Albert Camus

Fall, The

VI I’M EMBARASSED to be in bed when you arrive. It’s nothing, just a little fever that I’m treating with gin. I’m accustomed to these attacks. Malaria, I think, that I caught at the time I was pope. No, I’m only half joking. I know what you’re thinking: it’s very hard to disentangle the true from the false in what I’m saying. I admit you are right. I myself ... You see, a person I knew used to divide human beings into three categories: those who prefer having nothing to hide rather than being obliged to lie, those who prefer lying to having nothing to hide, and finally those who like both lying and the hidden. I’ll let you choose the pigeonhole that suits me. But what... (From: TheAnarchistLibrary.org.)

Happy Death, A

Chapter Five IN January, the almond trees bloomed. In March, the pears, peaches and apple-trees were covered with blossoms. The next month, the streams gradually swelled, then returned to a normal flow. Early in May, the hay was cut, and the oats and barley at the month’s end. Already the apricots were ripening. In June, the early pears appeared with the major crops. The streams began to dry up, and the heat grew more intense. But the earth’s blood, shrinking here on the coast, made the cotton bloom farther inland and sweetened the first grapes. A great hot wind arose, parching the land and spreading brushfires everywhere. And then, suddenly, the year changed direction: hurriedly, the grape-harvests were brought to an end... (From: TheAnarchistLibrary.org.)

Myth of Sisyphus, The : and Other Essays

Helen’s Exile The mediterranean sun has something tragic about it, quite different from the tragedy of fogs. Certain evenings at the base of the seaside mountains, night falls over the flawless curve of a little bay, and there rises from the silent waters a sense of anguished fulfillment. In such spots one can understand that if the Greeks knew despair, they always did so through beauty and its stifling quality. In that gilded calamity, tragedy reaches its highest point. Our time, on the other hand, has fed its despair on ugliness and convulsions. This is why Europe would be vile, if suffering could ever be so. We have exiled beauty; the Greeks took up arms for her. First difference, but one that has a history. ... (From: TheAnarchistLibrary.org.)

Neither Victims Nor Executioners

November 30, 1946 Toward Dialogue Yes, we must raise our voices. Up to this point, I have refrained from appealing to emotion. We are being torn apart by a logic of history which we have elaborated in every detail — a net which threatens to strangle us. It is not emotion which can cut through the web of a logic which has gone to irrational lengths, but only reason which can meet logic on its own ground. But I should not want to leave the impression... that any program for the future can get along without our powers of love and indignation. I am well aware that it takes a powerful prime mover to get men into motion and that it is hard to throw one’s self into a struggle whose objectives are so modest and where hope has o... (From: TheAnarchistLibrary.org.)

Plague, The

PART IV Throughout September and October the town lay prostrate, at the mercy of the plague. There was nothing to do but to "mark time," and some hundreds of thousands of men and women went on doing this, through weeks that seemed interminable. Mist, heat, and rain rang their changes in our streets. From the south came silent coveys of starlings and thrushes, flying very high, but always giving the town a wide berth, as though the strange implement of the plague described by Paneloux, the giant flail whirling and shrilling over the housetops, warned them off us. At the beginning of October torrents of rain swept the streets clean. And all the time nothing more important befell us than that multitudinous mark... (From: TheAnarchistLibrary.org.)

Rebel, The

Part Four: Rebellion and Art Art is the activity that exalts and denies simultaneously. "No artist tolerates reality," says Nietzsche. That is true, but no artist can get along without reality. Artistic creation is a demand for unity and a rejection of the world. But it rejects the world on account of what it lacks and in the name of what it sometimes is. Rebellion can be observed here in its pure state and in its original complexities. Thus art should give us a final perspective on the content of rebellion. The hostility to art shown by all revolutionary reformers must, however, be pointed out. Plato is moderately reasonable. He only calls in question the deceptive function of language and exiles only poets from his rep... (From: TheAnarchistLibrary.org.)

Reflections on the Guillotine

Part 1 Shortly before the war of 1914, an assassin whose crime was particularly repulsive (he had slaughtered a family of farmers, including the children) was condemned to death in Algiers. He was a farm worker who had killed in a sort of bloodthirsty frenzy but had aggravated his case by robbing his victims. The affair created a great stir. It was generally thought that decapitation was too mild a punishment for such a monster. This was the opinion, I have been told, of my father, who was especially aroused by the murder of the children. One of the few things I know about him, in any case, is that he wanted to witness the execution, for the first time in his life. He got up in the dark to go to the place of execution at the other en... (From: TheAnarchistLibrary.org.)

Stranger, The

Part Two I I was questioned several times immediately after my arrest. But they were all formal examinations, as to my identity and so forth. At the first of these, which took place at the police station, nobody seemed to have much interest in the case. However, when I was brought before the examining magistrate a week later, I noticed that he eyed me with distinct curiosity. Like the others, he began by asking my name, address, and occupation, the date and place of my birth. Then he inquired if I had chosen a lawyer to defend me. I answered, "No," I hadn't thought about it, and asked him if it was really necessary for me to have one. "Why do you ask that?" he said. I replied that I regarded my case as very simple. ... (From: TheAnarchistLibrary.org.)

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Albert Camus

November 7, 1913 — ?

Entry 7104

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Works

Fall, The

Happy Death, A

Myth of Sisyphus, The : and Other Essays

Neither Victims Nor Executioners

Plague, The

Rebel, The

Reflections on the Guillotine

Stranger, The

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