. Michael was as much perplexed as awed.
“I thought it wiz all pawed-down houses here. Where did these thingers come from?”
Reggie laughed, not in derision. It was true. He’d never thought of it before, but the towers did look like two great big fingers raised in a titanic V-sign to the Boroughs. Letting go of Michael’s hand he ruffled the boy’s milky hair instead.
“That’s a good question, little ’un. When wiz it, Bill, these ugly bastards wiz put up?”
Bill screwed his face up pensively.
“Down sometime in the early ’Sixties, I’d ’ave thought. When yer took back to life in 1959, yer’ll probably be seeing these things go up in a year or two. So what yer getting now’s a preview, but yer won’t remember it when yer alive again.”
Reggie inclined his bowler, nodding in solemn agreement. That was well known. You could no more take a memory back from the ghost-seam or Mansoul than you could bring a treasure-chest back from an avaricious dream to waking life. Returned to the three-sided mortal domain, Michael Warren would be utterly unable to recall the slightest detail of his exploits Upstairs with the Dead Dead Gang except perhaps as fleeting instances of déjà vu, quickly forgotten. Reggie was still pondering this vaguely disappointing fact when Phyllis, John and plucky little Marjorie burst from the pebble-dashed wall of the maisonettes in Crispin Street and streamed across the road towards the wide grass verge where Reggie and the other two were standing, lightning sketches of the newcomers peeling as though out of an artist’s sketchpad in their wakes.
“Yer found ’im, then. Yer slippery little beggar. What d’yer think yer doin’, runnin’ orf like that?”
Phyllis looked very cross as she stood towering over Michael Warren, albeit only by about four inches, buckled shoes planted apart and bunched fists resting on her skinny hips. Even the glassy black eyes of her rabbit stole seemed to be glaring disapprovingly at the poor kid. Having somewhat revised his own opinion of the little ghost-lad, Reggie didn’t think that Phyll was being fair. He was about to intervene, although reluctant at the thought of facing up to Dead Dead Gang’s self-appointed leader, when big John stepped in and saved Reggie the trouble.
“Take no notice of her, titch. She’s just relieved we’ve found you and that you’re all right. You should have heard her a few minutes back when she thought that you’d been done in by the rough sleepers and your remnants flung in the Destructor. She wiz getting so upset, her lip was wobbling.”
Phyllis turned and scowled at John. She tried to stamp hard on the tall, good-looking ghost’s toes, but he laughed and whipped his foot back just in time. Phyllis attempted to sustain her indignation in the face of John’s hilarity as it began to spread among the other spectral children. Even Reggie sniggered at how vexed she looked, but turned it to a cough in case she heard him.
“I wiz not! I wiz just worried that ’e’d ’ave an accident or get grabbed by another devil, and then we should be in trouble! As if I give tuppence if ’e falls base over apex dayn the scarlet well, or gets et up by Malone’s terriers so all we find is dogshit with ’is blond curls stickin’ out of it!”
Disastrously for her composure, this last bit even made Phyllis giggle. They all stood there laughing on the night lawns, and soon everyone was pals again.
While Michael Warren and the others made up and swapped tales of their adventures since they’d split up at the bottom end of Scarletwell Street earlier, Reggie and Bill amused themselves by playing idly in the shadows on the cropped grass. Bill suggested they play knuckles, but when both of them inspected their own hands they found the finger-joints still weakly pulsed with dull gray bruise-lights from their previous session, and decided to do something else instead. At last they settled down to running in tight circles round a piece of chip-wrap that was crumpled on the turf, to see if they could make it flutter. Sometimes you could do that, if there were enough of you. You just ran round and round an object like a toy train circling a little track, fast as you could, and if you could get up enough speed it would wear a temporary groove into what Reggie had heard others call the time-space or the space-time of the mortal plane. Eddies of wind would funnel down to fill these small depressions, and if you ran quick enough for long enough you could start miniature tornados in the little car park between Silver Street and Bearward Street down in the 1960s, or make tiny whirlwinds blossom from the straw and orange-peelings at the corners of the market square. On this occasion though, with only him and Bill contributing to the effect, they couldn’t do much more than make the litter shift a half inch. When Phyll told them to stop playing silly buggers and get ready to move on, they gave the dizzying pastime up with quiet sighs of concealed relief, grateful for the excuse to quit their unproductive efforts.
The six ghostly children and their mob of trailing look-alikes made their way up the gentle grassy incline bordering the tower blocks and parallel with Bath Street, heading for the row of homes that ran along the lawn’s top edge beside a path that Reggie thought was possibly called Simons Way. It looked like Phyllis had decided they should cut behind the hulking NEWLIFE flats to Tower Street, which was what the former top end of Scarletwell had been renamed. Most likely she was making for the Works, though Reggie hoped she didn’t plan on visiting it here in nothing-five or nothing-six, or wherever the ruddy heck they were.
Although Reggie judged it to be in the morning’s early hours, one or two living people were about their business, unencumbered by the strings of replicas that Reggie and his posthumous ensemble dragged behind them. A small-eyed and porky fellow with a smooth-shaved head emerged from a front door in Simons Walk to leave a pair of filmy milk-bottles on his front step before retiring back inside again. Although the children all slapped their gray, insubstantial hands through his bald cranium as he stooped to put the bottles down, he didn’t show the least awareness of their presence, which was as it should be. This was not the case with the nocturnal stroller that they next encountered as they turned right into Tower Street, with the looming concrete monuments now at their back.
It was a tall skinny feller with black curly hair, who looked to be somewhere around his forties or his fifties, and who’d obviously had more than a few too many. He was veering slowly down the length of Tower Street towards the phantom kids, having presumably descended to this level via one of the flights of steps at its top end. He was reciting something in a slurred voice to himself that sounded like a poem, something about people being “strange, nay, rather stranger than the rest”. Reggie and Bill both had a laugh at that, and were starting to take the mickey out of the half-cut chap when he stopped dead in his tracks and looked straight at them.
“I can see yer! Ah ha ha ha! I know where you’re hiding, round the bend and up the flue. Ah ha ha ha! I see yer, all right. I’m a published poet.”
The dead kids stood rooted to the spot, gaping in disbelief. There was always a chance, of course, that someone living might occasionally glimpse you, but they’d almost always look away, concluding that they hadn’t really seen what they had thought they’d seen. For them to try and speak with you was practically unheard of, and as for a living soul who greeted your appearance with amusement, well, it never happened. Even Phyllis and big John were looking at the sozzled bloke gone out, as if they’d no idea what to do next.
Fortunately, the serious predicament this could have led to was averted by the timely opening of a bedroom window on the top floor of the first house in the row, behind the ghost gang and up to their left. An ancient but incredibly resilient-looking little woman in a dressing gown leaned out and hissed down sharply at the drunk chap swaying in the lamp-lit street.
“Yer silly ’ape’orth! Are yer crackers? Come in ’ere before I clock yer, standin’ talkin’ to yerself when it’s the middle of the night!”
The clairvoyant lushington looked up towards the window with his generous eyebrows rising in surprise. He called out to the woman with the same distinctive cackle that he’d just greeted the children with.
“Mother, behave! Ah ha ha ha! I was just chatting with these … oh. They’ve gone. Ah ha ha ha!”
The man had dropped his gaze once more to Tower Street and stared directly at the ghost-kids, but he blinked and looked uncertain now, squinting his eyes as if he could no longer see them. Further admonitions from the woman, who appeared to be his mother, prompted him to stumble forward, laughing to himself and fumbling for his house-keys as he passed unheedingly through the half-dozen junior apparitions standing in his path. The dead gang turned to watch him struggling with the Yale lock on the door of the end house, all the while giggling to himself, the muttering old woman having loudly pulled her bedroom window shut by now, leaving her drunken offspring to his own devices.
Phyllis shook her head as the gang turned away from the sloshed feller trying to open his front door, resuming their ascent of Tower Street.
“Flippin’ Nora. What the devil wiz ’e, when ’e wiz at ’ome? And to think livin’ folk are frit of us!”
She made her shoulders ripple in a comically exaggerated shudder to imply that living beings were much stranger and a great deal spookier than ghosts. Reggie agreed. In his experience, dead people were a lot more down to earth.
The gang came to a halt outside some sort of modern undertaking owned by the Salvation Army that was closed up for the night. These premises were on the children’s left, while up ahead of them there loomed the ugly gray-on-gray mosaic of the wall bounding the traffic junction that the Mayorhold had become. Sneaking a glance at Michael Warren, Reggie realized that the youngster couldn’t get his bearings among all this unfamiliar architecture, and thus had no idea where he was. Considering what had happened to the Mayorhold, this was probably as well. Look how the kid had taken it when it was just one row of houses that had disappeared.
The raised-up intersection blazed with sodium lamps that Reggie had been informed were the yellow of stale piss when seen by mortal eyes. This was what lent the ghost-seam’s monochrome such an unhealthy tinge, the sick light spilling from the elevated motor-carousel to splash upon the streets and underpasses down below, where the Dead Dead Gang gathered in a ring about their leader. Phyllis was explaining what she thought would be the best thing to do next, mostly for Michael Warren’s benefit so that the toddler didn’t suffer any more ghastly surprises.
“Right. I’ve ’ad a think abayt all this. We know that titch ’ere is a Vernall, who are people with great works to do, what very orften they don’t know nothin’ abayt. We know ’e’s gooin’ back to life again, and that it’s all summat to do wi’ this big job the builders ’ave got on, the Porthimoth di Norhan. Now, ’e’s so important to this contract that the builders ’ave ’ad a big dust-up over ’im, back dayn in 1959. I reckon we should goo back Upstairs to Mansoul and watch the fight. We might find ayt a bit more abayt ’ow ’is nibs ’ere wiz involved in it.”
Shifting uncomfortably inside his outsized overcoat, Reggie protested.
“Don’t go Upstairs ’ere, Phyll. Not ’ere in the nothings. ’E’s already seen ’ow the Destructor looks, just ’angin’ there in Bath Street …”
Phyllis bristled.
“Do I look ’alf sharp? ’Course I’m not gunna goo Upstairs from ’ere! Fer one thing, we’d be traipsing miles along the Attics of the Breath to get to where the builders ’ad their scrap. We’re gunna dig down inter 1959 first, then we’ll make ayr way Upstairs from there.”
Bill, standing on the outskirts of their circle, kicking pointlessly at dandelions and pebbles that he could not touch, frowned in concern.
“That’ll just drop us straight back in that ghost-storm, won’t it?”
Flinging her long stole around her neck in what would have been a dramatic film-star gesture had it not been for the putrefying rabbits and their after-pictures, Phyllis fixed her younger relative with an unnerving glare.
“Oh, use yer loaf fer once, ayr Bill. Not if we dig back to an ’our or two before all that kicked orf it won’t! If we goo careful, we’ll know when we’ve reached the stripe where all the wind wiz, so it’s just a layer or two down past there. Now, anyone ’oo wants to ’elp me can, and anyone ’oo don’t can clear orf ayt the way.”
With that, she marched across towards the fabricated wall of the Salvation Army building in a single file of glowering schoolgirls and began to scrape at its accumulated time with both hands. Shimmering bands of black and white that Reggie knew were days and nighttimes interleaved began to gather in a loose whorl round her pawing fingertips, as, grudgingly, the other members of the gang walked over to assist her. Only Michael Warren and Drowned Marjorie were excused tunnel duty, Michael on the grounds of probable ineptitude and Marjorie because they were all frightened that the small boy would run off again if he had nobody to sit and keep him company.
After a minute or two’s dedicated scrabbling at the wall, Phyllis announced that she could feel the ghost-storm slicing into windy ribbons on her fingernails. Progressing with more caution, she rolled back the tissue edges representing the duration of the squall, dragging them out into the wavering Belisha-beacon stripes around her tunnel’s widening mouth. A moment more and she reported that she could feel through into a place without a breeze, inviting her confederates to help enlarge the aperture, now that she’d done all of the hard work for them.
Pitching in with everybody else to haul the hole’s rim further out and make it bigger, Reggie was surprised to see that there was just more blackness on the portal’s other side, and not the 1950s daylight that he’d been expecting. When the opening was sufficiently distended for the gang to climb through, though, he found that they were in a cellar, which accounted for the dark. Boxes that turned out to be filled with racy magazines and paperbacks were stacked up by one wall and a great heap of coal and slack reclined against another, the whole scene delineated in the silverpoint of the dead children’s night-sight. One by one the kids climbed through the entrance into 1959, with Phyllis herself bringing up the rear while ushering Drowned Marjorie and Michael Warren through in front of her. Once everyone was in the darkened basement Phyllis got them to seal up the hole behind them, that led out to nothing-five or nothing-six. Diligently they combed the smoky fibers of the present day across the gaping vent until no sign of Tower Street or its blocks of flats against a star-deserted sky remained. Having observed the ghost-seam protocol about shutting the gate behind you, Phyllis next turned to address the gang. She wasn’t whispering, so evidently there were no watchmen here with second sight, the way there’d been in that lone house down at the bottom end of Scarletwell.
“In case yer wonderin’ where we are, it’s ’Arry Trasler’s paper-shop, just orf the Merruld ’fore yer get to Althorp Street. We’re in ’is cellar. All we’ve gotter do is goo upstairs and we’ll be just araynd the corner from the entrance to the Works.”
They found the cellar stairs beyond a string-bound stack of True Adventure magazines, which looked American and had almost-bare ladies on their covers, nude save for their underwear and Nazi armbands, who were menacing manacled men with uniformly gritted teeth by brandishing hot irons and bullwhips. Going up the steps one at a time the children passed out through a closed and bolted cellar door into a daylight passageway that led to the newsagent’s shop itself: a former front room that had comics, paperbacks and magazines hanging from great iron bulldog clips in a bay window given over to display. Here, behind an old and black-grooved wooden counter that divided the small room in two along its length, a balding and pot-bellied man with sallow skin and dark-ringed eyes stood calculating the returns upon the morning papers during a brief intermission between customers. Reggie presumed that this must be the Harry Trasler that Phyllis had mentioned as the shop’s proprietor. Morose and seemingly preoccupied, he didn’t even look up from his jotted column of additions as the ghost-kids melted through his countertop, which was apparently not old enough to stop them doing so despite appearances, and drifted out into the July sunshine that was just then painting the serene enclosure of the Mayorhold.
It did Reggie’s phantom heart good to see once again that passably rectangular expanse where eight streets ran together, hemmed in by various tradesmen’s yards, five public houses, getting on a dozen cozy-looking little shops and the imposing pillar-decorated façade of the Northampton Cooperative Society. This outfit had first started out down Horsemarket in Reggie’s day as the West End Industrial Cooperative Society, and he was pleased to see the worthy venture was still doing nicely more than seventy years later. Flanked on one side by a butcher’s shop and on the other by the old Victorian public toilets curving round and into Silver Street, the Co-op seemed to be the busiest area of the Mayorhold on this summer morning. Women laden down with raffia shopping bags and wearing headscarves chatted in the recess of the shop’s front doorway, stepping back occasionally to let some other customer pass in or out of the establishment.
Pleasingly dusty light was sprinkled on the hard-faced women who were going at that moment into the Green Dragon by the mouth of Bearward Street, and on the motor-coaches sleeping near the Currier’s Arms here on the western side of the forgotten former town square. Just emerging from the sweetshop that was next to Trasler’s, three young lads in knee-length gray serge trousers held up by elasticated belts with S-shaped buckles shared what seemed to be a bag of acid-drops as they barged through the ghost-gang without noticing that they were there.
Reggie and company continued on past the Old Jolly Smokers on their right, mindful that in the astral upper reaches of the pub where the rough sleepers congregated, Mick Malone the ratter would be knocking back his Puck’s Hat Punch and thinking about heading home across the sky to Little Cross Street with his ferrets in his pockets, as they’d seen him doing earlier. The ghost-kids almost tiptoed past the saloon bar’s swing door, crossing the top of Scarletwell Street where it ran into the Mayorhold.
Opposite the Jolly Smokers on the other corner of the run-down thoroughfare was a three-story building, old and derelict, its timbers and its stonework so dark they looked almost smoked. The windows of the place were boarded up within their weathered, splintering frames and up above the similarly-boarded door were remnants of what seemed to be a shop-sign, too few painted letters still remaining to make out the former owner’s name, or what it had once sold. Although Reggie remembered the place being open once, back in the early nineteen-somethings, he still couldn’t for the death of him recall what kind of shop it was. He only knew that a good while before that, right back in the 1500s before Reggie had been born, this ruin had once been the Town Hall of Northampton.
The kids entered through the front wall, finding themselves in a stripped and shadowy interior where wands of sunlight fell through chinks between the nailed-up lengths of wood across the window. Wallpaper that was four generations thick in places sagged and separated from damp plaster, hanging like loose skin, while a far corner had been decorated by some empty Double Diamond bottles and what looked to be a human bowel movement. They ascended a collapsing staircase to the first floor, floating over mildewed voids where steps were rotted through, and then continued on to the top story. Here, a dozen or so missing slates had made the building open to both birds and rain, transforming it into a maze of dismal chambers carpeted with stalagmites of pigeon shit and clouded puddles.
The crook-door and its attendant Jacob Flight were in the end room, colored light falling in party streamers through the radiant portal, settling on the children’s upturned faces, on the sodden planks and rugs and papers that had fuzed into one substance, on the pitifully narrow treads of the celestial ladder.
Reggie felt a tightness in the memory of his throat, and the spook-fluids welled up in his eyes. This was the place Phyllis and Bill had brought him to that first time, not long after they’d all met in fourteenth-century catacombs while sheltering from the Great Ghost-Storm of 1913. This was where they’d finally convinced him he was just as good as anybody else, with as much right to Hell or Heaven. He had no idea why all these feelings should well up inside him every time he saw these stairs to Mansoul. They just did. He wiped his brimming eyes upon one coarse sleeve of his greatcoat furtively, so no one else should see.
Phyllis was first to climb the Jacob Flight, her rabbit necklace swaying and her after-pictures burnt away like morning fog as she went up into the colors and the brilliance. Michael Warren followed her, with lanky John behind him and then Bill and Marjorie.
Taking a last look round at the smudged pencil-drawing of the ghost-seam, Reggie followed suit. He was a bit scared, he supposed, at the idea of being audience to a brawl between the builders. Having witnessed the resultant howling gale he wasn’t sure that he was ready for the fight itself, but that was only nerves and common sense. That wasn’t the whole reason for the teary-eyed reluctance that descended on him every time he climbed these rungs and ventured up the wooden hill to Deadfordshire.
He still didn’t believe it, that was what it finally came down to. Even after all of these incalculable years, he still couldn’t accept that there was somewhere wonderful where he was wanted, where there was a place for him that wasn’t just an unmarked plot on Doddridge Church’s burial ground. He blinked away the ghostly moisture in his eyes and sniffed back a thick gob of ectoplasm as he manfully composed himself before resuming his ascent, out of the gray into the gold and blue and rose and violet.
Hat tipped at a jaunty angle to disguise the fact that he’d been weeping, Reginald James Fowler clambered through the crook-door up into the Works, where suddenly about him were unfurling sounds and rich painterly tones, the holy smell of planed wood and the honest sweat of builders. He’d pulled back the tacked-up curtain, so to speak.
Reggie was home.
From : TheAnarchistLibrary.org
Alan Moore (born 18 November 1953) is an English writer known primarily for his work in comic books including Watchmen, V for Vendetta, The Ballad of Halo Jones, Swamp Thing, Batman: The Killing Joke and From Hell. Regarded by some as the best comics writer in the English language, he is widely recognized among his peers and critics. He has occasionally used such pseudonyms as Curt Vile, Jill de Ray, and Translucia Baboon; also, reprints of some of his work have been credited to The Original Writer when Moore requested that his name be removed. (From: Wikipedia.org.)
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