Darya Alexandrovna, in a dressing jacket, and with her now scanty, once luxuriant and beautiful hair fastened up with hairpins on the nape of her neck, with a sunken, thin face and large, startled eyes, which looked prominent from the thinness of her face, was standing among a litter of all sorts of things scattered all over the room, before an open bureau, from which she was taking something. Hearing her husband’s steps, she stopped, looking towards the door, and trying assiduously to give her features a severe and contemptuous expression. She felt she was afraid of him, and afraid of the coming interview. She was just attempting to do what she had attempted to do ten times already in these last three days—to sort out the children’s things and her own, so as to take them to her mother’s—and again she could not bring herself to do this; but now again, as each time before, she kept saying to herself, "that things cannot go on like this,...
The gray-haired valet was sitting drowsily listening to the snoring of the prince, who was in his large study. From the far side of the house through the closed doors came the sound of difficult passages—twenty times repeated—of a sonata by Dussek. Just then a closed carriage and another with a hood drove up to the porch. Prince Andrew got out of the carriage, helped his little wife to alight, and let her pass into the house before him. Old Tíkhon, wearing a wig, put his head out of the door of the antechamber, reported in a whisper that the prince was sleeping, and hastily closed the door. Tíkhon knew that neither the son’s arrival nor any other unusual event must be allowed to disturb the appointed order of the day. Prince Andrew apparently knew this as well as Tíkhon; he looked at his watch as if to ascertain whether his father’s habits had changed since he was at home last, and, having assured himself...