Notes
Dvorovaya dyevka, the daughter of a serf attached to the bar sky dvor, or mansion-house. Alekse'i Vasiiyevitch Koltsof (1809-1842), a distinguished poet, by some called the Burns of Russia. The ponomar, or paramonar, a word derived from modern Greek, airl signifying doorkeeper, sacristan. One of the domestic servants, formerly serfs, like the little girl mentioned. Dvorovui, or domestic servant. Dvornik, generally one who serves in a dvor; also house-porter. Here, one who occupies a dvor, including house and land. Little Olga. The fantastic story of a beautiful and wealthy maiden who is in reality a witch, and causes the destruction of the groom who falls in love with her. Diminutive of Feodor, Theodore; as Semka is of Semyon. Fifty sazhen. Contemptuous diminutive of Gavriil, Gabriel. Batya, shortened form of b... (From : Wikisource.org.)

Chapter 38 : Singing
Last summer we were coming home from bathing. All of us were feeling very gay. A peasant lad, the very one who had been enticed by the domestic peasant lad into stealing books, a wide-cheeked, thick-set lad, all covered with freckles, with crooked, knock-kneed legs, with all the ways of a grown-up muzhik of the steppe, but a clever, strong, and gifted nature, ran ahead and sat in the wagon, which was proceeding in front of us. He picked up the reins, cocked his hat, spat to one side, and burst out into a dragging muzhik song oh, how he sang! with feeling, with repose, with the full power of his lungs! The children laughed: - "Semka, Semka lo! how cleverly he sings!" Semka was perfectly serious. "There, now, don't you interrupt my song!" said he, in a pause, using a peculiar and purposely hoarse voice, and then he went on with his song sedately. Two very musical lads took their places in the cart and began to take th... (From : Wikisource.org.)

Chapter 37 : Drawing
When, nine months ago, I entered upon the teaching of drawing, I had as yet no definite plan, either for laying out the course of instruction or for guiding the pupils. I had neither designs nor models, save for a few albums of illustrations, which, however, I did not make use of at the time of my most advanced lessons, confining myself to simple auxiliary means, such as can always be found in every country school. A painted wooden board, chalk, slates, and rectangular boards of various sizes, and sticks, which we had used in the visual teaching of mathematics these were all the material we had for our instruction, and yet we were not hindered from copying everything that came under our hands. Not one of the pupils had ever before had any lessons in drawing; they brought to me only their faculty of judgment, which they were given perfect liberty to express when and as they pleased, and which I wanted as a guide to teach me their requirements so that... (From : Wikisource.org.)

Chapter 36 : The Arts
In the sketch of the Yasnaya Polyana School during the months of November and December, I have now to speak of two subjects which have an entirely distinct character from all the others: these are drawing and singing the arts. If I had not my own views, based on the fact that I don't know why any one should study either, I should be obliged to ask myself: Is the study of art profitable for peasant children, put under the necessity of working all their lives long just for their daily bread, and what is the good of it? Ninety-nine out of a hundred would answer this question in the negative. And it is impossible to answer otherwise. As soon as this question is put, sound common sense demands such an answer: he is not to be aft artist; he will have to plow. If he has artistic demands, he will not have the power to endure the steady unwearying labor which he must endure; which, if he does not endure, the very existence of the empire would be... (From : Wikisource.org.)

Chapter 35 : Geography
In the teaching of geography I did the same thing. First of all, I began with physical geography. I remember the first lesson. I began it, and immediately lost my way. The result obtained was what I did not at all anticipate; namely, that I did not know what I wanted ten-year-old peasant children to learn. I was able to explain "day" and "night," but in my explanation of "winter" and "summer" I went astray. Ashamed of my ignorance, I tried it again, and then I asked many of my acquaintances, cultivated men, and no one except those that had recently left school, or teachers, was able to give me a very good explanation without a globe. I beg all who read this to test this observation. I affirm that out of a hundred men not more than one knows this, though all children are taught it. Having rehearsed pretty carefully, I once more took up the explanation, and with the aid of a candle and a globe, I explained it, as it seemed to me, admirably. Th... (From : Wikisource.org.)

The Appearance Of The Room
The pupils sit wherever they please, on benches, chairs, on the window-sill, on the floor, or in the armchair. The girls always sit by themselves. Friends, those from the same village, and especially the little ones for there is more comradeship among them are always together. As soon as one of them decides to sit in a certain corner, all his playmates, pushing and diving under the benches, manage to get to the same place, sit in a row, and as they glance around they show such an expression of perfect bliss and satisfaction in their faces, as if nothing in all the rest of their lives could ever give them so much happiness as to sit in those places. The moment they come into the room, the big armchair presents itself as an object of envy for... (From : Wikisource.org.)

Self-Improvement In Writing
This summer we had exactly the same experience with calligraphy as we had with mechanical reading. The scholars were very poor penmen, and one of the new teachers tried to have them write from a copy always a regular and easy method for the teacher. The scholars detested this; we were compelled to abandon calligraphy, and we could not devise any way of correcting bad writing. But the oldest class themselves found a way out of it. After they had finished writing their sacred history, the older scholars wanted us to let them carry their copybooks home. The copy-books were soiled, torn, badly written. The careful mathematician, R, asked for a new book, and began to copy his exercise. This idea pleased them all. "I want a sheet of paper," and "... (From : Wikisource.org.)

The Opening Of School
Let us suppose that, according to the roster, we begin with mechanical reading in the first or the youngest class; in the second, with graded reading; and in the third, with mathematics. The teacher goes into the room, and finds the children rolling or scuffling on the floor, and crying at the top of their voices: "You're choking me!" "You stop pulling my hair!" or "Let up; that'll do!" "Piotr Mikhailovitch," cries a voice from under the heap, as the teacher comes in, "make them stop." "Good-morning, Piotr Mikhailovitch," shout still others, adding their share to the tumult. The teacher takes the books and distributes them to those who have come to the cupboard. First those on top of the heap on the floor, then those lying underneath, want ... (From : Wikisource.org.)

Proshchai And Proschaite
We returned to the village. Fedka had not once let go of my hand. It seemed to me that he held it now out of gratefulness. We were all brought so close together that night! as we had not been for a long time. Pronka walked abreast with us, along the wide village street. "See, there 's a light at the Mazanofs' yet!" said he. "As I was going to school to-day, Gavriukha was coming out of the tavern dr-u-u-unk!" he added, "blind drunk; his horse was all of a lather, and he was beating her like everything. I feel sorry even now! Indeed, I do! Why should he beat her? And lately, father," said Semka, "he drove his horse from Tula, and she ran him into a snowdrift, but he was asleep, he was so drunk!" "But Gavriukha was beating his horse right acro... (From : Wikisource.org.)

General Sketch Of The School
We have no beginners. The children of the youngest class read, write, and solve problems in the first three rules of arithmetic, and repeat sacred history, so that our order of exercises is arranged according to the following roster: Mechanical and Graded Reading. Compositions. Penmanship. Grammar. Sacred History. Russian History. Drawing. Sketching. Singing. Mathematics. Conversations about the Natural Sciences. Religious Instruction. Before I speak of the methods of instruction, I must give a short description of the Yasnaya Polyana school and its present condition. Yasnaya Polyana, or Fairfield, is the name of the count's estate a few miles out from the city of Tula. It is also the name of a journal of education published at his own expe... (From : Wikisource.org.)