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Father of Christian Anarchism
: In 1861, during the second of his European tours, Tolstoy met with Proudhon, with whom he exchanged ideas. Inspired by the encounter, Tolstoy returned to Yasnaya Polyana to found thirteen schools that were the first attempt to implement a practical model of libertarian education. (From: Anarchy Archives.)
• "It usually happens that when an idea which has been useful and even necessary in the past becomes superfluous, that idea, after a more or less prolonged struggle, yields its place to a new idea which was till then an ideal, but which thus becomes a present idea." (From: "Patriotism and Government," by Leo Tolstoy, May 1....)
• "It is necessary that men should understand things as they are, should call them by their right names, and should know that an army is an instrument for killing, and that the enrollment and management of an army -- the very things which Kings, Emperors, and Presidents occupy themselves with so self-confidently -- is a preparation for murder." (From: "'Thou Shalt Not Kill'," by Leo Tolstoy, August 8,....)
• "You are surprised that soldiers are taught that it is right to kill people in certain cases and in war, while in the books admitted to be holy by those who so teach, there is nothing like such a permission..." (From: "Letter to a Non-Commissioned Officer," by Leo Tol....)
Part 7, Chapter 27
"He has gone! It is over!" Anna said to herself, standing at the window; and in answer to this statement the impression of the darkness when the candle had flickered out, and of her fearful dream mingling into one, filled her heart with cold terror.
"No, that cannot be!" she cried, and crossing the room she rang the bell. She was so afraid now of being alone, that without waiting for the servant to come in, she went out to meet him.
"Inquire where the count has gone," she said. The servant answered that the count had gone to the stable.
"His honor left word that if you cared to drive out, the carriage would be back immediately."
"Very good. Wait a minute. I’ll write a note at once. Send Mihail with the note to the stables. Make haste."
She sat down and wrote:
"I was wrong. Come back home; I must explain. For God’s sake come! I’m afraid."
She sealed it up and gave it to the servant.
She was afraid of being left alone now; she followed the servant out of the room, and went to the nursery.
"Why, this isn’t it, this isn’t he! Where are his blue eyes, his sweet, shy smile?" was her first thought when she saw her chubby, rosy little girl with her black, curly hair instead of Seryozha, whom in the tangle of her ideas she had expected to see in the nursery. The little girl sitting at the table was obstinately and violently battering on it with a cork, and staring aimlessly at her mother with her pitch-black eyes. Answering the English nurse that she was quite well, and that she was going to the country tomorrow, Anna sat down by the little girl and began spinning the cork to show her. But the child’s loud, ringing laugh, and the motion of her eyebrows, recalled Vronsky so vividly that she got up hurriedly, restraining her sobs, and went away. "Can it be all over? No, it cannot be!" she thought. "He will come back. But how can he explain that smile, that excitement after he had been talking to her? But even if he doesn’t explain, I will believe. If I don’t believe, there’s only one thing left for me, and I can’t."
She looked at her watch. Twenty minutes had passed. "By now he has received the note and is coming back. Not long, ten minutes more.... But what if he doesn’t come? No, that cannot be. He mustn’t see me with tear-stained eyes. I’ll go and wash. Yes, yes; did I do my hair or not?" she asked herself. And she could not remember. She felt her head with her hand. "Yes, my hair has been done, but when I did it I can’t in the least remember." She could not believe the evidence of her hand, and went up to the pier glass to see whether she really had done her hair. She certainly had, but she could not think when she had done it. "Who’s that?" she thought, looking in the looking glass at the swollen face with strangely glittering eyes, that looked in a scared way at her. "Why, it’s I!" she suddenly understood, and looking round, she seemed all at once to feel his kisses on her, and twitched her shoulders, shuddering. Then she lifted her hand to her lips and kissed it.
"What is it? Why, I’m going out of my mind!" and she went into her bedroom, where Annushka was tidying the room.
"Annushka," she said, coming to a standstill before her, and she stared at the maid, not knowing what to say to her.
"You meant to go and see Darya Alexandrovna," said the girl, as though she understood.
"Darya Alexandrovna? Yes, I’ll go."
"Fifteen minutes there, fifteen minutes back. He’s coming, he’ll be here soon." She took out her watch and looked at it. "But how could he go away, leaving me in such a state? How can he live, without making it up with me?" She went to the window and began looking into the street. Judging by the time, he might be back now. But her calculations might be wrong, and she began once more to recall when he had started and to count the minutes.
At the moment when she had moved away to the big clock to compare it with her watch, someone drove up. Glancing out of the window, she saw his carriage. But no one came upstairs, and voices could be heard below. It was the messenger who had come back in the carriage. She went down to him.
"We didn’t catch the count. The count had driven off on the lower city road."
"What do you say? What!..." she said to the rosy, good-humored Mihail, as he handed her back her note.
"Why, then, he has never received it!" she thought.
"Go with this note to Countess Vronskaya’s place, you know? and bring an answer back immediately," she said to the messenger.
"And I, what am I going to do?" she thought. "Yes, I’m going to Dolly’s, that’s true or else I shall go out of my mind. Yes, and I can telegraph, too." And she wrote a telegram. "I absolutely must talk to you; come at once." After sending off the telegram, she went to dress. When she was dressed and in her hat, she glanced again into the eyes of the plump, comfortable-looking Annushka. There was unmistakable sympathy in those good-natured little gray eyes.
"Annushka, dear, what am I to do?" said Anna, sobbing and sinking helplessly into a chair.
"Why fret yourself so, Anna Arkadyevna? Why, there’s nothing out of the way. You drive out a little, and it’ll cheer you up," said the maid.
"Yes, I’m going," said Anna, rousing herself and getting up. "And if there’s a telegram while I’m away, send it on to Darya Alexandrovna’s ... but no, I shall be back myself."
"Yes, I mustn’t think, I must do something, drive somewhere, and most of all, get out of this house," she said, feeling with terror the strange turmoil going on in her own heart, and she made haste to go out and get into the carriage.
"Where to?" asked Pyotr before getting onto the box.
"To Znamenka, the Oblonskys’."
From : Gutenberg.org
Father of Christian Anarchism
: In 1861, during the second of his European tours, Tolstoy met with Proudhon, with whom he exchanged ideas. Inspired by the encounter, Tolstoy returned to Yasnaya Polyana to found thirteen schools that were the first attempt to implement a practical model of libertarian education. (From: Anarchy Archives.)
• "There are people (we ourselves are such) who realize that our Government is very bad, and who struggle against it." (From: "A Letter to Russian Liberals," by Leo Tolstoy, Au....)
• "It usually happens that when an idea which has been useful and even necessary in the past becomes superfluous, that idea, after a more or less prolonged struggle, yields its place to a new idea which was till then an ideal, but which thus becomes a present idea." (From: "Patriotism and Government," by Leo Tolstoy, May 1....)
• "...for no social system can be durable or stable, under which the majority does not enjoy equal rights but is kept in a servile position, and is bound by exceptional laws. Only when the laboring majority have the same rights as other citizens, and are freed from shameful disabilities, is a firm order of society possible." (From: "To the Czar and His Assistants," by Leo Tolstoy, ....)
Constance Clara Garnett (née Black; 19 December 1861 – 17 December 1946) was an English translator of nineteenth-century Russian literature. She was the first English translator to render numerous volumes of Anton Chekhov's work into English and the first to translate almost all of Fyodor Dostoevsky's fiction into English. She also rendered works by Ivan Turgenev, Leo Tolstoy, Nikolai Gogol, Ivan Goncharov, Alexander Ostrovsky, and Alexander Herzen into English. Altogether, she translated 71 volumes of Russian literature, many of which are still in print today. Garnett was born in Brighton, England, the sixth of the eight children of the solicitor David Black (1817–1892), afterwards town clerk and coroner, and his wife, Clara Maria Patten (1825–1875), daughter of painter George Patten. Her brother was the mathematician Arthur Black, and her sister was the labor organizer and novelist Clementina Black. Her father became paralyzed in 1873, and two ye... (From: Wikipedia.org.)
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