Vronsky had not even tried to sleep all that night. He sat in his armchair, looking straight before him or scanning the people who got in and out. If he had indeed on previous occasions struck and impressed people who did not know him by his air of unhesitating composure, he seemed now more haughty and self-possessed than ever. He looked at people as if they were things. A nervous young man, a clerk in a law court, sitting opposite him, hated him for that look. The young man asked him for a light, and entered into conversation with him, and even pushed against him, to make him feel that he was not a thing, but a person. But Vronsky gazed at him exactly as he did at the lamp, and the young man made a wry face, feeling that he was losing his self-possession under the oppression of this refusal to recognize him as a person. Vronsky saw nothing and no one. He felt himself a king, not because he believed that he had made an impression on Anna—he did not yet...
The ResurrectionThat morning service formed the brightest and most impressive reminiscence of Nekhludoff's after life. The darkness of the night was only relieved here and there by white patches of snow, and as the stallion, splashing through the mud-pools, and his ears pricked up at the sight of the fire-pots surrounding the church, entered its enclosure, the service had already begun. The peasants, recognizing Maria Ivanovna's nephew, led his horse to the driest spot, where he dismounted, then they escorted him to the church filled with a holiday crowd. To the right were the male peasants; old men in homespun coats and bast shoes, and young men in new cloth caftans, bright-colored belts and boots. To the left the women, with red silk 'kerchiefs on their heads, shag caftans with bright red sleeves, and blue, green, red, striped and dotted skirts and iron-heeled shoes. Behind them stood the more modest women in white 'kerchiefs and gray caftans and ancient s...