Notes
Dvorovaya dyevka, the daughter of a serf attached to the bar sky dvor, or mansion-house. Alekse'i Vasiiyevitch Koltsof (1809-1842), a distinguished poet, by some called the Burns of Russia. The ponomar, or paramonar, a word derived from modern Greek, airl signifying doorkeeper, sacristan. One of the domestic servants, formerly serfs, like the little girl mentioned. Dvorovui, or domestic servant. Dvornik, generally one who serves in a dvor; also house-porter. Here, one who occupies a dvor, including house and land. Little Olga. The fantastic story of a beautiful and wealthy maiden who is in reality a witch, and causes the destruction of the groom who falls in love with her. Diminutive of Feodor, Theodore; as Semka is of Semyon. Fifty sazhen. Contemptuous diminutive of Gavriil, Gabriel. Batya, shortened form of b... (From : Wikisource.org.)

Chapter 38 : Singing
Last summer we were coming home from bathing. All of us were feeling very gay. A peasant lad, the very one who had been enticed by the domestic peasant lad into stealing books, a wide-cheeked, thick-set lad, all covered with freckles, with crooked, knock-kneed legs, with all the ways of a grown-up muzhik of the steppe, but a clever, strong, and gifted nature, ran ahead and sat in the wagon, which was proceeding in front of us. He picked up the reins, cocked his hat, spat to one side, and burst out into a dragging muzhik song oh, how he sang! with feeling, with repose, with the full power of his lungs! The children laughed: - "Semka, Semka lo! how cleverly he sings!" Semka was perfectly serious. "There, now, don't you interrupt my song!" said he, in a pause, using a peculiar and purposely hoarse voice, and then he went on with his song sedately. Two very musical lads took their places in the cart and began to take th... (From : Wikisource.org.)

Chapter 37 : Drawing
When, nine months ago, I entered upon the teaching of drawing, I had as yet no definite plan, either for laying out the course of instruction or for guiding the pupils. I had neither designs nor models, save for a few albums of illustrations, which, however, I did not make use of at the time of my most advanced lessons, confining myself to simple auxiliary means, such as can always be found in every country school. A painted wooden board, chalk, slates, and rectangular boards of various sizes, and sticks, which we had used in the visual teaching of mathematics these were all the material we had for our instruction, and yet we were not hindered from copying everything that came under our hands. Not one of the pupils had ever before had any lessons in drawing; they brought to me only their faculty of judgment, which they were given perfect liberty to express when and as they pleased, and which I wanted as a guide to teach me their requirements so that... (From : Wikisource.org.)

Chapter 36 : The Arts
In the sketch of the Yasnaya Polyana School during the months of November and December, I have now to speak of two subjects which have an entirely distinct character from all the others: these are drawing and singing the arts. If I had not my own views, based on the fact that I don't know why any one should study either, I should be obliged to ask myself: Is the study of art profitable for peasant children, put under the necessity of working all their lives long just for their daily bread, and what is the good of it? Ninety-nine out of a hundred would answer this question in the negative. And it is impossible to answer otherwise. As soon as this question is put, sound common sense demands such an answer: he is not to be aft artist; he will have to plow. If he has artistic demands, he will not have the power to endure the steady unwearying labor which he must endure; which, if he does not endure, the very existence of the empire would be... (From : Wikisource.org.)

Chapter 35 : Geography
In the teaching of geography I did the same thing. First of all, I began with physical geography. I remember the first lesson. I began it, and immediately lost my way. The result obtained was what I did not at all anticipate; namely, that I did not know what I wanted ten-year-old peasant children to learn. I was able to explain "day" and "night," but in my explanation of "winter" and "summer" I went astray. Ashamed of my ignorance, I tried it again, and then I asked many of my acquaintances, cultivated men, and no one except those that had recently left school, or teachers, was able to give me a very good explanation without a globe. I beg all who read this to test this observation. I affirm that out of a hundred men not more than one knows this, though all children are taught it. Having rehearsed pretty carefully, I once more took up the explanation, and with the aid of a candle and a globe, I explained it, as it seemed to me, admirably. Th... (From : Wikisource.org.)

An Experiment In Russian History
I made still other experiments in teaching the history of our own time, and these experiments were thoroughly successful. I told the story of the Crimean campaign; I described the reign of the Emperor Nicholas, and I related the story of the year 1812. All this was in an almost narrative tone, for the larger part, with no attempt at historical accuracy, but grouping the events around some single individual. I obtained the greatest success, as I might have expected, from my story of the war with Napoleon. This lesson made a memorable hour in our lives. I shall never forget it. For some time the children had been promised that I should tell them from the ending, and the other teacher from the beginning, and that thus we should meet. My evenin... (From : Wikisource.org.)

The Possible Cause And Possible Help
Possibly the cause of this is our severance from the people, the enforced culture of the upper classes; and time only may help this trouble by giving birth, not to a chrestomathy, but a complete transition literature consisting of all the books now extant, and organically taking its place in a course of graded reading. Maybe it is a fact that the common people do not comprehend, and do not wish to comprehend, our literary language, because there is nothing in it for them to comprehend, because our whole literature does not suit them at all, and they will work out their own literature. Finally, the last supposition, which seems to us more plausible than the rest, consists in this: that the apparent fault lies not in the nature of the thing, ... (From : Wikisource.org.)

Self-Improvement In Writing
This summer we had exactly the same experience with calligraphy as we had with mechanical reading. The scholars were very poor penmen, and one of the new teachers tried to have them write from a copy always a regular and easy method for the teacher. The scholars detested this; we were compelled to abandon calligraphy, and we could not devise any way of correcting bad writing. But the oldest class themselves found a way out of it. After they had finished writing their sacred history, the older scholars wanted us to let them carry their copybooks home. The copy-books were soiled, torn, badly written. The careful mathematician, R, asked for a new book, and began to copy his exercise. This idea pleased them all. "I want a sheet of paper," and "... (From : Wikisource.org.)

The Free Development Of The School
Here I must defend myself. In giving this description of the Y. P. school, I have no intention of presenting a model of what is requisite and necessary for a school, but simply a description of the actual state of the school. I take it such descriptions have their utility. If I succeed in the following pages in clearly presenting a history of the development of the school, then the reader will clearly comprehend why the character of the school was formed as it was, why I consider such an order of things advantageous, and why it would have been an utter impossibility for me to have changed it, even if I had wished to do so. The school had a free development from principles established in it by teacher and pupils. Notwithstanding all the weig... (From : Wikisource.org.)

A Walk Through the Woods
Not long ago the first class were reading Gogol's "Vii"; the last scene had a powerful effect on them, and excited their imaginations; some of them acted the witch, and kept reminding one another of the last night. Out-of-doors it was not cold; a moonless winter's night, with clouds floating across the sky. We stopped at the cross-roads; the older scholars, who had been with me three years, stood near me, begging me to accompany them a little farther; the younger ones cast sheep's-eyes at me, and then started down the hill. The younger ones had begun their studies with a new teacher, and between me and them there was not as yet that confidence which existed between the older ones and me. "Well," said one of them, "then we will go into the z... (From : Wikisource.org.)