FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER VIII I Hastened, as I have already said, from paris, and plunged amid the wild and desolate scenery of mount Jura. The next intended stage of my travels was Switzerland, and I pursued the road which led to that country. The first anxiety I felt was to escape from my sufferings and my disgrace. There first I had felt my mind agitated with hose emotions which are destined to have so mighty an influence on the fate of man. But how agitated I had loved. I had not loved innocence; I had not loved the chaste simplicity of the female character: my affections had not gone forth toward any object, which might refine and elevate my soul, which might free me from the impurities I had contracted among the debauchees of the university, restore me to peace with myself, and prepare m...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...