I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful “antiwar” films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they attach themselves to quite ... (From : http://www.bopsecrets.org/CF/goodman.htm.)
When the civilian Monro succeeded the soldier Warren at Scotland Yard, there was talk in the Liberal press of harmony between police and public. No more Endacotting, no more batoning of defenseless men and women, no more political assaults. The guardian lions of existing society were to roar as softly as any sucking dove, reserving their teeth and claws for "real criminals." The last few days have furnished some striking instances of the methods of our admirable police for the preservation of peace and good will among men. First, English detectives spy upon the privacy of certain Armenian journalists in London, pay them, in fact, a domiciliary visit a la Russe, and Lord Salisbury confesses in Parliament that this is at the bidding of the Tu... (From : AnarchyArchives.)