Notes
Dvorovaya dyevka, the daughter of a serf attached to the bar sky dvor, or mansion-house. Alekse'i Vasiiyevitch Koltsof (1809-1842), a distinguished poet, by some called the Burns of Russia. The ponomar, or paramonar, a word derived from modern Greek, airl signifying doorkeeper, sacristan. One of the domestic servants, formerly serfs, like the little girl mentioned. Dvorovui, or domestic servant. Dvornik, generally one who serves in a dvor; also house-porter. Here, one who occupies a dvor, including house and land. Little Olga. The fantastic story of a beautiful and wealthy maiden who is in reality a witch, and causes the destruction of the groom who falls in love with her. Diminutive of Feodor, Theodore; as Semka is of Semyon. Fifty sazhen. Contemptuous diminutive of Gavriil, Gabriel. Batya, shortened form of b... (From : Wikisource.org.)

Chapter 38 : Singing
Last summer we were coming home from bathing. All of us were feeling very gay. A peasant lad, the very one who had been enticed by the domestic peasant lad into stealing books, a wide-cheeked, thick-set lad, all covered with freckles, with crooked, knock-kneed legs, with all the ways of a grown-up muzhik of the steppe, but a clever, strong, and gifted nature, ran ahead and sat in the wagon, which was proceeding in front of us. He picked up the reins, cocked his hat, spat to one side, and burst out into a dragging muzhik song oh, how he sang! with feeling, with repose, with the full power of his lungs! The children laughed: - "Semka, Semka lo! how cleverly he sings!" Semka was perfectly serious. "There, now, don't you interrupt my song!" said he, in a pause, using a peculiar and purposely hoarse voice, and then he went on with his song sedately. Two very musical lads took their places in the cart and began to take th... (From : Wikisource.org.)

Chapter 37 : Drawing
When, nine months ago, I entered upon the teaching of drawing, I had as yet no definite plan, either for laying out the course of instruction or for guiding the pupils. I had neither designs nor models, save for a few albums of illustrations, which, however, I did not make use of at the time of my most advanced lessons, confining myself to simple auxiliary means, such as can always be found in every country school. A painted wooden board, chalk, slates, and rectangular boards of various sizes, and sticks, which we had used in the visual teaching of mathematics these were all the material we had for our instruction, and yet we were not hindered from copying everything that came under our hands. Not one of the pupils had ever before had any lessons in drawing; they brought to me only their faculty of judgment, which they were given perfect liberty to express when and as they pleased, and which I wanted as a guide to teach me their requirements so that... (From : Wikisource.org.)

Chapter 36 : The Arts
In the sketch of the Yasnaya Polyana School during the months of November and December, I have now to speak of two subjects which have an entirely distinct character from all the others: these are drawing and singing the arts. If I had not my own views, based on the fact that I don't know why any one should study either, I should be obliged to ask myself: Is the study of art profitable for peasant children, put under the necessity of working all their lives long just for their daily bread, and what is the good of it? Ninety-nine out of a hundred would answer this question in the negative. And it is impossible to answer otherwise. As soon as this question is put, sound common sense demands such an answer: he is not to be aft artist; he will have to plow. If he has artistic demands, he will not have the power to endure the steady unwearying labor which he must endure; which, if he does not endure, the very existence of the empire would be... (From : Wikisource.org.)

Chapter 35 : Geography
In the teaching of geography I did the same thing. First of all, I began with physical geography. I remember the first lesson. I began it, and immediately lost my way. The result obtained was what I did not at all anticipate; namely, that I did not know what I wanted ten-year-old peasant children to learn. I was able to explain "day" and "night," but in my explanation of "winter" and "summer" I went astray. Ashamed of my ignorance, I tried it again, and then I asked many of my acquaintances, cultivated men, and no one except those that had recently left school, or teachers, was able to give me a very good explanation without a globe. I beg all who read this to test this observation. I affirm that out of a hundred men not more than one knows this, though all children are taught it. Having rehearsed pretty carefully, I once more took up the explanation, and with the aid of a candle and a globe, I explained it, as it seemed to me, admirably. Th... (From : Wikisource.org.)

Bible Stories
In our school the best test of how much the pupils remember of these recitations are the exercises which they themselves write out from memory, and merely with the correction of faults in 'spelling. Here is an extract from the copy-book of the ten-year-old M . The Story of Isaac: God commanded Abraham to offer his son Isaac as a sacrifice. Abraham took two servants, Isaac carried the wood and the fire, and Abraham carried a knife. When they came to the mountain Horeb, Abraham left his servants there, and he went up on the mountain with Isaac. Isaac said, "Batyushka, we have everything, but where is the victim?" Abraham said, "God commanded me to bring you." Then Abraham set fire to the pile and put his son on it. Isaac said: "Bind me, or el... (From : Wikisource.org.)

The Writing Of Compositions
In the first and second classes the choice of compositions is granted the scholars. The favorite subject for these boys are the Old Testament stories, which they will write two months after they have been related by the teacher. The first class not long ago began to write on New Testament history, but this was not nearly so successful as the Old; they even made more mistakes in spelling in it. They did not understand it so well. In the first class we tried compositions written on given themes. The early themes, which, by the most natural process, first came into our heads, were descriptions of simple objects, such as corn, a cottage, a tree, etc.; but to our extreme amazement their labors on these subjects almost brought the tears into the ... (From : Wikisource.org.)

The Bible for Children
All that I have said relates to instruction in sacred as well as Russian history, to natural history, to geography, partly to physics, chemistry, zoology, especially to all subjects except singing, mathematics, and drawing. As to the instruction in sacred history especially, I must now speak as follows: In the first place, Why is the Old Testament chosen at the very beginning? Not to speak of the fact that a knowledge of sacred history is demanded by the pupils themselves as well as by their parents, of all the oral accounts which I have experimented with in the course of three years, nothing has been found so suited to the comprehension and mental capacity of the children as the Bible. The same thing has been repeated in all other schools ... (From : Wikisource.org.)

How The Pupils Learned To Write
Writing was conducted in the following method: — The pupils were taught simultaneously to recognize and form the letters, to spell and write words, to understand what was written, and to write. They would take their places round the wall, marking off divisions with chalk, and one of them would dictate whatever came into his head, and the others would copy it. If there were many of them, then they divided into several groups. Then they took turns in dictating, and all read it over to one another. They printed out the letters, and at first corrected the errors of spelling and syllabification, then those of misused letters. This class formed itself. Every pupil who learns to write the letters is seized with a passion for writing, and at ... (From : Wikisource.org.)

Mechanical Reading
Reading constitutes a part of the instruction in language. The problem of instruction in language consists, in our opinion, in directing the pupils in the comprehension of the contents of books written in the literary language. The knowledge of the literary language is indispensable because all good books are written in it. Formerly, from the very foundation of the school, there was no division between mechanical and graded reading; the pupils read only what they could comprehend special works, words and phrases, written in chalk on the walls, then the tales of Khudyakof and Afanasief. I supposed that for children to learn to read they had to have a love for reading, but that to acquire a love for reading it was necessary that what they rea... (From : Wikisource.org.)