I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful “antiwar” films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they attach themselves to quite ... (From : http://www.bopsecrets.org/CF/goodman.htm.)
First published in War Commentary - For Anarchism mid-march 1944. In no characteristic is existing society in the West so sharply distinguished from the earlier societies, whether of Europe or the East, than in its conception of time. To the ancient Chinese or Greek, to the Arab herdsman or Mexican peon of today, time is represented in the cyclic processes of nature, the alternation of day and night, the passage from season to season. The nomads and farmers measured and still measure their day from sunrise to sunset, and their year in terms of the seedtime and harvest, of the falling leaf and the ice thawing on the lakes and rivers. The farmer worked according to the elements, the craftsman for so long as he felt it necessary to perfect his... (From : Spunk.org.)