THE GERMAN DRAMA: GERHART HAUPTMANN LONELY LIVES Gerhart Hauptmann is the dramatist of whom it may be justly said that he revolutionized the spirit of dramatic art in Germany: the last Mohican of a group of four-Ibsen, Strindberg, Tolstoy, and Hauptmann-who illumined the horizon of the nineteenth century. Of these Hauptmann, undoubtedly the most human, is also the most universal. It is unnecessary to make comparisons between great artists: life is sufficiently complex to give each his place in the great scheme of things. If, then, I consider Hauptmann more human, it is because of his deep kinship with every stratum of life. While Ibsen deals exclusively with one attitude, Hauptmann embraces all, understands all, and portrays all, because nothing human is alien to him. Whether it be the struggle of the transition stage in " Lonely Lives," or the conflict between the Ideal and the Real in " The Sunken Bell," or the brutal background of poverty in...
(From our Victorian Correspondent) The unemployed, to the number of about 5,000, have been holding their periodical agitation in Melbourne. Anarchists, of course, have taken the opportunity to address them; but the movement is in the hands of Suite Socialist agitators, who do not conceal the fact that they are trying to get into Parliament. Nothing much has been gained by appealing to the Government. The Salvation Army established a labor bureau and gave food to those who stood in need of it, and the Government officially recognized them as the medium of communication for the unemployed, the officers of the State being instructed to make inquiries as to openings for labor in their districts and furnish the Army with detailed information. Th... (From : AnarchyArchives.)