Albert Camus

November 7, 1913 — ?

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About Albert Camus

Albert Camus (/kæˈmuː/ kam-OO, US also /kəˈmuː/ kə-MOO, French: [albɛʁ kamy] (About this soundlisten); 7 November 1913 – 4 January 1960) was a French philosopher, author, and journalist. He won the Nobel Prize in Literature at the age of 44 in 1957, the second-youngest recipient in history. His works include The Stranger, The Plague, The Myth of Sisyphus, The Fall, and The Rebel.

Camus was born in Algeria (a French colony at the time) to French Pieds Noirs parents. His citizenship was French. He spent his childhood in a poor neighborhood and later studied philosophy at the University of Algiers. He was in Paris when the Germans invaded France during World War II in 1940. Camus tried to flee but finally joined the French Resistance where he served as editor-in-chief at Combat, an outlawed newspaper. After the war, he was a celebrity figure and gave many lectures around the world. He married twice but had many extramarital affairs. Camus was politically active; he was part of the left that opposed the Soviet Union because of its totalitarianism. Camus was a moralist and leaned towards anarcho-syndicalism. He was part of many organizations seeking European integration. During the Algerian War (1954–1962), he kept a neutral stance, advocating for a multicultural and pluralistic Algeria, a position that caused controversy and was rejected by most parties.

Philosophically, Camus's views contributed to the rise of the philosophy known as absurdism. He is also considered to be an existentialist, even though he firmly rejected the term throughout his lifetime.

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III REALLY, mon cher compatriote, I am grateful to you for your curiosity. However, there is nothing extraordinary about my story. Since you are interested, I’ll tell you that I thought a little about that laugh, for a few days, then forgot about it. Once in a great while, I seemed to hear it within me. But most of the time, without making any effort, I thought of other things. Yet I must admit that I ceased to walk along the Paris quays. When I would ride along them in a car or bus, a sort of silence would descend on me. I was waiting, I believe. But I would cross the Seine, nothing would happen, and I would breathe again. I also had some health problems at that time. Nothing definite, a dejection perhaps, a sort ... (From: TheAnarchistLibrary.org.)
Chapter Five AS he walked home that Sunday evening, Mersault couldn’t stop thinking about Zagreus. But as he walked up the stairs to his room, he heard groans coming from the barrel-maker Cardona’s flat. He knocked. No-one answered, but the groans continued, and Mersault walked straight in. The barrel-maker was huddled on his bed, sobbing like a child. At his feet was the photograph of an old woman. ‘She’s dead,’ Cardona gasped. It was true, but it had happened a long time ago. Cardona was deaf, half-dumb, a mean and violent man. Until recently he had lived with his sister, but his tyranny had at last exhausted the woman, and she had taken refuge with her children. And he had remained alone, as he... (From: TheAnarchistLibrary.org.)
The Artist And His Time I. As an artist, have you chosen the role of witness? This would take considerable presumption or a vocation I lack. Personally I don’t ask for any role and I have but one real vocation. As a man, I have a preference for happiness; as an artist, it seems to me that I still have characters to bring to life without the help of wars or of law-courts. But I have been sought out, as each individual has been sought out. Artists of the past could at least keep silent in the face of tyranny. The tyrannies of today are improved; they no longer admit of silence or neutrality. One has to take a stand, be either for or against. Well, in that case, I am against. But this does not amount to choosing ... (From: TheAnarchistLibrary.org.)
November 30, 1946 Toward Dialogue Yes, we must raise our voices. Up to this point, I have refrained from appealing to emotion. We are being torn apart by a logic of history which we have elaborated in every detail — a net which threatens to strangle us. It is not emotion which can cut through the web of a logic which has gone to irrational lengths, but only reason which can meet logic on its own ground. But I should not want to leave the impression... that any program for the future can get along without our powers of love and indignation. I am well aware that it takes a powerful prime mover to get men into motion and that it is hard to throw one’s self into a struggle whose objectives are so modest and where hope has o... (From: TheAnarchistLibrary.org.)
PART II From now on, it can be said that plague was the concern of all of us. Hitherto, surprised as he may have been by the strange things happening around him, each individual citizen had gone about his business as usual, so far as this was possible. And no doubt he would have continued doing so. But once the town gates were shut, every one of us realized that all, the narrator included, were, so to speak, in the same boat, and each would have to adapt himself to the new conditions of life. Thus, for example, a feeling normally as individual as the ache of separation from those one loves suddenly became a feeling in which all shared alike and, together with fear, the greatest affliction of the long period of exile that lay ... (From: TheAnarchistLibrary.org.)
Part Three: Historical Rebellion Freedom, "that terrible word inscribed on the chariot of the storm,"[18] is the motivating principle of all revolutions. Without it, justice seems inconceivable to the rebel's mind. There comes a time, however, when justice demands the suspension of freedom. Then terror, on a grand or small scale, makes its appearance to consummate the revolution. Every act of rebellion expresses a nostalgia for innocence and an appeal to the essence of being. But one day nostalgia takes up arms and assumes the responsibility of total guilt; in other words, adopts murder and violence. The servile rebellions, the regicide revolutions, and those of the twentieth century have thus, consciously, accepted a burden of... (From: TheAnarchistLibrary.org.)
Part 1 Shortly before the war of 1914, an assassin whose crime was particularly repulsive (he had slaughtered a family of farmers, including the children) was condemned to death in Algiers. He was a farm worker who had killed in a sort of bloodthirsty frenzy but had aggravated his case by robbing his victims. The affair created a great stir. It was generally thought that decapitation was too mild a punishment for such a monster. This was the opinion, I have been told, of my father, who was especially aroused by the murder of the children. One of the few things I know about him, in any case, is that he wanted to witness the execution, for the first time in his life. He got up in the dark to go to the place of execution at the other en... (From: TheAnarchistLibrary.org.)
IV IT is always interesting, even in the prisoner's dock, to hear oneself being talked about. And certainly in the speeches of my lawyer and the prosecuting counsel a great deal was said about me; more, in fact, about me personally than about my crime. Really there wasn't any very great difference between the two speeches. Counsel for the defense raised his arms to heaven and pleaded guilty, but with extenuating circumstances. The Prosecutor made similar gestures; he agreed that I was guilty, but denied extenuating circumstances. One thing about this phase of the trial was rather irksome. Quite often, interested as I was in what they had to say, I was tempted to put in a word, myself. But my lawyer had advised m... (From: TheAnarchistLibrary.org.)

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November 7, 1913
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