The ResurrectionThis room, like the one in the men's ward, was also divided in three, by two nets, but it was considerably smaller. There were also fewer visitors and fewer prisoners, but the noise was as great as in the men's room. Here, also, the authorities stood guard between the nets. The authorities were here represented by a matron in uniform with crown-laced sleeves and fringed with blue braid and a belt of the same color. Here, too, people pressed against the nets—in the passage—city folks in diverse dresses; behind the nets, female prisoners, some in white, others in their own dresses. The whole net was lined with people. Some stood on tip-toe, speaking over the heads of others; others, again, sat on the floor and conversed. The most remarkable of the women prisoners, both in her shouting and appearance, was a thin, ragged gypsy, with a 'kerchief which had slipped from her head, who stood almost in the middle of the room, near a post, behind the net,...
The doors of Frick's private office, to the left of the reception-room, swings open as the colored attendant emerges, and I catch a flitting glimpse of a black-bearded, well-knit figure at a table in the back of the room. "Mistah Frick is engaged. He can't see you now, sah," the negro says, handing back my card. I take the pasteboard, return it to my case, and walk slowly out of the reception-room. But quickly retracing my steps, I pass through the gate separating the clerks from the visitors, and brushing the astounded attendant aside, I step into the office on the left, and find myself facing Frick. For an instant the sunlight, streaming through the windows, dazzles me. I discern two men at the further end of the long table. "Fr-," I begin. The look of terror on his face strikes me speechless. It is the dread of the conscious presence of death. "He understands," it flashes through my mind. With a quick motion I draw the revolver. As I raise the we...